℗ 2015 Farao Classics
| Released | June 9, 2015 |
| Duration | 57m 53s |
| Record Label | Farao Classics |
| Genre | Classical (Choral - Secular) |
Brahms – Schumann – Schubert – Strawinsky – Wagner – Strauss
Audi Jugendchorakademie, Munich Opera Horns, Kent Nagano
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
4 Gesange, Op. 17
|
|||||
|
1.1
|
No. 1. Es tönt ein voller Harfenklang
Johannes Brahms; Antonia Schreiber; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
3:17 | |||
|
1.2
|
No. 2. Lied von Shakespeare
Johannes Brahms; Antonia Schreiber; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
1:37 | |||
|
1.3
|
No. 3. Der Gartner
Johannes Brahms; Antonia Schreiber; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
2:32 | |||
|
1.4
|
No. 4. Gesang aus Fingal
Johannes Brahms; Antonia Schreiber; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
4:04 | |||
|
5 Gesange aus H. Laubes Jagdbrevier, Op. 137
|
|||||
|
1.5
|
No. 1. Zur hohen Jagd
Robert Schumann; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
3:17 | |||
|
1.6
|
No. 2. Habet acht!
Robert Schumann; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
3:21 | |||
|
1.7
|
No. 3. Jagdmorgen
Robert Schumann; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
1:46 | |||
|
1.8
|
No. 4. Fruhe
Robert Schumann; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
3:03 | |||
|
1.9
|
No. 5. Bei der Flasche
Robert Schumann; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
1:50 | |||
|
1.10
|
Nachtgesang im Walde, Op. 139, D. 913
Franz Schubert; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
5:47 | |||
|
4 Russian Peasant Songs, "Podblyudniye"
|
|||||
|
1.11
|
No. 1. U spasa v' chigisakh (In Our Saviour’s Parish at Chigasi)
Igor Stravinsky; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
0:49 | |||
|
1.12
|
No. 2. Ovsen' (Ovsen)
Igor Stravinsky; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
0:41 | |||
|
1.13
|
No. 3. Shchuka (The Pike)
Igor Stravinsky; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
0:48 | |||
|
1.14
|
No. 4. Puzishche (Mr. Portly)
Igor Stravinsky; Audi Jugendchorakademie; Munich Opera Horns; Kent Nagano |
1:02 | |||
|
Parsifal
|
|||||
|
1.15
|
Act III: Good Friday Magic (arr. F. Kanefzky for horn ensemble)
Richard Wagner; Franz Kanefzky; Munich Opera Horns; Kent Nagano |
9:29 | |||
|
1.16
|
Der Rosenkavalier Suite, Op. 59, TrV 227 (arr. F. Kanefzky for horn ensemble)
Richard Strauss; Franz Kanefzky; Munich Opera Horns; Kent Nagano |
14:30 | |||
Remarkably, there is little repertoire for choral ensembles and horns, even though the sound of the horn has a very close resemblance to that of the human voice. For the Munich Opera Horns, this was a great incentive to present these rarely played works to the public in an exemplary interpretation.
Featuring various combinations of voices and horns, the works tell of the joys and woes of hunting, romantic love, night-time in the woods, and Russian women who have devoted themselves to fortune-telling.
The singers and horn players on the recording give wonderfully vivid and highly impassioned performances of these many-faceted pieces.
The programme is rounded off by two works from the world of opera arranged for ten-part horn ensemble. While the 'Good Friday Magic' arrangement adopts what Wagner wrote almost note for note, the 'Rosenkavalier Suite' is a skilfully and freely ordered series of passages from the opera Der Rosenkavalier that sometimes uses bridging passages composed by the arranger.
96 kHz / 24-bit PCM – Farao Classics Studio Masters
Tracks 1-14 – 88.2 kHz / 24-bit PCM
Tracks 1-14 – 88.2 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.04 -5.94 to -0.24 | -23.65 -30.04 to -19.15 | -20.03 -25.60 to -15.30 | 13 11 to 16 | |
| 1 | No. 1. Es tönt ein voller Harfenklang | -5.37 | -26.92 | -23.6 | 13 |
| 2 | No. 2. Lied von Shakespeare | -4.07 | -26.93 | -23.3 | 13 |
| 3 | No. 3. Der Gartner | -0.83 | -22.53 | -18.8 | 12 |
| 4 | No. 4. Gesang aus Fingal | -1.90 | -25.52 | -21.3 | 15 |
| 5 | No. 1. Zur hohen Jagd | -2.07 | -21.70 | -18.6 | 13 |
| 6 | No. 2. Habet acht! | -5.94 | -30.04 | -25.6 | 16 |
| 7 | No. 3. Jagdmorgen | -0.30 | -23.32 | -19.7 | 13 |
| 8 | No. 4. Fruhe | -5.31 | -26.95 | -23.5 | 13 |
| 9 | No. 5. Bei der Flasche | -1.34 | -21.50 | -18.0 | 12 |
| 10 | Nachtgesang im Walde, Op. 139, D. 913 | -0.72 | -25.03 | -21.2 | 15 |
| 11 | No. 1. U spasa v' chigisakh (In Our Saviour’s Parish at Chigasi) | -0.49 | -22.98 | -19.7 | 14 |
| 12 | No. 2. Ovsen' (Ovsen) | -3.15 | -22.63 | -19.4 | 12 |
| 13 | No. 3. Shchuka (The Pike) | -0.30 | -19.39 | -16.0 | 13 |
| 14 | No. 4. Puzishche (Mr. Portly) | -0.30 | -19.15 | -15.3 | 11 |
| 15 | Act III: Good Friday Magic (arr. F. Kanefzky for horn ensemble) | -0.24 | -21.60 | -18.0 | 12 |
| 16 | Der Rosenkavalier Suite, Op. 59, TrV 227 (arr. F. Kanefzky for horn ensemble) | -0.24 | -22.19 | -18.5 | 14 |