℗ 2018 Chandos
 

Beethoven: Piano Trios Nos. 1-3

Trio Goya

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1  
1
I. Allegro
Ludwig van Beethoven; Trio Goya
10:44
2
II. Adagio cantabile
Ludwig van Beethoven; Trio Goya
7:19
3
III. Scherzo. Allegro assai
Ludwig van Beethoven; Trio Goya
4:51
4
IV. Finale. Presto
Ludwig van Beethoven; Trio Goya
8:15
Piano Trio No. 2 in G Major, Op. 1 No. 2  
5
I. Adagio - Allegro vivace
Ludwig van Beethoven; Trio Goya
12:08
6
II. Largo con espressione
Ludwig van Beethoven; Trio Goya
8:39
7
III. Scherzo. Allegro
Ludwig van Beethoven; Trio Goya
3:40
8
IV. Finale. Presto
Ludwig van Beethoven; Trio Goya
8:18
Piano Trio No. 3 in C Minor, Op. 1 No. 3  
1
I. Allegro con brio
Ludwig van Beethoven; Trio Goya
10:28
2
II. Andante cantabile con variazioni
Ludwig van Beethoven; Trio Goya
7:23
3
III. Menuetto. Quasi allegro
Ludwig van Beethoven; Trio Goya
4:43
4
IV. Finale. Prestissimo
Ludwig van Beethoven; Trio Goya
8:57
Digital Booklet
Total Playing Time    1:35:25
In this Chaconne release, Trio Goya offers unique accounts of Beethoven’s early piano trios, revealing on period instruments and in the magical acoustic of the Britten-Pears Auditorium at Aldeburgh’s Snape Maltings the extraordinary range of colors and narratives that these pieces suggest. Beethoven’s Opus 1 features amongst Trio Goya’s central repertoire, played regularly in the UK’s most prestigious venues and beyond.

These pieces mark a kind of beginning in Beethoven’s career. They were indeed planned and executed, over a period of two years, with unprecedented care and skill; they mark the start of a new creative period for the young genius, which is distinct from the younger Bonn years and is fully deserving of the label ‘first maturity’ conferred by the musicologist Lewis Lockwood.

“Trio Goya sent us home spinning on the delights and laughter of early Beethoven. His piano trio opus 1 No. 1 frothed and bubbled down the finale's theme, the musicians swept along by their own hell-for-leather, immaculately kept tempo.”
- Early Music Today
96 kHz / 24-bit PCM – Chandos Studio Masters

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