℗ 2021 Hyperion Records Limited
| Released | September 29, 2023 |
| Originated | October 29, 2021 |
| Duration | 1h 08m 02s |
| Record Label | Hyperion |
| Genre | Classical |
Josquin's Legacy: Motets of the 15th & 16th Centuries
The Gesualdo Six, Owain Park
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Intemerata Dei mater
|
|||||
|
1.1
|
I. Intemerata Dei mater
Johannes Ockeghem; Anonymous; Marc-André Hamelin; The Gesualdo Six; Owain Park |
2:28 | |||
|
1.2
|
II. Nec sine te manet
Johannes Ockeghem; Anonymous; Owain Park; The Gesualdo Six |
2:04 | |||
|
1.3
|
III. Aspiciat facito
Johannes Ockeghem; Anonymous; Owain Park; The Gesualdo Six |
2:23 | |||
|
Nymphes des bois / Requiem aeternam, NJE 29.18 "La Déploration de Johannes Ockeghem"
|
|||||
|
1.4
|
I. Nymphes des bois
Jean Molinet; Josquin Des Prez; Anonymous; Owain Park; The Gesualdo Six |
2:35 | |||
|
1.5
|
II. Acoutrez vous
Jean Molinet; Josquin Des Prez; Anonymous; The Gesualdo Six; Owain Park |
0:55 | |||
|
1.6
|
III. Requiescat in pace
Jean Molinet; Josquin Des Prez; Anonymous; Owain Park; The Gesualdo Six |
0:40 | |||
|
Quis numerare queat
|
|||||
|
1.7
|
I. Quis numerare queat
Loyset Compère; Anonymous; Owain Park; The Gesualdo Six |
1:32 | |||
|
1.8
|
II. Audivit ipse
Loyset Compère; Anonymous; Owain Park; The Gesualdo Six |
2:15 | |||
|
1.9
|
III. Fundant preces
Loyset Compère; Anonymous; Owain Park; The Gesualdo Six |
2:16 | |||
|
1.10
|
Tous les regretz
Antoine Brumel; Anonymous; The Gesualdo Six; Owain Park |
2:02 | |||
|
1.11
|
Absalon fili mi
Josquin Des Prez; Anonymous; Pierre de La Rue; Owain Park; The Gesualdo Six |
4:32 | |||
|
Illibata Dei virgo nutrix
|
|||||
|
1.12
|
I. Illibata Dei virgo nutrix
Josquin Des Prez; Anonymous; Owain Park; The Gesualdo Six |
3:50 | |||
|
1.13
|
II. Ave virginum decus hominum
Josquin Des Prez; Anonymous; The Gesualdo Six; Owain Park |
1:47 | |||
|
1.14
|
III. Ave Maria, mater virtutum
Josquin Des Prez; Anonymous; The Gesualdo Six; Owain Park |
1:33 | |||
|
Nesciens mater
|
|||||
|
1.15
|
I. Nesciens mater
Antoine de Févin; Anonymous; Owain Park; The Gesualdo Six |
2:16 | |||
|
1.16
|
II. Virgo hodie
Antoine de Févin; Anonymous; Owain Park; The Gesualdo Six |
1:59 | |||
|
1.17
|
Qui ne regrettoit
Jean Mouton; The Gesualdo Six; Owain Park |
1:34 | |||
|
Infelix ego
|
|||||
|
1.18
|
I. Infelix ego
Adrian Willaert; Girolamo Savonarola; Owain Park; The Gesualdo Six |
4:30 | |||
|
1.19
|
II. Ad te igitur
Adrian Willaert; Girolamo Savonarola; Owain Park; The Gesualdo Six |
3:41 | |||
|
Esto mihi
|
|||||
|
1.20
|
I. Esto mihi
Heinrich Isaac; Anonymous; Owain Park; The Gesualdo Six |
2:48 | |||
|
1.21
|
II. In te, Domine, speravi
Heinrich Isaac; Anonymous; The Gesualdo Six; Owain Park |
0:49 | |||
|
O virgo prudentissima
|
|||||
|
1.22
|
I. O virgo prudentissima
Angelo Poliziano; Josquin Des Prez; Owain Park; The Gesualdo Six |
3:16 | |||
|
1.23
|
II. Audi virgo puerpera
Angelo Poliziano; Josquin Des Prez; Owain Park; The Gesualdo Six |
2:57 | |||
|
Tu solus qui facis mirabilia, NJE 22.5
|
|||||
|
1.24
|
I. Tu solus qui facis mirabilia
Josquin Des Prez; Anonymous; Owain Park; The Gesualdo Six |
1:38 | |||
|
1.25
|
II. Ad te solum confugimus
Josquin Des Prez; Anonymous; The Gesualdo Six; Owain Park |
0:38 | |||
|
1.26
|
III. Ad te preces effundimus
Josquin Des Prez; Anonymous; The Gesualdo Six; Owain Park |
0:37 | |||
|
1.27
|
IV. D'ung aultre amer
Josquin Des Prez; Anonymous; Owain Park; The Gesualdo Six |
0:31 | |||
|
1.28
|
V. Audi nostra suspiria
Josquin Des Prez; Anonymous; Owain Park; The Gesualdo Six |
1:07 | |||
|
Miserere mei, Domine
|
|||||
|
1.29
|
I. Miserere mei, Domine
Jean Lhéritier; Anonymous; Owain Park; The Gesualdo Six |
4:02 | |||
|
1.30
|
II. Ne proiicias me
Jean Lhéritier; Anonymous; The Gesualdo Six; Owain Park |
4:47 | |||
|
Digital Booklet
|
|||||
"The decision to take the Ockeghem at an uncharacteristically high pitch is bold, and with a very bright countertenor on the top line the effect is luminous and transparent (dare I say magical?), very different to the chewy, ruminative approach that the piece’s text usually elicits. For this alone I’d recommend the disc unreservedly, but this starts as the ensemble means to go. Theirs is a very English sound, eschewing overtly dramatic interpretative touches, but the sensitivity to contrapuntal details is none the less striking … as a single-disc introduction to the motet of Josquin’s time, this is hard to beat."
