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Black Radio 2

Robert Glasper Experiment

Available in 96 kHz / 24-bit AIFF and FLAC high-resolution audio formats

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    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
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1
Baby Tonight (Black Radio 2 Theme/Mic Check 2)
Robert Glasper Experiment
4:23
2
I Stand Alone (feat. Common, Patrick Stump)
Robert Glasper Experiment; Common; Patrick Stump
4:54
3
What Are We Doing (feat. Brandy)
Robert Glasper Experiment; Brandy
3:35
4
Calls (feat. Jill Scott)
Robert Glasper Experiment; Jill Scott
5:42
5
Worries (feat. Dwele)
Robert Glasper Experiment; Dwele
3:37
6
Trust (feat. Marsha Ambrosius)
Robert Glasper Experiment; Marsha Ambrosius
7:30
7
Yet To Find (feat. Anthony Hamilton)
Robert Glasper Experiment; Anthony Hamilton
4:41
8
You Own Me (feat. Faith Evans)
Robert Glasper Experiment; Faith Evans
4:26
9
Let It Ride (feat. Norah Jones)
Robert Glasper Experiment; Norah Jones
7:08
10
Persevere (feat. Snoop Dogg, Lupe Fiasco, Luke James)
Robert Glasper Experiment; Snoop Dogg; Lupe Fiasco; Luke James
4:36
11
Somebody Else (feat. Emeli Sandé)
Robert Glasper Experiment; Emeli Sandé
3:44
12
Jesus Children (feat. Lalah Hathaway, Malcolm Jamal Warner)
Robert Glasper Experiment; Lalah Hathaway; Malcolm Jamal Warner
5:29
13
Big Girl Body (feat. Eric Roberson)
Robert Glasper Experiment; Eric Roberson
5:06
14
You’re My Everything (feat. Bilal, Jazmine Sullivan)
Robert Glasper Experiment; Bilal; Jazmine Sullivan
4:19
15
I Don’t Even Care (feat. Macy Gray, Jean Grae)
Robert Glasper Experiment; Macy Gray; Jean Grae
3:32
16
Lovely Day
Robert Glasper Experiment
5:08
Total Playing Time    77:50
On Black Radio 2, the Robert Glasper Experiment attempts the near impossible: create a sequel that delivers fully on the promise of its groundbreaking, Grammy-winning predecessor. Glasper's group -- bassist Derrick Hodge, Casey Benjamin on vocoder and synth, and drummer Mark Colenburg -- again enlists a stellar cast of vocalists. Instead of relying on covers, this set is almost entirely comprised of originals.

Black Radio 2 is much more subtle than its predecessor, and braver for relying on original material to carry it. It requires more listening to appreciate fully. Taken as a whole, however, it serves and fulfills the role of a sequel: the album deepens the band's music-making aesthetic, and further establishes their sound not only as a signature, but even, perhaps, as its own genre.
96 kHz / 24-bit PCM – Blue Note Records Studio Masters

Tracks 1-16 – contains material which utilizes a limited amount of the available bandwidth.

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High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

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You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

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