℗ 2020 Hyperion Records Limited
| Released | November 24, 2023 |
| Originated | October 30, 2020 |
| Duration | 1h 09m 39s |
| Record Label | Hyperion |
| Genre | Classical |
Sacred Treasures of Spain: Motets from the Golden Age of Spanish Polyphony
London Oratory Schola Cantorum, Charles Cole
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Regina caeli a 8
Francisco Guerrero; Anonymous; London Oratory Schola Cantorum; Charles Cole |
4:23 | |||
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1.2
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O Domine Jesu Christe
Francisco Guerrero; Anonymous; London Oratory Schola Cantorum; Charles Cole |
4:46 | |||
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1.3
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Ave virgo sanctissima
Francisco Guerrero; Anonymous; Charles Cole; London Oratory Schola Cantorum |
5:02 | |||
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1.4
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O sacrum convivium
Francisco Guerrero; Anonymous; Charles Cole; London Oratory Schola Cantorum |
5:10 | |||
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Dimitte me ergo
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1.5
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I. Dimitte me ergo
Bernardino de Ribera; Anonymous; Charles Cole; London Oratory Schola Cantorum |
3:23 | |||
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1.6
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II. Et opertam mortis caligine
Bernardino de Ribera; Anonymous; Charles Cole; London Oratory Schola Cantorum |
0:58 | |||
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1.7
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Peccantem me quotidie
Cristóbal de Morales; Anonymous; London Oratory Schola Cantorum; Charles Cole |
3:51 | |||
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Salve Regina
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1.8
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I. Salve Regina
Melchor Robledo; Anonymous; Charles Dean; Charles Cole; London Oratory Schola Cantorum |
2:34 | |||
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1.9
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II. Ad te clamamus
Melchor Robledo; Anonymous; London Oratory Schola Cantorum; Charles Cole |
3:02 | |||
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1.10
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III. Eia ergo, advocata nostra
Melchor Robledo; Anonymous; London Oratory Schola Cantorum; Charles Cole |
0:36 | |||
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1.11
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IV. Et Jesum benedictum fructum
Melchor Robledo; Anonymous; London Oratory Schola Cantorum; Charles Cole |
4:04 | |||
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Ego sum panis vivus
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1.12
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I. Ego sum panis vivus
Juan Esquivel; Anonymous; Charles Cole; London Oratory Schola Cantorum |
2:20 | |||
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1.13
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II. Alleluia
Juan Esquivel; Anonymous; Charles Cole; London Oratory Schola Cantorum |
0:45 | |||
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1.14
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Dulcissima Maria
Sebastián de Vivanco; Anonymous; Charles Cole; London Oratory Schola Cantorum |
5:48 | |||
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Ave Maria a 4
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1.15
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I. Ave Maria, gratia plena
Tomás Luis de Victoria; Anonymous; London Oratory Schola Cantorum; Tobias Dean; Charles Cole |
1:12 | |||
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1.16
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II. Sancta Maria, mater Dei
Tomás Luis de Victoria; Anonymous; Charles Cole; London Oratory Schola Cantorum |
1:30 | |||
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Ave Maria a 8
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1.17
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I. Ave Maria, gratia plena
Tomás Luis de Victoria; Anonymous; Charles Cole; London Oratory Schola Cantorum |
3:49 | |||
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1.18
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II. Ora pro nobis
Tomás Luis de Victoria; Anonymous; London Oratory Schola Cantorum; Charles Cole |
2:17 | |||
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1.19
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O quam gloriosum
Tomás Luis de Victoria; Anonymous; Charles Cole; London Oratory Schola Cantorum |
2:27 | |||
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1.20
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Versa est in luctum
Anonymous; Alonso Lobo; Charles Cole; London Oratory Schola Cantorum |
5:42 | |||
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1.21
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O quam suavis est, Domine
Alonso Lobo; St. Thomas Aquinas; London Oratory Schola Cantorum; Charles Cole |
6:00 | |||
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Digital Booklet
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"This recording includes several of the most familiar, and finest, motets of the Spanish Renaissance sung, as the director is justifiably keen to point out in his notes, by a choir which has this music in its bones. This repertory is sung extensively by the choir, and its stylistic familiarity is evident right from the start … sitting listening to this sublime music in lockdown, one can almost believe that all is well in the world. Thank you to the singers, conductor, engineers and composers for providing some light in a dark world."
- Cathedral Music
Music to illustrate the Golden Age: a selection of motets from sixteenth-century Spain culminating in Alonso Lobo’s great funerary ode for Philip II, Versa est in luctum
96 kHz / 24-bit PCM – Hyperion Studio Masters
Tracks 1-21 – 88.2 kHz / 24-bit PCM
Tracks 1-21 – 88.2 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.39 -9.76 to -0.50 | -22.90 -29.04 to -19.33 | -19.72 -25.10 to -16.30 | 12 10 to 13 | |
| 1 | Regina caeli a 8 | -0.94 | -19.33 | -16.3 | 12 |
| 2 | O Domine Jesu Christe | -2.88 | -23.78 | -20.7 | 11 |
| 3 | Ave virgo sanctissima | -2.19 | -21.73 | -18.6 | 12 |
| 4 | O sacrum convivium | -0.50 | -21.04 | -18.1 | 13 |
| 5 | I. Dimitte me ergo | -3.77 | -23.24 | -20.3 | 12 |
| 6 | II. Et opertam mortis caligine | -5.20 | -24.57 | -21.1 | 12 |
| 7 | Peccantem me quotidie | -0.54 | -22.41 | -19.1 | 13 |
| 8 | I. Salve Regina | -2.91 | -23.44 | -20.2 | 13 |
| 9 | II. Ad te clamamus | -2.41 | -22.25 | -19.1 | 12 |
| 10 | III. Eia ergo, advocata nostra | -8.83 | -29.04 | -25.1 | 10 |
| 11 | IV. Et Jesum benedictum fructum | -2.28 | -22.31 | -19.5 | 11 |
| 12 | I. Ego sum panis vivus | -4.52 | -22.64 | -19.8 | 11 |
| 13 | II. Alleluia | -3.53 | -23.49 | -19.6 | 11 |
| 14 | Dulcissima Maria | -3.40 | -22.00 | -19.0 | 12 |
| 15 | I. Ave Maria, gratia plena | -9.76 | -27.30 | -24.2 | 11 |
| 16 | II. Sancta Maria, mater Dei | -4.29 | -25.21 | -20.8 | 11 |
| 17 | I. Ave Maria, gratia plena | -3.94 | -22.45 | -19.7 | 11 |
| 18 | II. Ora pro nobis | -2.26 | -20.33 | -17.2 | 11 |
| 19 | O quam gloriosum | -0.50 | -19.75 | -16.7 | 11 |
| 20 | Versa est in luctum | -2.82 | -21.79 | -19.0 | 12 |
| 21 | O quam suavis est, Domine | -3.83 | -22.79 | -20.0 | 12 |