℗ 2018 Toccata Classics
| Released | August 3, 2018 |
| Duration | 1h 08m 45s |
| Record Label | Toccata Classics |
| Genre | Classical (Piano) |
|
1.1
|
Mother's Day Piece
George Antheil; Judy Pang |
1:39 | |||
|
1.2
|
The Ben Hecht Valses
George Antheil; Judy Pang |
5:03 | |||
|
1.3
|
Musical Picture of a Friend
George Antheil; Judy Pang |
4:25 | |||
|
Carnival of the Beautiful Dresses
|
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|
1.4
|
I. Opening Choral
George Antheil; Judy Pang |
0:56 | |||
|
1.5
|
II. À la valse
George Antheil; Judy Pang |
1:54 | |||
|
1.6
|
III. Mexicali
George Antheil; Judy Pang |
1:01 | |||
|
1.7
|
IV. Valse Passion
George Antheil; Judy Pang |
1:36 | |||
|
1.8
|
V. Habañera - Rhumba
George Antheil; Judy Pang |
2:06 | |||
|
1.9
|
VI. Love Affair Valse
George Antheil; Judy Pang |
0:58 | |||
|
1.10
|
VII. Autumn Fancy
George Antheil; Judy Pang |
1:01 | |||
|
1.11
|
VIII. Gamin Valse
George Antheil; Judy Pang |
1:44 | |||
|
1.12
|
IX. Martinique
George Antheil; Judy Pang |
0:58 | |||
|
1.13
|
X. Grand Climax
George Antheil; Judy Pang |
5:22 | |||
|
1.14
|
XI. Valse of the Female Gamin Who Fell in Love Hopelessly for a Time
George Antheil; Judy Pang |
2:46 | |||
|
1.15
|
XII. Gay American Valse
George Antheil; Judy Pang |
0:36 | |||
|
1.16
|
XIII. Finale Rhumbetta
George Antheil; Judy Pang |
1:17 | |||
|
2 Toccatas
|
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|
1.17
|
No. 1, —
George Antheil; Judy Pang |
2:04 | |||
|
1.18
|
No. 2, —
George Antheil; Judy Pang |
2:28 | |||
|
Valentine Waltzes
|
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|
1.19
|
No. 1, —
George Antheil; Judy Pang |
2:02 | |||
|
1.20
|
No. 2, —
George Antheil; Judy Pang |
1:36 | |||
|
1.21
|
No. 3, —
George Antheil; Judy Pang |
1:33 | |||
|
1.22
|
No. 4, —
George Antheil; Judy Pang |
0:55 | |||
|
1.23
|
No. 5, —
George Antheil; Judy Pang |
1:19 | |||
|
1.24
|
No. 6, —
George Antheil; Judy Pang |
0:38 | |||
|
1.25
|
No. 7, —
George Antheil; Judy Pang |
1:42 | |||
|
1.26
|
No. 8, —
George Antheil; Judy Pang |
2:11 | |||
|
1.27
|
No. 9, —
George Antheil; Judy Pang |
1:13 | |||
|
1.28
|
No. 10, —
George Antheil; Judy Pang |
1:42 | |||
|
1.29
|
No. 11, —
George Antheil; Judy Pang |
2:27 | |||
|
Piano Sonata No. 5
|
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|
1.30
|
III. Allegro
George Antheil; Judy Pang |
4:31 | |||
|
1.31
|
Waltzes from Volpone
George Antheil; Judy Pang |
6:44 | |||
|
1.32
|
Berceuse for Thomas Montgomery Newman
George Antheil; Judy Pang |
2:18 | |||
The American composer George Antheil (1900–59) enjoyed the sobriquet ‘the Bad Boy of Music’ thanks to the mechanistic scores of his early career. This anthology of piano music from the last twenty years of his life reveals a muse that could also be affectionate, flirtatious and capricious – but the ‘Bad Boy’ occasionally re-emerged, as in the diabolical mischief of the wild, peppery, Prokofievan toccatas also recorded here.
44.1 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.13 -13.00 to -1.00 | -24.54 -32.84 to -17.53 | -21.15 -29.80 to -14.70 | 12 11 to 16 | |
| 1 | Mother's Day Piece | -12.61 | -32.75 | -29.8 | 13 |
| 2 | The Ben Hecht Valses | -3.21 | -26.55 | -22.4 | 13 |
| 3 | Musical Picture of a Friend | -2.94 | -25.60 | -21.4 | 13 |
| 4 | I. Opening Choral | -2.48 | -21.29 | -17.9 | 12 |
| 5 | II. À la valse | -13.00 | -32.84 | -29.8 | 12 |
| 6 | III. Mexicali | -3.58 | -24.51 | -21.3 | 12 |
| 7 | IV. Valse Passion | -4.56 | -26.71 | -22.7 | 12 |
| 8 | V. Habañera - Rhumba | -4.61 | -27.84 | -24.0 | 13 |
| 9 | VI. Love Affair Valse | -5.52 | -27.48 | -24.1 | 13 |
| 10 | VII. Autumn Fancy | -1.90 | -19.79 | -16.6 | 11 |
| 11 | VIII. Gamin Valse | -4.16 | -24.81 | -21.6 | 12 |
| 12 | IX. Martinique | -3.83 | -23.19 | -20.0 | 12 |
| 13 | X. Grand Climax | -1.20 | -18.98 | -16.3 | 12 |
| 14 | XI. Valse of the Female Gamin Who Fell in Love Hopelessly for a Time | -10.06 | -31.49 | -28.7 | 13 |
| 15 | XII. Gay American Valse | -1.01 | -17.53 | -14.7 | 11 |
| 16 | XIII. Finale Rhumbetta | -1.69 | -20.00 | -17.0 | 11 |
| 17 | No. 1, — | -1.00 | -23.04 | -19.9 | 14 |
| 18 | No. 2, — | -1.60 | -21.44 | -18.4 | 13 |
| 19 | No. 1, — | -3.50 | -25.06 | -21.0 | 12 |
| 20 | No. 2, — | -5.64 | -26.24 | -22.8 | 12 |
| 21 | No. 3, — | -4.22 | -27.12 | -22.7 | 14 |
| 22 | No. 4, — | -3.33 | -22.30 | -18.8 | 11 |
| 23 | No. 5, — | -2.32 | -25.08 | -21.6 | 13 |
| 24 | No. 6, — | -3.73 | -23.46 | -19.7 | 11 |
| 25 | No. 7, — | -3.81 | -23.81 | -20.5 | 12 |
| 26 | No. 8, — | -4.90 | -25.75 | -22.4 | 12 |
| 27 | No. 9, — | -4.70 | -22.51 | -19.2 | 12 |
| 28 | No. 10, — | -5.11 | -24.97 | -21.6 | 13 |
| 29 | No. 11, — | -2.34 | -20.87 | -17.5 | 12 |
| 30 | III. Allegro | -1.00 | -19.01 | -16.0 | 12 |
| 31 | Waltzes from Volpone | -1.32 | -20.74 | -17.6 | 12 |
| 32 | Berceuse for Thomas Montgomery Newman | -7.41 | -32.38 | -28.9 | 16 |