℗ 2018 Resonus Limited
Released June 29, 2018
Duration 1h 08m 19s
Record Label Resonus Classics
Genre Classical (Baroque)
 

Venice 1629

The Gonzaga Band

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
Sonata terza
Dario Castello; The Gonzaga Band
5:41
1.2
Exulta, filia Sion, SV 303
Claudio Monteverdi; The Gonzaga Band
5:19
1.3
Canzon prima, per quattro violini, ò cornetti
Biagio Marini; The Gonzaga Band
3:12
1.4
Paratum cor meum, SWV 257
Heinrich Schütz; The Gonzaga Band
4:22
1.5
Sonata per l’organo, violino, ò cornetto
Biagio Marini; The Gonzaga Band
3:47
1.6
Regina caeli
Alessandro Grandi; The Gonzaga Band
3:04
1.7
Corrente detta La Granda
Martino Pesenti; The Gonzaga Band
2:00
1.8
Plaudite, cantate
Orazio Tarditi; The Gonzaga Band
4:32
1.9
Capriccio, che due violini, sonano quattro par
Biagio Marini; The Gonzaga Band
4:15
1.10
Congratulamini mihi
Giovanni Carrone; The Gonzaga Band
2:48
1.11
Maria Virgo
Ignazio Donati; The Gonzaga Band
4:04
1.12
Salva me, salutaris Hostia
Alessandro Grandi; The Gonzaga Band
3:43
1.13
Lilia convallium
Benedetto Rè; The Gonzaga Band
3:40
1.14
Corrente detta La Priula
Martino Pesenti; The Gonzaga Band
2:13
1.15
Sonata senza cadenza
Biagio Marini; The Gonzaga Band
3:04
1.16
Exultavit cor meum, SWV 258
Heinrich Schütz; The Gonzaga Band
5:20
1.17
Sonata decima settima, in ecco
Dario Castello; The Gonzaga Band
7:15
"Faye Newton sings delightfully, and the players – especially Savan on the cornett are impossible to fault" – Gramophone The Gonzaga Band was formed by cornettist Jamie Savan in 1997, with a mission to explore the intimate relationship between vocal and instrumental performance practice in the Early Modern period. The ensemble takes its name from the ducal family of Mantua: the Gonzagas were powerful and influential patrons of the arts in the late Renaissance, who employed Claudio Monteverdi as their maestro della musica at the turn of the seventeenth century. Monteverdi wrote some of his most innovative music for the Gonzagas: his third, fourth and fifth books of madrigals, the operas Orfeo and Arianna, and of course the Vespers of 1610. Performing most often as a chamber ensemble with a core of soprano voice, cornett and keyboards, and expanding on occasion according to the particular requirements of each programme, The Gonzaga Band is thus able to perform in a variety of combinations, ranging from a trio to a full period-instrument orchestra and vocal consort. The Gonzaga Band is renowned for its innovative programming, underpinned by cutting-edge research, which continually shines new light on the repertoire and its interpretation. The Gonzaga Band has previously released two albums on the Chandos label to international critical acclaim: Sacred Garland (2009) and Chamber Vespers (2011).
96 kHz / 24-bit PCM – Resonus Classics Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-4.83
-20.60 to -0.47
-25.74
-38.84 to -21.29
-22.21
-35.50 to -17.90
13
11 to 16
1
Sonata terza
-2.77-22.84-19.313
2
Exulta, filia Sion, SV 303
-0.74-23.91-20.316
3
Canzon prima, per quattro violini, ò cornetti
-3.93-21.74-18.112
4
Paratum cor meum, SWV 257
-1.74-23.65-19.914
5
Sonata per l’organo, violino, ò cornetto
-3.79-22.68-19.311
6
Regina caeli
-0.47-25.28-22.014
7
Corrente detta La Granda
-20.41-38.84-35.512
8
Plaudite, cantate
-2.42-25.68-21.214
9
Capriccio, che due violini, sonano quattro par
-6.97-26.82-23.412
10
Congratulamini mihi
-3.62-24.01-20.512
11
Maria Virgo
-1.76-21.29-17.913
12
Salva me, salutaris Hostia
-2.59-26.24-22.914
13
Lilia convallium
-2.75-24.55-21.114
14
Corrente detta La Priula
-20.60-37.83-34.612
15
Sonata senza cadenza
-3.65-24.59-20.912
16
Exultavit cor meum, SWV 258
-0.54-23.59-20.114
17
Sonata decima settima, in ecco
-3.33-24.07-20.512

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