℗ 2018 Oehms Classics
| Released | June 15, 2018 |
| Duration | 1h 24m 20s |
| Record Label | Oehms Classics |
| Genre | Classical (Opera) |
Aribert Reimann: L'invisible (Live)
Orchester der Deutschen Oper Berlin, Donald Runnicles
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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L'invisible
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1.1
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I. L'intruse (Live)
Aribert Reimann; Rachel Harnisch; Seth Carico; Thomas Blondelle; Stephen Bronk; Ronnita Nicole Miller; Orchester der Deutschen Oper Berlin; Donald Runnicles |
20:08 | |||
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2.1
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Interlude I (Live)
Aribert Reimann; Matthew Shaw; Martin Wölfel; Tim Severloh; Orchester der Deutschen Oper Berlin; Donald Runnicles |
3:22 | |||
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2.2
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II. Intérieur (Live)
Aribert Reimann; Stephen Bronk; Thomas Blondelle; Rachel Harnisch; Annika Schlicht; Orchester der Deutschen Oper Berlin; Donald Runnicles |
19:10 | |||
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2.3
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Interlude II (Live)
Aribert Reimann; Martin Wölfel; Matthew Shaw; Tim Severloh; Orchester der Deutschen Oper Berlin; Donald Runnicles |
3:38 | |||
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2.4
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IIIa. La mort de Tintagiles, Act I (Live)
Aribert Reimann; Rachel Harnisch; Salvador Macedo; Orchester der Deutschen Oper Berlin; Donald Runnicles |
13:12 | |||
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2.5
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IIIb. La mort de Tintagiles, Act II (Live)
Aribert Reimann; Annika Schlicht; Rachel Harnisch; Stephen Bronk; Orchester der Deutschen Oper Berlin; Donald Runnicles |
6:09 | |||
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2.6
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Interlude III (Live)
Aribert Reimann; Tim Severloh; Matthew Shaw; Martin Wölfel; Orchester der Deutschen Oper Berlin; Donald Runnicles |
2:00 | |||
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2.7
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IIIc. La mort de Tintagiles, Act III (Live)
Aribert Reimann; Stephen Bronk; Rachel Harnisch; Annika Schlicht; Salvador Macedo; Orchester der Deutschen Oper Berlin; Donald Runnicles |
5:33 | |||
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2.8
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IIId. La mort de Tintagiles, Act IV (Live)
Aribert Reimann; Tim Severloh; Martin Wölfel; Matthew Shaw; Rachel Harnisch; Annika Schlicht; Salvador Macedo; Orchester der Deutschen Oper Berlin; Donald Runnicles |
5:39 | |||
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2.9
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IIIe. La mort de Tintagiles, Act V (Live)
Aribert Reimann; Rachel Harnisch; Salvador Macedo; Tim Severloh; Matthew Shaw; Martin Wölfel; Orchester der Deutschen Oper Berlin; Donald Runnicles |
5:29 | |||
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Digital Booklet
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For L’Invisible, like his other two most recent operas Bernarda Alba’s House and Medea, Aribert Reimann has turned to a text of world literature, adapting it as his own librettist. With it, he returns to his “home” opera house, the Deutsche Oper Berlin. Four of his stage works were commissioned by that opera house and the world premiere of his new, ninth opera was also given there. It was staged by Vasily Barkhatov, one of the most interesting Russian directors of his generation and the premiere was conducted by the Principal Conductor himself, Donald Runnicles.
48 kHz / 24-bit PCM – Oehms Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.69 -8.48 to -0.17 | -26.07 -31.42 to -21.93 | -21.47 -27.90 to -16.90 | 14 12 to 17 | |
| 1.1 | I. L'intruse (Live) | -0.17 | -26.57 | -22.4 | 17 |
| 2.1 | Interlude I (Live) | -8.48 | -31.42 | -27.9 | 14 |
| 2.2 | II. Intérieur (Live) | -3.42 | -30.48 | -26.4 | 17 |
| 2.3 | Interlude II (Live) | -0.84 | -23.13 | -18.6 | 13 |
| 2.4 | IIIa. La mort de Tintagiles, Act I (Live) | -0.17 | -21.93 | -17.6 | 13 |
| 2.5 | IIIb. La mort de Tintagiles, Act II (Live) | -5.50 | -27.28 | -23.1 | 13 |
| 2.6 | Interlude III (Live) | -4.55 | -26.40 | -21.1 | 12 |
| 2.7 | IIIc. La mort de Tintagiles, Act III (Live) | -0.83 | -24.71 | -19.7 | 14 |
| 2.8 | IIId. La mort de Tintagiles, Act IV (Live) | -2.32 | -26.08 | -21.0 | 15 |
| 2.9 | IIIe. La mort de Tintagiles, Act V (Live) | -0.67 | -22.65 | -16.9 | 13 |