℗ 2017 Thomas Azier, under license in the U.S. to Casablanca Records
| Released | May 12, 2017 |
| Duration | 33m 59s |
| Record Label | Universal Music Division Mercury Records |
| Genre | Pop |
|
1.1
|
Concubine
Thomas Azier |
2:21 | |||
|
1.2
|
Talk To Me
Thomas Azier |
3:56 | |||
|
1.3
|
Winners
Thomas Azier |
3:04 | |||
|
1.4
|
Gold
Thomas Azier |
3:41 | |||
|
1.5
|
Crucify
Thomas Azier |
3:20 | |||
|
1.6
|
Berlin
Thomas Azier |
3:06 | |||
|
1.7
|
Sandglass
Thomas Azier |
3:14 | |||
|
1.8
|
Starling
Thomas Azier |
3:43 | |||
|
1.9
|
Call
Thomas Azier |
4:20 | |||
|
1.10
|
Babylon
Thomas Azier |
3:14 | |||
|
Digital Booklet
|
After Azier's haunting synth-pop debut in 2014 with Hylas, the charismatic, pan-European electro star is showing a new side of himself. On Rouge, the music floats between moods: gentle and piano-driven, epic and triumphant, and four-to-the-floor dance-pop. This second album shows a highly appreciated desire for musical change.
"I decided to break my patterns. Whether it was living in the same city, writing the same songs or using the same sounds. When I know the next step, I feel it is time for change."
- Thomas Azier
96 kHz / 24-bit PCM – Universal Music Division Mercury Records Studio Masters
Tracks 1-10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.26 -0.79 to -0.20 | -11.34 -13.99 to -9.40 | -9.12 -11.20 to -7.80 | 6 4 to 8 | |
| 1 | Concubine | -0.79 | -13.09 | -10.4 | 6 |
| 2 | Talk To Me | -0.21 | -11.55 | -9.5 | 7 |
| 3 | Winners | -0.20 | -11.09 | -8.4 | 5 |
| 4 | Gold | -0.20 | -10.72 | -8.5 | 7 |
| 5 | Crucify | -0.20 | -10.18 | -8.4 | 4 |
| 6 | Berlin | -0.20 | -9.40 | -8.0 | 5 |
| 7 | Sandglass | -0.20 | -13.99 | -11.2 | 8 |
| 8 | Starling | -0.20 | -9.45 | -7.8 | 5 |
| 9 | Call | -0.20 | -11.21 | -9.0 | 6 |
| 10 | Babylon | -0.20 | -12.71 | -10.0 | 8 |