℗ 2018 Signum Records
Released September 14, 2018
Duration 1h 06m 02s
Record Label Signum Records
Genre Classical (Opera)
 

Mozart: Grabmusik, Bastien Und Bastienne

The Mozartists, Ian Page

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Grabmusik, K. 42/35a (Original 1767 Version)  
1.1
No. 1, "Wo bin ich? bittrer Schmerz!" (Recitative)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:01
1.2
No. 2, "Felsen, spaltet euren Rachen" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
6:02
1.3
No. 3, "Geliebte Seel', was redest du?" (Recitative)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:03
1.4
No. 4, "Betracht dies Herz und frage mich" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
4:06
1.5
No. 5, "O Himmel! was ein traurig Licht" (Recitative)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:16
1.6
No. 6, "Jesu, was hab' ich getan?" (Duet)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
4:43
Bastien und Bastienne, K. 50 (Original 1768 Version)  
1.7
Intrada
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:39
1.8
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 1: No. 1, "Mein liebster Freund hat mich verlassen" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:55
1.9
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 1: "Du fliehst von mir, Bastien?" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
0:45
1.10
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 1: No. 2, "Ich geh jetzt auf die Weide (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:33
1.11
Entrance of Colas
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
0:18
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 2  
1.12
No. 4, "Befraget mich ein zartes Kind" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:04
1.13
"Guten Morgen, Herr Colas!" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:58
1.14
No. 5, "Wenn mein Bastien im Scherze" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
2:35
1.15
"O, die Edelfrau vom Schloß" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
0:18
1.16
No. 6, "Würd ich auch, wie manche Buhlerinnen" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:16
1.17
"Gib dich zufrieden!" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:01
1.18
No. 7, "Auf den Rat, den ich gegeben" (Duet)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:33
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 3  
1.19
"Dieses Liebhaberpaar ist wahrlich ein rechtes Wunderwerk" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
0:41
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 4  
1.20
No. 8, "Großen Dank dir abzustatten" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:24
1.21
"Es freut mich, daß du endlich zu dir" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
0:40
1.22
No. 9, "Geh! du sagst mir eine Fabel" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:16
1.23
"Das kann sein" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:17
1.24
No. 10, "Tätzel, Brätzel, Schober, Kober" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:20
1.25
"Ist die Hexerei zu Ende?" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
0:20
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 5  
1.26
No. 11, "Meiner Liebsten schöne Wangen" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
3:02
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 6  
1.27
"Da ist sie" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:02
1.28
No. 12, "Er war mir sonst treu und ergeben" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
2:25
1.29
"O, ich sehe schon, was dich verdrießt" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
0:59
1.30
No. 13, "Geh hin!" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
5:52
1.31
"Siehe da! bist du noch hier?" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
0:32
1.32
No. 14, "Dien Trotz vermehrt sich durch mein Leiden?" (Recitative)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
0:49
1.33
Und sollte ich wohl ein solcher Narr sein" (Dialogue)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
0:25
1.34
No. 15, Geh! geh! geh, Herz von Flandern!" (Duet)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
5:17
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 7  
1.35
No. 16 "Kinder! Kinder! seht, nach Sturm und Regen" (Trio)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
3:05
