℗ 2018 Naxos
| Released | July 13, 2018 |
| Duration | 1h 17m 24s |
| Record Label | Naxos |
| Genre | Classical (Chamber) |
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String Trio No. 1
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1.1
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I. Vivace
Stephen Dodgson; Karolos |
5:52 | |||
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1.2
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II. Andante
Stephen Dodgson; Karolos |
9:43 | |||
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1.3
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III. Presto
Stephen Dodgson; Karolos |
4:16 | |||
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Violin Sonatina in B Minor
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1.4
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I. Molto moderato
Stephen Dodgson; Harriet Mackenzie |
1:42 | |||
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1.5
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II. Vivace, leggiero
Stephen Dodgson; Harriet Mackenzie |
1:24 | |||
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1.6
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III. Allegretto
Stephen Dodgson; Harriet Mackenzie |
2:38 | |||
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1.7
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IV. Allegro con anima
Stephen Dodgson; Harriet Mackenzie |
2:28 | |||
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1.8
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Caprice After Puck
Stephen Dodgson; Sarah-Jane Bradley |
14:12 | |||
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Cello Partita
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1.9
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I. Prologue
Stephen Dodgson; Graham Walker |
0:49 | |||
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1.10
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II. Scherzo I
Stephen Dodgson; Graham Walker |
3:44 | |||
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1.11
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III. Variations I
Stephen Dodgson; Graham Walker |
2:06 | |||
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1.12
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IV. March
Stephen Dodgson; Graham Walker |
2:36 | |||
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1.13
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V. Soliloquy
Stephen Dodgson; Graham Walker |
2:03 | |||
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1.14
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VI. Scherzo II
Stephen Dodgson; Graham Walker |
1:35 | |||
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1.15
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VII. Aria
Stephen Dodgson; Graham Walker |
2:27 | |||
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1.16
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VIII. Variations II - Coda
Stephen Dodgson; Graham Walker |
1:56 | |||
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String Trio No. 2
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1.17
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I. Moderato con intensità
Stephen Dodgson; Karolos |
3:39 | |||
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1.18
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II. Adagio flessibile
Stephen Dodgson; Karolos |
6:15 | |||
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1.19
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III. Allegro
Stephen Dodgson; Karolos |
7:59 | |||
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Digital Booklet
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In his writing for strings, Stephen Dodgson revealed an abiding love of early music through his perceptive use of ornamentation, virtuoso displays and enthusiasm for variation form. Both String Trios reflect these elements and their slow movements- hymnal in the earlier work, valedictory in the later- are especially beautiful. The Sonatina in B minor for solo violin is simultaneously a tribute to Bach and a statement of Dodgson’s own musical identity, while the very different ‘Caprice after Puck’ offers a complex exploration of the hobgoblin’s sinister pranks.
Exciting, innovative and passionate, Karolos comprises some of the UK’s most eminent soloists and chamber musicians, including Craig Ogden (guitar), Graham Walker (cello), Harriet Mackenzie (violin), Juliette Bausor (flute), Maximiliano Martin (clarinet), Philippa Mo (violin), Sarah-Jane Bradley (viola) and Tanya Houghton (harp). Tailoring their programmes to suit each individual audience, Karolos is proud to offer concerts which range from core classics to premieres and performances of works by prominent and emerging composers.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.25 -11.34 to -0.82 | -30.37 -34.71 to -25.27 | -25.79 -29.80 to -20.90 | 14 11 to 17 | |
| 1 | I. Vivace | -1.75 | -25.27 | -20.9 | 13 |
| 2 | II. Andante | -4.59 | -28.21 | -23.6 | 14 |
| 3 | III. Presto | -3.35 | -28.21 | -24.3 | 15 |
| 4 | I. Molto moderato | -7.89 | -31.19 | -26.7 | 14 |
| 5 | II. Vivace, leggiero | -8.45 | -31.43 | -27.1 | 14 |
| 6 | III. Allegretto | -9.64 | -31.34 | -26.0 | 14 |
| 7 | IV. Allegro con anima | -6.19 | -31.31 | -26.6 | 16 |
| 8 | Caprice After Puck | -11.04 | -34.71 | -29.4 | 15 |
| 9 | I. Prologue | -11.34 | -31.70 | -26.7 | 11 |
| 10 | II. Scherzo I | -11.20 | -33.34 | -29.8 | 14 |
| 11 | III. Variations I | -11.21 | -34.12 | -29.5 | 14 |
| 12 | IV. March | -6.23 | -29.64 | -25.7 | 16 |
| 13 | V. Soliloquy | -9.98 | -32.94 | -25.4 | 14 |
| 14 | VI. Scherzo II | -10.61 | -31.48 | -26.8 | 13 |
| 15 | VII. Aria | -8.08 | -30.53 | -26.1 | 13 |
| 16 | VIII. Variations II - Coda | -9.00 | -29.22 | -25.2 | 13 |
| 17 | I. Moderato con intensità | -0.82 | -26.31 | -22.5 | 17 |
| 18 | II. Adagio flessibile | -4.36 | -27.46 | -23.0 | 14 |
| 19 | III. Allegro | -1.99 | -28.71 | -24.8 | 16 |