
℗ 2014 Timpani
Released | October 7, 2014 |
Duration | 4h 07m 09s |
Record Label | Timpani |
Catalogue No. | 4C4228 |
Genre | Classical (Chamber Music) |
Albéric Magnard: Complete Chamber Music
Laurent Wagschal, Solenne Païdassi, Camille Thomas, Quatuor Elysée, Ensemble Initium
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Sonata in G Major, Op. 13
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1.1
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I. Large
Albéric Magnard; Solenne Païdassi; Laurent Wagschal |
11:54 | |||
1.2
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II. Calme
Albéric Magnard; Solenne Païdassi; Laurent Wagschal |
11:38 | |||
1.3
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III. Tres vif
Albéric Magnard; Solenne Païdassi; Laurent Wagschal |
3:54 | |||
1.4
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IV. Large
Albéric Magnard; Solenne Païdassi; Laurent Wagschal |
12:29 | |||
Cello Sonata in A Major, Op. 20
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1.5
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I. Sans lenteur
Albéric Magnard; Camille Thomas; Laurent Wagschal |
8:46 | |||
1.6
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II. Sans faiblir
Albéric Magnard; Camille Thomas; Laurent Wagschal |
2:50 | |||
1.7
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III. Funebre
Albéric Magnard; Camille Thomas; Laurent Wagschal |
8:37 | |||
1.8
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IV. Rondement
Albéric Magnard; Camille Thomas; Laurent Wagschal |
7:31 | |||
Piano Trio in F Minor, Op. 18
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2.1
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I. Sombre
Albéric Magnard; Solenne Païdassi; Camille Thomas; Laurent Wagschal |
7:49 | |||
2.2
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II. Chantant
Albéric Magnard; Solenne Païdassi; Camille Thomas; Laurent Wagschal |
10:19 | |||
2.3
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III. Vif: Tempo de valse
Albéric Magnard; Solenne Païdassi; Camille Thomas; Laurent Wagschal |
5:08 | |||
2.4
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IV. Largement - Vif
Albéric Magnard; Solenne Païdassi; Camille Thomas; Laurent Wagschal |
13:36 | |||
Quintet for Flute, Oboe, Clarinet, Bassoon and Piano, Op. 8
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2.5
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I. Sombre (Dark)
Albéric Magnard; Ensemble Initium; Laurent Wagschal |
10:49 | |||
2.6
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II. Tendre (Tender)
Albéric Magnard; Ensemble Initium; Laurent Wagschal |
7:12 | |||
2.7
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III. Leger (Light)
Albéric Magnard; Ensemble Initium; Laurent Wagschal |
5:49 | |||
2.8
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IV. Joyeux (Joyful)
Albéric Magnard; Ensemble Initium; Laurent Wagschal |
10:40 | |||
String Quartet in E Minor, Op. 16
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3.1
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I. Sonate
Albéric Magnard; Quatuor Elysée |
12:38 | |||
3.2
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II. Serenade
Albéric Magnard; Quatuor Elysée |
6:18 | |||
3.3
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III. Chant funebre
Albéric Magnard; Quatuor Elysée |
12:03 | |||
3.4
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IV. Danses
Albéric Magnard; Quatuor Elysée |
11:39 | |||
Propos sur la musique de chambre d'Alberic Magnard
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4.1
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En guise d'introduction (By way of an introduction)
Albéric Magnard; Harry Halbreich; Stéphane Topakian |
4:35 | |||
4.2
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Magnard cent ans apres (Magnard hundred years after)
Albéric Magnard; Harry Halbreich; Stéphane Topakian |
4:23 | |||
4.3
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Sa musique de chambre (His Chamber Music)
Albéric Magnard; Harry Halbreich; Stéphane Topakian |
3:01 | |||
4.4
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Le Quintette (The Quintet)
Albéric Magnard; Harry Halbreich; Stéphane Topakian |
10:05 | |||
4.5
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La Sonate pour violon (The Violin Sonata)
Albéric Magnard; Harry Halbreich; Stéphane Topakian |
8:46 | |||
4.6
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Le Quatuor (The String Quartet)
Albéric Magnard; Harry Halbreich; Stéphane Topakian |
15:06 | |||
4.7
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Le Trio (The Trio)
Albéric Magnard; Harry Halbreich; Stéphane Topakian |
9:34 | |||
4.8
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La Sonate pour violoncelle (The Cello Sonata)
Albéric Magnard; Harry Halbreich; Stéphane Topakian |
10:00 |
"... the sound quality is excellent, vividly clear with the piano being especially well balanced with the woodwind and strings ... the chamber music of Albéric Magnard is wonderfully served by this release ..."
