℗ 2018 Whaling City Sound
Released | June 22, 2018 |
Duration | 1h 06m 20s |
Record Label | Whaling City Sound |
Genre | Jazz (Contemporary Jazz) |
Stage Door Live!
Dori Rubbicco, John Harrison Quintet
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Roman Sun (Live)
John Harrison Quintet |
7:42 | |||
1.2
|
Imagine (Live)
Dori Rubbicco; John Harrison Quintet |
6:47 | |||
1.3
|
Two Kites (Live)
Dori Rubbicco; John Harrison Quintet |
4:46 | |||
1.4
|
Pretty Funny (Live)
Dori Rubbicco; John Harrison Quintet |
5:09 | |||
1.5
|
No Regrets (Live)
Dori Rubbicco; John Harrison Quintet |
6:43 | |||
1.6
|
Will You Still Love Me Tomorrow (Live)
Dori Rubbicco; John Harrison Quintet |
7:09 | |||
1.7
|
Throw It Away (Live)
Dori Rubbicco; John Harrison Quintet |
6:49 | |||
1.8
|
Twisted (Live)
Dori Rubbicco; John Harrison Quintet |
8:12 | |||
1.9
|
Right Here Waiting (Live)
Dori Rubbicco; John Harrison Quintet |
3:43 | |||
1.10
|
I Can See Clearly Now (Live)
Dori Rubbicco; John Harrison Quintet |
5:50 | |||
1.11
|
That's All (Live)
Dori Rubbicco; John Harrison Quintet |
3:30 |
Dori Rubbicco’s musical marriage with John Harrison is the perfect arrangement. While Dori explores the nearly spiritual meaning of some of her well-chosen covers and original compositions, Harrison does his own exploration on piano, laying down lovely melodies for Rubbicco to fall back on. Harrison and his band are wonderful here, and Rubbicco’s interpretive styles serve as the ideal complement.
Emotional, magical, and unmistakably original, STAGE DOOR LIVE! was recorded at New Bedford’s intimate Zeiterion Theater. The backdrop is ideal for such a captivating live session. As a singer-songwriter inspired by the likes of Joni Mitchell—which makes perfect sense given her penchant for ambitious musical searching—as well as vocal stylists like Ella Fitzgerald and Sarah Vaughan, Dori understands the power of both style and substance and her performance conveys that power to the audience. Her set list is full of unique interpretations and elegantly imagined covers, revealing an artist able to both compose and interpret with equally successful results.
The band, Harrison’s quintet, is excellent; full of melodic romanticism and jazzy chops. Bill Miele plays the bass, Yoron Israel on drums, Donn Legge on guitar, Bryan Steel on the saxes, and Ian Rubbico Legge (notice the surnames!) on cello. Harrison leads with his customary elegance. It’s traditional without being too staid. Straight-up without being reserved. It helps that Dori finds her way through the instruments with her probing vocals.
44.1 kHz / 24-bit PCM – Whaling City Sound Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.30 -0.30 to -0.30 | -16.04 -17.38 to -13.81 | -13.15 -14.60 to -10.90 | 10 8 to 11 | |
1 | Roman Sun (Live) | -0.30 | -14.17 | -11.8 | 9 |
2 | Imagine (Live) | -0.30 | -17.38 | -14.6 | 11 |
3 | Two Kites (Live) | -0.30 | -14.12 | -11.7 | 8 |
4 | Pretty Funny (Live) | -0.30 | -17.18 | -13.8 | 10 |
5 | No Regrets (Live) | -0.30 | -16.11 | -13.1 | 10 |
6 | Will You Still Love Me Tomorrow (Live) | -0.30 | -17.02 | -14.0 | 10 |
7 | Throw It Away (Live) | -0.30 | -16.67 | -14.1 | 10 |
8 | Twisted (Live) | -0.30 | -17.09 | -14.1 | 10 |
9 | Right Here Waiting (Live) | -0.30 | -17.11 | -14.0 | 10 |
10 | I Can See Clearly Now (Live) | -0.30 | -13.81 | -10.9 | 8 |
11 | That's All (Live) | -0.30 | -15.78 | -12.5 | 9 |