℗ 2018 Willowhayne Records
| Released | June 15, 2018 |
| Duration | 1h 11m 47s |
| Record Label | Willowhayne Records |
| Genre | Classical (Solo Instrumental) |
Hereford Experience
Douglas Tang
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Choral Song & Fugue in C Major
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1.1
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Choral Song
Samuel Sebastian Wesley; Douglas Tang |
3:08 | |||
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1.2
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Fugue
Samuel Sebastian Wesley; Douglas Tang |
4:15 | |||
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1.3
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Grand Dialogue
Louis Marchand; Douglas Tang |
9:30 | |||
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1.4
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Allein Gott in der Höh sei Ehr, BWV 676
Johann Sebastian Bach; Douglas Tang |
5:07 | |||
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Prelude & Fugue No. 1 in E Minor "Great"
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1.5
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I. Prelude
Nicolaus Bruhns; Douglas Tang |
1:23 | |||
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1.6
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II. Fugue I
Nicolaus Bruhns; Douglas Tang |
5:10 | |||
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1.7
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III. Fugue II
Nicolaus Bruhns; Douglas Tang |
2:15 | |||
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Organ Sonata in D Minor, Op. 65 No. 6, MWV W61
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1.8
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I. Choral. Andante sostenuto - Allegro molto
Felix Mendelssohn; Douglas Tang |
8:49 | |||
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1.9
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II. Fuga. Sostenuto e legato
Felix Mendelssohn; Douglas Tang |
2:35 | |||
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1.10
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III. Finale. Andante
Felix Mendelssohn; Douglas Tang |
3:03 | |||
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3 Psalm-Preludes, Set 2, Op. 32
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1.11
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No. 1, De profundis "Psalm 130"
Herbert Howells; Douglas Tang |
8:44 | |||
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Plymouth Suite
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1.12
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I. Allegro risoluto
Percy Whitlock; Douglas Tang |
5:07 | |||
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1.13
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II. Lantana
Percy Whitlock; Douglas Tang |
3:12 | |||
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1.14
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III. Chanty
Percy Whitlock; Douglas Tang |
2:31 | |||
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1.15
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IV. Salix
Percy Whitlock; Douglas Tang |
2:49 | |||
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1.16
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V. Toccata
Percy Whitlock; Douglas Tang |
4:09 | |||
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Digital Booklet
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192 kHz / 24-bit, 96 kHz / 24-bit PCM – Willowhayne Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.52 -17.02 to -0.10 | -23.38 -34.54 to -17.96 | -21.06 -31.90 to -15.80 | 10 8 to 13 | |
| 1 | Choral Song | -3.60 | -20.74 | -18.6 | 10 |
| 2 | Fugue | -0.10 | -20.31 | -18.0 | 12 |
| 3 | Grand Dialogue | -1.06 | -20.11 | -17.0 | 12 |
| 4 | Allein Gott in der Höh sei Ehr, BWV 676 | -13.43 | -28.44 | -26.4 | 10 |
| 5 | I. Prelude | -3.94 | -17.96 | -15.8 | 9 |
| 6 | II. Fugue I | -3.42 | -21.16 | -18.0 | 10 |
| 7 | III. Fugue II | -2.77 | -19.50 | -16.6 | 10 |
| 8 | I. Choral. Andante sostenuto - Allegro molto | -1.38 | -19.77 | -17.9 | 11 |
| 9 | II. Fuga. Sostenuto e legato | -3.59 | -19.06 | -16.9 | 9 |
| 10 | III. Finale. Andante | -10.00 | -25.22 | -23.5 | 8 |
| 11 | No. 1, De profundis "Psalm 130" | -2.26 | -23.35 | -20.7 | 12 |
| 12 | I. Allegro risoluto | -0.10 | -21.05 | -18.4 | 13 |
| 13 | II. Lantana | -11.85 | -31.66 | -29.9 | 10 |
| 14 | III. Chanty | -17.02 | -34.54 | -31.9 | 11 |
| 15 | IV. Salix | -13.53 | -31.35 | -31.0 | 8 |
| 16 | V. Toccata | -0.21 | -19.81 | -16.3 | 11 |