℗ 2013 Farao Classics
| Released | November 19, 2013 |
| Duration | 54m 36s |
| Record Label | Farao Classics |
| Genre | Classical (Chamber) |
|
1.1
|
Lohengrin Fantasy (after R. Wagner)
Karl Stiegler; Munich Opera Horns |
12:13 | |||
|
1.2
|
Nun komm, der Heiden Heiland, BWV 61 (arr. F. Kanefsky for horn ensemble)
Johann Sebastian Bach; Franz Kanefzky; Munich Opera Horns |
4:20 | |||
|
1.3
|
Canzon per sonar septimi toni (arr. V. Reynolds for horn ensemble)
Giovanni Gabrieli; Verne Reynolds; Munich Opera Horns |
3:17 | |||
|
1.4
|
Wachet auf, ruft uns die Stimme, BWV 140 (arr. F. Kanefzky for horn ensemble)
Johann Sebastian Bach; Franz Kanefzky; Munich Opera Horns |
4:51 | |||
|
1.5
|
Fan Faire
Miroslav Srnka; Munich Opera Horns |
7:36 | |||
|
1.6
|
Schmucke dich, o liebe Seele, BWV 180 (arr. F. Kanefzky for horn ensemble)
Johann Sebastian Bach; Franz Kanefzky; Munich Opera Horns |
5:20 | |||
|
1.7
|
Aida, Act II: Triumphal March (arr. F. Kanefzky for horn ensemble)
Giuseppe Verdi; Franz Kanefzky; Munich Opera Horns |
11:52 | |||
|
1.8
|
Oblivion (arr. S. Sager for horn ensemble)
Ástor Piazzolla; Sebastian Sager; Munich Opera Horns |
5:07 |
Robert Schumann once said: "The horns are the soul of the orchestra." And the horn really is more than just an instrument. It possesses an almost unlimited spectrum of tone colours, it covers a range of more than four octaves, its sound can be modified with a mute, and it is the most organic, human and vocal of all the instruments. However, the full dimensions of its immense versatility are revealed only when a horn is not played alone, but when nine horns experiment simultaneously with their sound, exploring their furthest creative limits and communicating with one another.
96 kHz / 24-bit PCM – Farao Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.24 -8.58 to -0.20 | -23.84 -26.82 to -21.67 | -20.43 -24.20 to -18.10 | 12 11 to 14 | |
| 1 | Lohengrin Fantasy (after R. Wagner) | -0.20 | -22.45 | -19.2 | 14 |
| 2 | Nun komm, der Heiden Heiland, BWV 61 (arr. F. Kanefsky for horn ensemble) | -6.57 | -25.49 | -22.8 | 11 |
| 3 | Canzon per sonar septimi toni (arr. V. Reynolds for horn ensemble) | -3.51 | -21.67 | -18.6 | 11 |
| 4 | Wachet auf, ruft uns die Stimme, BWV 140 (arr. F. Kanefzky for horn ensemble) | -5.75 | -24.87 | -21.9 | 11 |
| 5 | Fan Faire | -0.20 | -24.11 | -18.1 | 14 |
| 6 | Schmucke dich, o liebe Seele, BWV 180 (arr. F. Kanefzky for horn ensemble) | -8.58 | -26.82 | -24.2 | 11 |
| 7 | Aida, Act II: Triumphal March (arr. F. Kanefzky for horn ensemble) | -0.94 | -22.14 | -18.9 | 14 |
| 8 | Oblivion (arr. S. Sager for horn ensemble) | -0.20 | -23.19 | -19.7 | 13 |