℗ 2018 IBS Classical
| Released | August 24, 2018 |
| Duration | 1h 16m 18s |
| Record Label | IBS Classical |
| Catalogue No. | IBS-132018 |
| Genre | Classical (Piano) |
Debussy: Hommage
Azumi Nishizawa
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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L'isle joyeuse, L. 106
Claude Debussy; Azumi Nishizawa |
6:14 | |||
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Children's Corner, L. 113
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1.2
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VI. Golliwogg's Cake-Walk
Claude Debussy; Azumi Nishizawa |
3:08 | |||
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Préludes, Book 1, L. 117
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1.3
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No. 10, La cathédrale engloutie
Claude Debussy; Azumi Nishizawa |
6:58 | |||
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1.4
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Prélude à l'après-midi d'un faune, L. 86 (Arr. for Piano)
Anonymous; Claude Debussy; Azumi Nishizawa |
9:58 | |||
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Préludes, Book 2, L. 123
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1.5
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No. 3, La puerta del vino
Claude Debussy; Azumi Nishizawa |
3:38 | |||
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Suite bergamasque, L. 75
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1.6
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III. Clair de lune
Claude Debussy; Azumi Nishizawa |
5:28 | |||
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Estampes, L. 100
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1.7
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No. 2, La soirée dans Grenade
Claude Debussy; Azumi Nishizawa |
5:58 | |||
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Iberia, Book 3, T. 105
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1.8
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I. El Albaicín
Isaac Albéniz; Azumi Nishizawa |
7:51 | |||
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Suite española No. 1, Op. 47, T. 61
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1.9
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I. Granada (Serenata)
Isaac Albéniz; Azumi Nishizawa |
5:35 | |||
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1.10
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Canción y danza No. 6
Federico Mompou; Azumi Nishizawa |
4:04 | |||
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12 Danzas españolas, Op. 37
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1.11
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No. 5, Andaluza
Enrique Granados; Azumi Nishizawa |
4:14 | |||
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Goyescas, Book 1
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1.12
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No. 4, Quejas, ó la maja y el ruiseñor
Enrique Granados; Azumi Nishizawa |
6:31 | |||
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La vida breve
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1.13
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Danse espagnole No. 1 (Version for Piano)
Manuel de Falla; Azumi Nishizawa |
3:29 | |||
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1.14
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Homenaje "Le tombeau de Claude Debussy" (Version for Piano)
Manuel de Falla; Azumi Nishizawa |
3:12 | |||
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Digital Booklet
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A fascinating journey through the music that unites Debussy with Spanish composers. Places are sounds: Granada. The city was a recurring source of inspiration for Debussy, and yet the composer never visited it; his knowledge of it was gained only indirectly through literary accounts, images, and musical sources heard in Paris. All of these materials served to unleash his imagination in regard to its sound, which according to Falla represented ‘the truth without authenticity, as not a single note is borrowed from Spanish folklore and yet, even in its smallest details, it wonderfully expresses Spain’. A common element links all the composers in the present program: the city of Paris. From the end of the nineteenth to the early twentieth century, the French capital was a fundamental goal for many Spanish composers, who at some point in their lives went there for study or work purposes.
96 kHz / 24-bit PCM – IBS Classical Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.29 -5.51 to -0.01 | -24.56 -29.26 to -19.53 | -20.72 -25.70 to -16.00 | 14 11 to 16 | |
| 1 | L'isle joyeuse, L. 106 | -0.01 | -19.53 | -16.2 | 11 |
| 2 | VI. Golliwogg's Cake-Walk | -1.16 | -24.91 | -21.4 | 15 |
| 3 | No. 10, La cathédrale engloutie | -0.01 | -23.19 | -17.1 | 14 |
| 4 | Prélude à l'après-midi d'un faune, L. 86 (Arr. for Piano) | -1.13 | -24.33 | -20.8 | 14 |
| 5 | No. 3, La puerta del vino | -0.21 | -25.90 | -21.4 | 16 |
| 6 | III. Clair de lune | -5.51 | -29.26 | -25.5 | 14 |
| 7 | No. 2, La soirée dans Grenade | -0.01 | -25.46 | -21.6 | 16 |
| 8 | I. El Albaicín | -0.01 | -20.01 | -16.0 | 12 |
| 9 | I. Granada (Serenata) | -4.69 | -29.07 | -25.7 | 15 |
| 10 | Canción y danza No. 6 | -1.00 | -22.54 | -19.0 | 12 |
| 11 | No. 5, Andaluza | -0.25 | -23.98 | -20.3 | 16 |
| 12 | No. 4, Quejas, ó la maja y el ruiseñor | -0.01 | -26.36 | -22.2 | 16 |
| 13 | Danse espagnole No. 1 (Version for Piano) | -0.06 | -20.83 | -17.9 | 13 |
| 14 | Homenaje "Le tombeau de Claude Debussy" (Version for Piano) | -4.02 | -28.50 | -25.0 | 14 |