℗ 2018 Charles Lloyd
| Released | June 29, 2018 |
| Duration | 1h 13m 17s |
| Record Label | Capitol Records, LLC |
| Genre | Jazz |
Vanished Gardens
Charles Lloyd & The Marvels, Lucinda Williams
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Defiant
Charles Lloyd & The Marvels; Lucinda Williams |
8:41 | |||
|
1.2
|
Dust
Charles Lloyd & The Marvels; Lucinda Williams |
7:58 | |||
|
1.3
|
Vanished Gardens
Charles Lloyd & The Marvels; Lucinda Williams |
9:03 | |||
|
1.4
|
Ventura
Charles Lloyd & The Marvels; Lucinda Williams |
6:22 | |||
|
1.5
|
Ballad Of The Sad Young Men
Charles Lloyd & The Marvels; Lucinda Williams |
6:17 | |||
|
1.6
|
We've Come Too Far To Turn Around
Charles Lloyd & The Marvels; Lucinda Williams |
6:30 | |||
|
1.7
|
Blues For Langston And LaRue
Charles Lloyd & The Marvels; Lucinda Williams |
5:38 | |||
|
1.8
|
Unsuffer Me
Charles Lloyd & The Marvels; Lucinda Williams |
11:40 | |||
|
1.9
|
Monk's Mood
Charles Lloyd & The Marvels; Lucinda Williams |
5:15 | |||
|
1.10
|
Angel
Charles Lloyd & The Marvels; Lucinda Williams |
5:53 |
At 80 years old, NEA Jazz Master Charles Lloyd remains an intrepid musical pioneer, entering his ninth decade at a creative peak in what now stands as a mountainous and formidable career. With his newest band The Marvels—a guitar-driven group featuring Bill Frisell, Greg Leisz, Reuben Rogers, and Eric Harland—Lloyd released the 2016 album I Long To See You which NPR called “music that evokes an uncommon state of grace.” Now on Vanished Gardens, The Marvels add a new dimension by collaborating with revered singer-songwriter Lucinda Williams to pioneer a new genre of Americana Jazz that draws on the musicians' many influences and experiences with reimagined versions of Williams favorites, new Lloyd originals, and covers of Jimi Hendrix, Thelonious Monk, and more.
96 kHz / 24-bit PCM – Capitol Records, LLC Studio Masters
Tracks 1-4, 6-9 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 5,10 – 44.1 kHz / 24-bit PCM
Tracks 1-4, 6-9 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 5,10 – 44.1 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.24 -0.46 to -0.20 | -17.96 -20.13 to -15.21 | -15.40 -17.70 to -12.90 | 12 9 to 14 | |
| 1 | Defiant | -0.20 | -17.48 | -15.3 | 12 |
| 2 | Dust | -0.20 | -15.21 | -12.9 | 10 |
| 3 | Vanished Gardens | -0.20 | -16.82 | -13.6 | 9 |
| 4 | Ventura | -0.20 | -18.89 | -16.7 | 13 |
| 5 | Ballad Of The Sad Young Men | -0.46 | -20.00 | -17.7 | 13 |
| 6 | We've Come Too Far To Turn Around | -0.20 | -20.13 | -17.0 | 14 |
| 7 | Blues For Langston And LaRue | -0.20 | -17.34 | -15.4 | 12 |
| 8 | Unsuffer Me | -0.20 | -16.55 | -14.2 | 10 |
| 9 | Monk's Mood | -0.20 | -18.80 | -15.5 | 12 |
| 10 | Angel | -0.32 | -18.39 | -15.7 | 13 |