℗ 2018 Equal Vision Records
Released | October 26, 2018 |
Duration | 44m 32s |
Record Label | Equal Vision Records |
Catalogue No. | EVR402 |
Genre | Punk (Pop-Punk) |
1.1
|
Saves The Day
Saves The Day |
2:34 | |||
1.2
|
Suzuki
Saves The Day |
1:19 | |||
1.3
|
Side By Side
Saves The Day |
3:12 | |||
1.4
|
Kerouac & Cassady
Saves The Day |
3:43 | |||
1.5
|
It's Such A Beautiful World EXPLICIT
Saves The Day |
2:11 | |||
1.6
|
Rosé
Saves The Day |
3:39 | |||
1.7
|
1997
Saves The Day |
2:47 | |||
1.8
|
Rendezvous
Saves The Day |
3:37 | |||
1.9
|
29
Saves The Day |
21:30 |
Saves The Day have been through a lot over the past two decades: Van accidents, member changes, the emo explosion, and the adventures that carried the act and their fans from adolescence to adulthood. But they’ve never had a proper history of the band… until now.
Saves The Day’s ninth album 9 tells the story of the band from the perspective of the band’s founder Chris Conley and does it in a way that’s as exhaustive as it is poetic and makes the listener a part of the songwriting process. From a narrative standpoint, 9 chronicles the epic story of a group of kids from New Jersey who realized their dream and became international sensations. However, on a more existential level, it shows how Conley “woke up” and became aware of his own consciousness through his relationship with music and the unbelievable adventures it inspired since he formed the act in 1997.
Ultimately 9 is sonic evidence not only that there’s a reason we are alive in the world, but it’s a miracle that Conley rightfully encourages us to celebrate.
“A lot of the memories that I write about in the lyrics for this album I haven’t written about because they were too painful or complicated. But for some reason when I was writing, my brain kept coming back to thinking about my entire career from a sense of reflection for the first time."
- Chris Conley
96 kHz / 24-bit PCM – Equal Vision Records Studio Masters
Tracks 1-9 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-9 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.50 -1.50 to -1.50 | -11.35 -12.38 to -10.40 | -8.40 -9.10 to -7.70 | 6 5 to 7 | |
1 | Saves The Day | -1.50 | -11.29 | -8.2 | 5 |
2 | Suzuki | -1.50 | -11.11 | -7.7 | 6 |
3 | Side By Side | -1.50 | -11.26 | -8.2 | 6 |
4 | Kerouac & Cassady | -1.50 | -10.40 | -8.1 | 5 |
5 | It's Such A Beautiful World | -1.50 | -11.27 | -8.4 | 6 |
6 | Rosé | -1.50 | -10.71 | -8.4 | 5 |
7 | 1997 | -1.50 | -12.38 | -9.1 | 7 |
8 | Rendezvous | -1.50 | -11.58 | -8.6 | 6 |
9 | 29 | -1.50 | -12.12 | -8.9 | 6 |