℗ 2017 haenssler CLASSIC
| Released | October 6, 2017 |
| Duration | 49m 01s |
| Record Label | haenssler CLASSIC |
| Genre | Classical (Piano) |
J.S. Bach: Goldberg Variations
Jean Muller
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Goldberg Variations, BWV 988
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1.1
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Aria
Johann Sebastian Bach; Jean Muller |
2:53 | |||
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1.2
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Var. 1, a 1 Clav.
Johann Sebastian Bach; Jean Muller |
0:56 | |||
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1.3
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Var. 2, a 1 Clav.
Johann Sebastian Bach; Jean Muller |
0:39 | |||
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1.4
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Var. 3, Canone all'Unisuono a 1 Clav.
Johann Sebastian Bach; Jean Muller |
1:25 | |||
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1.5
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Var. 4, a 1 Clav.
Johann Sebastian Bach; Jean Muller |
0:44 | |||
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1.6
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Var. 5, a 1 ô vero 2 Clav.
Johann Sebastian Bach; Jean Muller |
0:39 | |||
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1.7
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Var. 6, Canone alla Seconda. a 1 Clav.
Johann Sebastian Bach; Jean Muller |
0:46 | |||
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1.8
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Var. 7, a 1 ô vero 2 Clav.
Johann Sebastian Bach; Jean Muller |
1:04 | |||
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1.9
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Var. 8, a 2 Clav.
Johann Sebastian Bach; Jean Muller |
0:57 | |||
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1.10
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Var. 9, Canone alla Terza. a 1 Clav.
Johann Sebastian Bach; Jean Muller |
1:02 | |||
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1.11
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Var. 10, Fughetta. a 1 Clav.
Johann Sebastian Bach; Jean Muller |
1:09 | |||
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1.12
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Var. 11, a 2 Clav.
Johann Sebastian Bach; Jean Muller |
1:02 | |||
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1.13
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Var. 12, Canone alla Quarta. a 1 Clav.
Johann Sebastian Bach; Jean Muller |
1:37 | |||
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1.14
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Var. 13, a 2 Clav.
Johann Sebastian Bach; Jean Muller |
2:38 | |||
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1.15
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Var. 14, a 2 Clav.
Johann Sebastian Bach; Jean Muller |
1:02 | |||
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1.16
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Var. 15, Canone alla Quinta. a 1 Clav.
Johann Sebastian Bach; Jean Muller |
3:58 | |||
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1.17
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Var. 16, Ouverture. a 1 Clav.
Johann Sebastian Bach; Jean Muller |
1:35 | |||
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1.18
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Var. 17, a 2 Clav.
Johann Sebastian Bach; Jean Muller |
0:59 | |||
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1.19
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Var. 18, Canone alla Sexta. a 1 Clav.
Johann Sebastian Bach; Jean Muller |
1:08 | |||
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1.20
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Var. 19, a 1 Clav.
Johann Sebastian Bach; Jean Muller |
0:57 | |||
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1.21
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Var. 20, a 2 Clav.
Johann Sebastian Bach; Jean Muller |
0:53 | |||
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1.22
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Var. 21, Canone alla Settima. a 1 Clav.
Johann Sebastian Bach; Jean Muller |
1:49 | |||
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1.23
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Var. 22, a 1 Clav.
Johann Sebastian Bach; Jean Muller |
1:11 | |||
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1.24
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Var. 23, a 2 Clav.
Johann Sebastian Bach; Jean Muller |
1:09 | |||
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1.25
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Var. 24, Canone all'Ottava. a 1 Clav.
Johann Sebastian Bach; Jean Muller |
1:46 | |||
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1.26
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Var. 25, a 2 Clav.
Johann Sebastian Bach; Jean Muller |
5:48 | |||
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1.27
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Var. 26, a 2 Clav.
Johann Sebastian Bach; Jean Muller |
0:55 | |||
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1.28
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Var. 27, Canone alla Nona. a 2 Clav.
Johann Sebastian Bach; Jean Muller |
1:20 | |||
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1.29
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Var. 28, a 2 Clav.
Johann Sebastian Bach; Jean Muller |
1:06 | |||
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1.30
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Var. 29, a 1 ô vero 2 Clav.
Johann Sebastian Bach; Jean Muller |
1:03 | |||
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1.31
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Var. 30, Quodlibet. a 1 Clav.
