℗ 2018 Family Owned Records marketed and distributed by Thirty Tigers
| Released | October 5, 2018 |
| Duration | 32m 14s |
| Record Label | Family Owned Records |
| Catalogue No. | FOR002 |
| Genre | Blues (Traditional Blues) |
Poor Until Payday
Reverend Peyton's Big Damn Band
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
|
You Can't Steal My Shine
Reverend Peyton's Big Damn Band |
2:56 | |||
|
1.2
|
Dirty Swerve
Reverend Peyton's Big Damn Band |
3:57 | |||
|
1.3
|
Poor Until Payday
Reverend Peyton's Big Damn Band |
3:53 | |||
|
1.4
|
So Good
Reverend Peyton's Big Damn Band |
3:13 | |||
|
1.5
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Church Clothes
Reverend Peyton's Big Damn Band |
3:07 | |||
|
1.6
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Get the Family Together
Reverend Peyton's Big Damn Band |
2:47 | |||
|
1.7
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Me and the Devil
Reverend Peyton's Big Damn Band |
3:16 | |||
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1.8
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Frenchman Street
Reverend Peyton's Big Damn Band |
3:27 | |||
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1.9
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I Suffer, I Get Tougher
Reverend Peyton's Big Damn Band |
3:11 | |||
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1.10
|
It is or It Ain't
Reverend Peyton's Big Damn Band |
2:27 |
Reverend Peyton’s Big Damn Band has built its reputation the long, slow, hard way. After 12 years of playing as many as 300 shows each year, Rev. Peyton, the world’s foremost country blues finger-style picker, along with the biggest little band in the country has pieced together one of the most dedicated followings out there. This following is sure to eat up the band’s latest offering, Poor Until Payday, a country blues record that was made the right way — two feet on the ground and both hands getting dirty.
On Poor Until Payday, Peyton wanted a sound as live and electric as the records made in the heyday of 45 rpm blues classics from Chess, Stax and Sun Records. Playing his beloved custom-made National steel resonator, a 1949 Harmony Archtop, a 1954 Supro Dual Tone and a 1955 Kay Speed Demon through a 1949 Supro amp, Rev wanted to restore the “warmth, pops and hisses” mostly eliminated by modern-day compression. The band played in a room together with minimal mic'ing (using only the best classic pieces they could get) with the main effect being tape saturation.
That’s it.
The result is an album that is direct, soulful and demands to be played loud.
44.1 kHz / 24-bit PCM – Family Owned Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.29 -0.29 to -0.29 | -12.11 -15.99 to -10.80 | -9.54 -13.00 to -8.20 | 8 6 to 11 | |
| 1 | You Can't Steal My Shine | -0.29 | -11.65 | -8.9 | 8 |
| 2 | Dirty Swerve | -0.29 | -11.29 | -9.3 | 7 |
| 3 | Poor Until Payday | -0.29 | -11.35 | -8.8 | 7 |
| 4 | So Good | -0.29 | -11.71 | -9.6 | 7 |
| 5 | Church Clothes | -0.29 | -15.99 | -13.0 | 11 |
| 6 | Get the Family Together | -0.29 | -11.76 | -8.9 | 7 |
| 7 | Me and the Devil | -0.29 | -11.24 | -9.3 | 7 |
| 8 | Frenchman Street | -0.29 | -12.69 | -9.6 | 8 |
| 9 | I Suffer, I Get Tougher | -0.29 | -12.59 | -9.8 | 8 |
| 10 | It is or It Ain't | -0.29 | -10.80 | -8.2 | 6 |