℗ 2018 ROYAL LIVERPOOL PHILHARMONIC ORCHESTRA
| Released | April 20, 2018 |
| Duration | 2h 11m 12s |
| Record Label | RUBICON |
| Genre | Classical (Opera) |
Ermanno Wolf-Ferrari: I Quatro Rusteghi
European Opera Centre, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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I quatro rusteghi, Atto I
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1.1
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Preludio
Ermanno Wolf-Ferrari; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre |
1:48 | |||
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1.2
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Scena 1: “Siora mare?” (Lucieta, Margarita)
Ermanno Wolf-Ferrari; Romina Casucci; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Silvia Beltrami |
5:00 | |||
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1.3
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Scena 2: “Velo qua, eh!” (Margarita, Lucieta, Lunardo)
Ermanno Wolf-Ferrari; Silvia Beltrami; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Romina Casucci; Mihnea Lamatic |
10:51 | |||
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1.4
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Scena 3: “E cussì, come va sto maridozzo?” (Margarita, Lunardo)
Ermanno Wolf-Ferrari; Silvia Beltrami; Mihnea Lamatic; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre |
3:44 | |||
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1.5
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Scena 4: “L’è andada finalmente” (Lunardo, Maurizio)
Ermanno Wolf-Ferrari; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Aleksandar Stefanoski; Mihnea Lamatic |
7:37 | |||
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1.6
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Scena 5: “El specio me ga dito che son bela” (Marina, una serva, Filipeto)
Ermanno Wolf-Ferrari; Agnieszka Hauzer; Tansel Akzeybek; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Daniela Degennaro |
7:53 | |||
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1.7
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Scena 6: “Xe sior barba!” (Filipeto, Marina, Simone)
Ermanno Wolf-Ferrari; Tansel Akzeybek; Mirko Quarello; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Daniela Degennaro |
1:07 | |||
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1.8
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Scena 7: “Caro da Dio!” (Marina, Simone)
Ermanno Wolf-Ferrari; Mirko Quarello; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Daniela Degennaro |
1:44 | |||
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1.9
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Scena 8: “Ghe la fazzo, cospetina!” (Marina, una serva, Felice, Cancian, Riccardo)
Ermanno Wolf-Ferrari; Daniela Degennaro; Roman Ialcic; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Ana James; Giulio Pelligra; Agnieszka Hauzer |
12:00 | |||
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1.10
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Scena 9: “Marina? – Sior?” (Simone, Marina, Felice, Riccardo, Cancian)
Ermanno Wolf-Ferrari; Roman Ialcic; Daniela Degennaro; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Mirko Quarello; Ana James; Giulio Pelligra |
6:16 | |||
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I quatro rusteghi, Atto II
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2.1
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Intermezzo
Ermanno Wolf-Ferrari; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre |
3:41 | |||
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2.2
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Scena 1: “I me vol zirar ma mi li go magnai!” Lucieta, Margarita
Ermanno Wolf-Ferrari; Silvia Beltrami; Romina Casucci; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre |
9:56 | |||
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2.3
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Scena 2: “Coss’è? Coss’è, parona, che parè una bissona?”(Lunardo, Margarita, Lucieta)
Ermanno Wolf-Ferrari; Mihnea Lamatic; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Romina Casucci |
1:34 | |||
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2.4
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Scena 3: “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo)
Ermanno Wolf-Ferrari; Mirko Quarello; Romina Casucci; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; Mihnea Lamatic; European Opera Centre; Daniela Degennaro |
3:11 | |||
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2.5
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Scena 4: “Marideve, che avarè de sti gusti” (Simone, Lunardo)
Ermanno Wolf-Ferrari; Mirko Quarello; Mihnea Lamatic; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre |
6:02 | |||
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2.6
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Scena 5: “Oh, ècome quà lustrissimi” (Felice, Simone, Lunardo, Margarita, Lucieta, Marina)
Ermanno Wolf-Ferrari; Daniela Degennaro; Romina Casucci; Mihnea Lamatic; Ana James; Mirko Quarello; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Silvia Beltrami |
9:30 | |||
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2.7
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Scena 6: “A vu, ste mascarete ve domanda” (Margarita, Riccardo, Felice, Marina, Lucieta, Filipeto)
Ermanno Wolf-Ferrari; Ana James; Tansel Akzeybek; Daniela Degennaro; Romina Casucci; Royal Liverpool Philharmonic Orchestra; Giulio Pelligra; Vasily Petrenko; European Opera Centre; Silvia Beltrami |
6:41 | |||
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2.8