Johann Sebastian Bach; Jean Muller |
1:29 | |||
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1.32
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Aria da capo
Johann Sebastian Bach; Jean Muller |
3:22 | |||
In 1741, at the height of his creativity, Bach published on of his pioneering works under the modest title “Keyboard exercise comprising an aria with diverse variations for harpsichord with two manuals.” The title “Goldberg Variations” has attached itself to the work thanks to an unverifiable anecdote by Bach’s first biographer Johann Nikolaus Forkel. This story has often led people to the misapprehension that the phenomenal work was conceived to help Count Keyserlingk drop off to sleep. The Goldberg Variations have gained monolithic prominence as the only work of Bach’s oeuvre in this genre. The challenge of composing a piece of considerable length (45-90 minutes depending on how frequently the repeats are played) on top of a single bass line has been superbly met here. It is astonishing how the continuous G major, which is interspersed with just three G minor variations, never becomes the slightest bit tedious for the listener.
88.2 kHz / 24-bit PCM – haenssler CLASSIC Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.90 -15.15 to -0.56 | -22.50 -34.96 to -16.43 | -19.77 -31.60 to -14.00 | 11 10 to 14 | |
| 1 | Aria | -10.05 | -29.52 | -26.5 | 12 |
| 2 | Var. 1, a 1 Clav. | -3.10 | -18.19 | -15.6 | 10 |
| 3 | Var. 2, a 1 Clav. | -5.18 | -22.69 | -20.0 | 11 |
| 4 | Var. 3, Canone all'Unisuono a 1 Clav. | -4.94 | -22.99 | -20.4 | 11 |
| 5 | Var. 4, a 1 Clav. | -0.56 | -16.66 | -14.2 | 11 |
| 6 | Var. 5, a 1 ô vero 2 Clav. | -2.60 | -19.21 | -16.5 | 11 |
| 7 | Var. 6, Canone alla Seconda. a 1 Clav. | -7.88 | -23.42 | -20.9 | 10 |
| 8 | Var. 7, a 1 ô vero 2 Clav. | -8.96 | -26.97 | -24.2 | 11 |
| 9 | Var. 8, a 2 Clav. | -0.91 | -17.86 | -15.2 | 10 |
| 10 | Var. 9, Canone alla Terza. a 1 Clav. | -6.09 | -23.93 | -21.3 | 10 |
| 11 | Var. 10, Fughetta. a 1 Clav. | -2.21 | -17.22 | -14.4 | 10 |
| 12 | Var. 11, a 2 Clav. | -5.53 | -25.11 | -22.5 | 11 |
| 13 | Var. 12, Canone alla Quarta. a 1 Clav. | -2.06 | -17.37 | -14.8 | 10 |
| 14 | Var. 13, a 2 Clav. | -9.86 | -29.96 | -27.3 | 12 |
| 15 | Var. 14, a 2 Clav. | -3.32 | -19.09 | -16.5 | 10 |
| 16 | Var. 15, Canone alla Quinta. a 1 Clav. | -4.53 | -27.03 | -23.8 | 14 |
| 17 | Var. 16, Ouverture. a 1 Clav. | -2.52 | -19.00 | -16.2 | 11 |
| 18 | Var. 17, a 2 Clav. | -3.37 | -23.72 | -21.2 | 11 |
| 19 | Var. 18, Canone alla Sexta. a 1 Clav. | -5.97 | -25.15 | -22.4 | 11 |
| 20 | Var. 19, a 1 Clav. | -12.66 | -30.41 | -28.0 | 11 |
| 21 | Var. 20, a 2 Clav. | -4.66 | -19.79 | -17.2 | 10 |
| 22 | Var. 21, Canone alla Settima. a 1 Clav. | -2.67 | -19.03 | -16.6 | 11 |
| 23 | Var. 22, a 1 Clav. | -2.01 | -19.04 | -16.1 | 11 |
| 24 | Var. 23, a 2 Clav. | -4.68 | -22.83 | -20.1 | 11 |
| 25 | Var. 24, Canone all'Ottava. a 1 Clav. | -4.98 | -23.11 | -20.4 | 12 |
| 26 | Var. 25, a 2 Clav. | -7.19 | -31.01 | -27.2 | 14 |
| 27 | Var. 26, a 2 Clav. | -1.93 | -16.90 | -14.3 | 10 |
| 28 | Var. 27, Canone alla Nona. a 2 Clav. | -3.40 | -19.35 | -16.8 | 10 |
| 29 | Var. 28, a 2 Clav. | -5.83 | -23.77 | -21.2 | 11 |
| 30 | Var. 29, a 1 ô vero 2 Clav. | -0.96 | -16.43 | -14.0 | 10 |
| 31 | Var. 30, Quodlibet. a 1 Clav. | -1.07 | -18.22 | -15.3 | 11 |
| 32 | Aria da capo | -15.15 | -34.96 | -31.6 | 12 |