- MusicWeb International
It was just a century ago that Albéric Magnard was killed as German cavalry who had entered his estate in Baron gunned him down and set his house afire, the blaze destroying many scores. Long ignored, Magnard has in the past few years joined the pantheon of post-Franckist composers, alongside Ropartz, d’Indy and other composers who embody what French music produced at the time: a combination of force and clarity, melodic and harmonic invention and perfect mastery of orchestration. In chamber music, he left a limited legacy but one of a very high level, entrusted on this recording to a young team: Laurent Wagschal and the winds of the Ensemble Initium, talented string players Solenne Païdassi and Camille Thomas and the Quatuor Élysée.
96 kHz / 24-bit PCM – Timpani Studio Masters
* Disc 2, Tracks 5, 6, 7, 8 – 44.1 kHz / 24-bit PCM.
* Disc 2, Tracks 5, 6, 7, 8 – 44.1 kHz / 24-bit PCM.
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.32 -8.24 to 0.00 | -26.06 -31.65 to -21.70 | -22.60 -27.90 to -18.70 | 14 12 to 17 | |
1.1 | I. Large | -1.02 | -23.78 | -19.8 | 14 |
1.2 | II. Calme | -2.53 | -27.32 | -23.5 | 15 |
1.3 | III. Tres vif | 0.00 | -22.90 | -19.7 | 15 |
1.4 | IV. Large | -1.25 | -25.60 | -21.7 | 15 |
1.5 | I. Sans lenteur | -0.83 | -23.44 | -20.0 | 14 |
1.6 | II. Sans faiblir | -2.82 | -23.20 | -20.2 | 13 |
1.7 | III. Funebre | -2.72 | -26.82 | -23.6 | 16 |
1.8 | IV. Rondement | -0.83 | -21.89 | -18.7 | 13 |
2.1 | I. Sombre | -2.92 | -23.07 | -19.9 | 12 |
2.2 | II. Chantant | -6.07 | -26.52 | -23.2 | 12 |
2.3 | III. Vif: Tempo de valse | -5.62 | -25.27 | -22.4 | 12 |
2.4 | IV. Largement - Vif | -1.20 | -24.33 | -20.9 | 14 |
2.5 | I. Sombre (Dark) | -2.82 | -25.71 | -21.7 | 14 |
2.6 | II. Tendre (Tender) | -8.24 | -31.65 | -27.9 | 13 |
2.7 | III. Leger (Light) | -6.53 | -27.83 | -24.3 | 13 |
2.8 | IV. Joyeux (Joyful) | -2.53 | -25.79 | -21.9 | 15 |
3.1 | I. Sonate | 0.00 | -23.71 | -20.3 | 15 |
3.2 | II. Serenade | 0.00 | -23.29 | -20.1 | 15 |
3.3 | III. Chant funebre | -0.69 | -22.89 | -19.6 | 13 |
3.4 | IV. Danses | 0.00 | -21.70 | -18.7 | 15 |
4.1 | En guise d'introduction (By way of an introduction) | -4.32 | -29.85 | -26.2 | 17 |
4.2 | Magnard cent ans apres (Magnard hundred years after) | -7.49 | -30.61 | -27.4 | 15 |
4.3 | Sa musique de chambre (His Chamber Music) | -7.27 | -30.52 | -27.3 | 15 |
4.4 | Le Quintette (The Quintet) | -4.03 | -29.07 | -25.1 | 15 |
4.5 | La Sonate pour violon (The Violin Sonata) | -5.38 | -29.27 | -25.8 | 16 |
4.6 | Le Quatuor (The String Quartet) | -4.96 | -27.95 | -24.4 | 14 |
4.7 | Le Trio (The Trio) | -5.44 | -28.51 | -24.9 | 15 |
4.8 | La Sonate pour violoncelle (The Cello Sonata) | -5.41 | -27.03 | -23.5 | 14 |