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Scena 7: “Cossa feu là?” (Lunardo, Lucieta, Simone, Cancian, Marina, Felice, Margarita)
Ermanno Wolf-Ferrari; Ana James; Silvia Beltrami; Mirko Quarello; Mihnea Lamatic; Daniela Degennaro; Roman Ialcic; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Romina Casucci |
2:41 | |||
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2.9
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Scena 8: “O via, seu quà?” (Lunardo, Maurizio, Simone, Cancian, Felice, Riccardo, Marina, Filipeto, Lucieta, Margarita)
Ermanno Wolf-Ferrari; Ana James; Silvia Beltrami; Aleksandar Stefanoski; Roman Ialcic; Tansel Akzeybek; Giulio Pelligra; Mihnea Lamatic; Romina Casucci; Mirko Quarello; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre |
3:34 | |||
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I quatro rusteghi, Atto III
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2.10
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Scena 1: “Hm! Ah, femene del diavolo, parchè ve gai creà?” (Lunardo, Simone, Cancian)
Ermanno Wolf-Ferrari; Mihnea Lamatic; Roman Ialcic; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Mirko Quarello |
11:12 | |||
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2.11
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Scena 2: “Siori gentilissimi grazie del bon amor” (Felice, Lunardo, Simone, Cancian)
Ermanno Wolf-Ferrari; Ana James; Roman Ialcic; Mirko Quarello; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Mihnea Lamatic |
7:29 | |||
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2.12
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Ultima Scena: “Vele quà pentìe contrìe le domanda perdon” (Felice, Lucieta, Marina, Margarita, Lunardo, Cancian, Simone, Maurizio, Filipeto, Riccardo)
Ermanno Wolf-Ferrari; Aleksandar Stefanosk; Daniela Degennaro; Silvia Beltrami; Tansel Akzeybek; Ana James; Roman Ialcic; Mirko Quarello; Romina Casucci; Giulio Pelligra; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko; European Opera Centre; Mihnea Lamatic |
7:41 | |||
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Digital Booklet
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Ermanno Wolf-Ferrari’s I Quattro Rusteghi is a wonderful comedy. Very clever and very Italian: colourful, lively and rhythmic. The women are impertinent, cunning and seductive; the men are awful, dirty and mean. The confrontation between them is at the centre of the plot; of course this clash is explosive. This opera is a real feast for the senses and the imagination. The staging is choreographic and follows the plight of the different characters. Each is attracted by and then put down by the others. The subject could be serious, and in a way it is; but Goldoni turns it into a richly humorous comedy about emancipation. The European Opera Centre chooses its repertoire with care to ensure it is suitable for young singers. This recording with the RLPO and Vasily Petrenko features some of the best young singers from across Europe with an average age below thirty who are joined by one highly experienced singer – Mihnea Lamatic from the Romanian National Opera
OTHER
96 kHz / 24-bit PCM – RUBICON Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.66 -10.42 to -0.16 | -27.69 -33.93 to -20.01 | -23.30 -29.10 to -15.40 | 16 11 to 19 | |
| 1.1 | Preludio | -10.42 | -33.13 | -29.1 | 13 |
| 1.2 | Scena 1: “Siora mare?” (Lucieta, Margarita) | -0.51 | -26.86 | -22.9 | 15 |
| 1.3 | Scena 2: “Velo qua, eh!” (Margarita, Lucieta, Lunardo) | -0.16 | -26.85 | -22.9 | 17 |
| 1.4 | Scena 3: “E cussì, come va sto maridozzo?” (Margarita, Lunardo) | -0.16 | -26.91 | -22.2 | 16 |
| 1.5 | Scena 4: “L’è andada finalmente” (Lunardo, Maurizio) | -0.16 | -23.80 | -19.6 | 15 |
| 1.6 | Scena 5: “El specio me ga dito che son bela” (Marina, una serva, Filipeto) | -0.79 | -27.43 | -23.2 | 17 |
| 1.7 | Scena 6: “Xe sior barba!” (Filipeto, Marina, Simone) | -0.16 | -27.06 | -22.7 | 16 |
| 1.8 | Scena 7: “Caro da Dio!” (Marina, Simone) | -5.09 | -30.13 | -24.2 | 15 |
| 1.9 | Scena 8: “Ghe la fazzo, cospetina!” (Marina, una serva, Felice, Cancian, Riccardo) | -1.18 | -26.76 | -22.1 | 15 |
| 1.10 | Scena 9: “Marina? – Sior?” (Simone, Marina, Felice, Riccardo, Cancian) | -1.47 | -30.47 | -25.5 | 18 |
| 2.1 | Intermezzo | -9.47 | -33.93 | -29.1 | 13 |
| 2.2 | Scena 1: “I me vol zirar ma mi li go magnai!” Lucieta, Margarita | -0.91 | -29.36 | -25.8 | 18 |
| 2.3 | Scena 2: “Coss’è? Coss’è, parona, che parè una bissona?”(Lunardo, Margarita, Lucieta) | -2.32 | -26.97 | -23.5 | 14 |
| 2.4 | Scena 3: “Patrona, siora Malgari!” (Marina, Margarita, Lucieta, Simone, Lunardo) | -0.16 | -23.39 | -19.3 | 14 |
| 2.5 | Scena 4: “Marideve, che avarè de sti gusti” (Simone, Lunardo) | -0.16 | -27.30 | -23.9 | 17 |
| 2.6 | Scena 5: “Oh, ècome quà lustrissimi” (Felice, Simone, Lunardo, Margarita, Lucieta, Marina) | -0.16 | -26.81 | -22.1 | 18 |
| 2.7 | Scena 6: “A vu, ste mascarete ve domanda” (Margarita, Riccardo, Felice, Marina, Lucieta, Filipeto) | -0.66 | -26.53 | -22.1 | 16 |
| 2.8 | Scena 7: “Cossa feu là?” (Lunardo, Lucieta, Simone, Cancian, Marina, Felice, Margarita) | -0.82 | -32.53 | -28.1 | 19 |
| 2.9 | Scena 8: “O via, seu quà?” (Lunardo, Maurizio, Simone, Cancian, Felice, Riccardo, Marina, Filipeto, Lucieta, Margarita) | -0.16 | -20.01 | -15.4 | 11 |
| 2.10 | Scena 1: “Hm! Ah, femene del diavolo, parchè ve gai creà?” (Lunardo, Simone, Cancian) | -0.16 | -28.33 | -23.5 | 18 |
| 2.11 | Scena 2: “Siori gentilissimi grazie del bon amor” (Felice, Lunardo, Simone, Cancian) | -1.05 | -27.49 | -23.2 | 15 |
| 2.12 | Ultima Scena: “Vele quà pentìe contrìe le domanda perdon” (Felice, Lucieta, Marina, Margarita, Lunardo, Cancian, Simone, Maurizio, Filipeto, Riccardo) | -0.47 | -27.06 | -22.1 | 16 |