- Gramophone
Josquin’s sublime, brief tribute to the memory of Ockeghem—Nymphes des bois—is the emotional core of a programme which explores Josquin’s own influence on some of the great names of his time.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.96 -7.96 to -1.10 | -22.54 -27.28 to -19.52 | -19.32 -23.20 to -16.20 | 10 8 to 12 | |
| 1 | I. Intemerata Dei mater | -1.15 | -19.70 | -16.8 | 10 |
| 2 | II. Nec sine te manet | -3.00 | -21.90 | -19.0 | 10 |
| 3 | III. Aspiciat facito | -1.10 | -19.52 | -16.2 | 11 |
| 4 | I. Nymphes des bois | -4.05 | -22.82 | -19.7 | 11 |
| 5 | II. Acoutrez vous | -3.94 | -23.27 | -19.9 | 9 |
| 6 | III. Requiescat in pace | -5.77 | -27.28 | -23.2 | 8 |
| 7 | I. Quis numerare queat | -4.03 | -21.35 | -18.1 | 11 |
| 8 | II. Audivit ipse | -3.14 | -19.84 | -16.9 | 9 |
| 9 | III. Fundant preces | -1.32 | -21.31 | -18.0 | 12 |
| 10 | Tous les regretz | -7.96 | -25.61 | -22.0 | 11 |
| 11 | Absalon fili mi | -7.17 | -25.49 | -22.6 | 12 |
| 12 | I. Illibata Dei virgo nutrix | -2.21 | -21.53 | -18.5 | 12 |
| 13 | II. Ave virginum decus hominum | -2.64 | -21.65 | -18.6 | 11 |
| 14 | III. Ave Maria, mater virtutum | -2.87 | -20.99 | -17.4 | 10 |
| 15 | I. Nesciens mater | -2.77 | -21.05 | -18.1 | 11 |
| 16 | II. Virgo hodie | -1.63 | -22.00 | -18.8 | 12 |
| 17 | Qui ne regrettoit | -6.32 | -24.29 | -21.0 | 9 |
| 18 | I. Infelix ego | -2.69 | -20.84 | -17.9 | 11 |
| 19 | II. Ad te igitur | -1.69 | -19.93 | -16.9 | 10 |
| 20 | I. Esto mihi | -6.04 | -22.78 | -19.9 | 10 |
| 21 | II. In te, Domine, speravi | -7.28 | -25.24 | -21.4 | 9 |
| 22 | I. O virgo prudentissima | -3.15 | -21.36 | -18.3 | 11 |
| 23 | II. Audi virgo puerpera | -2.68 | -22.02 | -18.8 | 11 |
| 24 | I. Tu solus qui facis mirabilia | -7.03 | -23.60 | -20.3 | 9 |
| 25 | II. Ad te solum confugimus | -6.89 | -25.29 | -22.2 | 10 |
| 26 | III. Ad te preces effundimus | -3.88 | -24.54 | -21.0 | 11 |
| 27 | IV. D'ung aultre amer | -5.14 | -21.71 | -18.5 | 8 |
| 28 | V. Audi nostra suspiria | -7.00 | -25.67 | -22.0 | 11 |
| 29 | I. Miserere mei, Domine | -2.80 | -21.98 | -19.1 | 12 |
| 30 | II. Ne proiicias me | -1.62 | -21.53 | -18.6 | 11 |