℗ 2018 KPM Music Ltd
| Released | May 25, 2018 |
| Duration | 36m 56s |
| Record Label | KPM Trailers |
| Genre | Soundtracks (Other) |
|
1.1
|
Darkness
Mike Reed; Matthew Robertson |
2:24 | |||
|
1.2
|
Epic Synthetic Trailer
Mike Reed; Matthew Robertson |
2:32 | |||
|
1.3
|
Worlds Collide
Skip Armstrong; Drop Lamond |
2:22 | |||
|
1.4
|
Time Means Nothing
Mike Reed; Matthew Robertson |
3:07 | |||
|
1.5
|
The Alarm
Mike Reed; Matthew Robertson |
3:18 | |||
|
1.6
|
Machines
Skip Armstrong; Drop Lamond |
2:34 | |||
|
1.7
|
The Final Task
Mike Reed; Matthew Robertson |
2:55 | |||
|
1.8
|
Prepare for War
Skip Armstrong; Drop Lamond |
2:45 | |||
|
1.9
|
The Fallen City
Mike Reed; Matthew Robertson |
3:19 | |||
|
1.10
|
Holograph
Mike Reed; Matthew Robertson |
3:09 | |||
|
1.11
|
Do or Die
Skip Armstrong; Adam Schiff; Josy Svajda |
2:34 | |||
|
1.12
|
Oblique
Mike Reed; Matthew Robertson |
3:14 | |||
|
1.13
|
The Time Traveller
Andrew Christie; Skip Armstrong |
2:43 |
48 kHz / 24-bit PCM – KPM Trailers Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.30 -0.30 to -0.30 | -13.77 -14.77 to -12.29 | -12.13 -13.40 to -10.60 | 8 7 to 9 | |
| 1 | Darkness | -0.30 | -13.70 | -12.2 | 8 |
| 2 | Epic Synthetic Trailer | -0.30 | -14.45 | -12.6 | 9 |
| 3 | Worlds Collide | -0.30 | -14.55 | -12.2 | 8 |
| 4 | Time Means Nothing | -0.30 | -13.10 | -11.7 | 8 |
| 5 | The Alarm | -0.30 | -13.73 | -11.7 | 8 |
| 6 | Machines | -0.30 | -12.94 | -11.2 | 8 |
| 7 | The Final Task | -0.30 | -13.72 | -12.3 | 8 |
| 8 | Prepare for War | -0.30 | -14.77 | -12.3 | 9 |
| 9 | The Fallen City | -0.30 | -14.37 | -13.4 | 8 |
| 10 | Holograph | -0.30 | -12.89 | -11.7 | 8 |
| 11 | Do or Die | -0.30 | -14.42 | -12.8 | 9 |
| 12 | Oblique | -0.30 | -12.29 | -10.6 | 7 |
| 13 | The Time Traveller | -0.30 | -14.14 | -13.0 | 8 |