Bastien und Bastienne, K. 50 (2nd 1769 Version), Scene 4  
1.36
No. 10, "Diggi, daggi, schurry, murry" (Aria)
Wolfgang Amadeus Mozart; The Mozartists; Ian Page
1:30
Continuing their complete Mozart opera recording cycle, The Mozartists’ latest release shines a light on two early opera works by Mozart. Grabmusik was reported to be the product of a test set by the prince of Salzburg, who: “… not crediting that such masterly compositions were really those of a child, shut him up for a week, during which he was not permitted to see any one, and was left only with music paper, and the words of an oratorio … During this short time he composed a very capital oratorio, which was most highly approved of upon being performed.” Performed for Holy Week the title can be translated as Cantata on Christ’s Grave (literally ‘Grave Music’), and the anonymous text takes the form of a dialogue between a tormented soul, who is desperately lamenting the tragedy of Christ’s death, and an angel. Bastien und Bastienne is the only one of Mozart’s operas to have been written for performance in a private house rather than a theatre. Commissioned at some point in mid-1768 by the renowned and controversial German physician Franz Anton Mesmer, it tells the tale of two young shepherds, Bastien and Bastienne, being reconciled in love by the fortune teller and magician Colas after Bastien has briefly been lured away by the attractions of a noble lady from the city. This new recording uses Mozart’s original 1768 setting of the libretto by F. W. Weiskern & J. H. F. Müller, the provenance of which was only established in the 1980s.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-6.82
-17.10 to -0.50
-29.23
-38.88 to -23.19
-25.63
-34.60 to -19.60
14
10 to 19
1
No. 1, "Wo bin ich? bittrer Schmerz!" (Recitative)
-6.23-29.06-25.113
2
No. 2, "Felsen, spaltet euren Rachen" (Aria)
-3.94-23.95-20.613
3
No. 3, "Geliebte Seel', was redest du?" (Recitative)
-3.65-26.93-22.415
4
No. 4, "Betracht dies Herz und frage mich" (Aria)
-1.27-25.15-20.915
5
No. 5, "O Himmel! was ein traurig Licht" (Recitative)
-7.77-29.28-25.712
6
No. 6, "Jesu, was hab' ich getan?" (Duet)
-1.80-23.30-19.613
7
Intrada
-5.47-26.52-22.412
8
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 1: No. 1, "Mein liebster Freund hat mich verlassen" (Aria)
-4.05-26.69-23.513
9
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 1: "Du fliehst von mir, Bastien?" (Dialogue)
-17.10-38.88-34.614
10
Bastien und Bastienne, K. 50 (Original 1768 Version), Scene 1: No. 2, "Ich geh jetzt auf die Weide (Aria)
-2.02-25.19-21.912
11
Entrance of Colas
-8.03-23.19-20.110
12
No. 4, "Befraget mich ein zartes Kind" (Aria)
-5.12-25.30-21.912
13
"Guten Morgen, Herr Colas!" (Dialogue)
-13.06-37.40-33.415
14
No. 5, "Wenn mein Bastien im Scherze" (Aria)
-1.64-24.03-20.715
15
"O, die Edelfrau vom Schloß" (Dialogue)
-16.26-36.56-33.314
16
No. 6, "Würd ich auch, wie manche Buhlerinnen" (Aria)
-1.29-24.45-20.815
17
"Gib dich zufrieden!" (Dialogue)
-15.60-38.07-34.416
18
No. 7, "Auf den Rat, den ich gegeben" (Duet)
-2.22-25.02-21.914
19
"Dieses Liebhaberpaar ist wahrlich ein rechtes Wunderwerk" (Dialogue)
-14.23-36.56-32.915
20
No. 8, "Großen Dank dir abzustatten" (Aria)
-7.35-26.20-23.314
21
"Es freut mich, daß du endlich zu dir" (Dialogue)
-11.45-37.02-33.416
22
No. 9, "Geh! du sagst mir eine Fabel" (Aria)
-6.75-27.23-24.113
23
"Das kann sein" (Dialogue)
-12.07-35.85-32.115
24
No. 10, "Tätzel, Brätzel, Schober, Kober" (Aria)
-5.72-24.76-21.713
25
"Ist die Hexerei zu Ende?" (Dialogue)
-11.35-34.61-30.516
26
No. 11, "Meiner Liebsten schöne Wangen" (Aria)
-5.34-26.35-23.413
27
"Da ist sie" (Dialogue)
-8.53-36.86-32.719
28
No. 12, "Er war mir sonst treu und ergeben" (Aria)
-0.55-23.49-20.213
29
"O, ich sehe schon, was dich verdrießt" (Dialogue)
-8.96-35.30-31.615
30
No. 13, "Geh hin!" (Aria)
-3.36-26.78-23.316
31
"Siehe da! bist du noch hier?" (Dialogue)
-6.67-36.34-32.217
32
No. 14, "Dien Trotz vermehrt sich durch mein Leiden?" (Recitative)
-7.18-26.25-22.713
33
Und sollte ich wohl ein solcher Narr sein" (Dialogue)
-13.46-37.88-33.916
34
No. 15, Geh! geh! geh, Herz von Flandern!" (Duet)
-0.50-23.65-20.515
35
No. 16 "Kinder! Kinder! seht, nach Sturm und Regen" (Trio)
-1.07-23.52-19.915
36
No. 10, "Diggi, daggi, schurry, murry" (Aria)
-4.38-24.77-21.114

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