℗ 2018 Dacapo Records
| Released | August 17, 2018 |
| Duration | 1h 13m 56s |
| Record Label | Dacapo Records |
| Catalogue No. | 8.226123 |
| Genre | Classical (Baroque Era) |
Brorson: The Rare Treasure of Faith
Phemius Consort
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Suite No. 2 in D Major
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1.1
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I. Ouverture
Charles Dieupart; Phemius Consort |
2:26 | |||
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1.2
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Op! thi dagen nu frembryder
Johann Anastasius Freylinghausen; Jakob Bloch Jespersen; Phemius Consort |
3:45 | |||
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1.3
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VI. Passepied
Charles Dieupart; Phemius Consort |
1:01 | |||
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1.4
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Dig, dig min Herre vil jeg prise
Johann Sebastian Bach; Beate Mordal; Mattias Frostenson; Allan Rasmussen |
2:17 | |||
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Flute Sonata No. 2 in D Major
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1.5
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I. Andante
Morten Ræhs; Lina León; Allan Rasmussen |
2:12 | |||
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1.6
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Guds riges evangelium (Arr. J.S. Bach)
Anonymous; Johann Sebastian Bach; Jakob Bloch Jespersen; Phemius Consort |
3:32 | |||
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Harpsichord Suite No. 2 in D Major
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1.7
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II. Allemande
Charles Dieupart; Allan Rasmussen |
2:30 | |||
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1.8
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Vor Jesus kan ei noget herberg finde (Arr. J.B. Jespersen & A. Rasmussen)
Allan Rasmussen; Anonymous; Jakob Bloch Jespersen; Beate Mordal; Phemius Consort |
3:16 | |||
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Flute Sonata No. 3 in C Minor
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1.9
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I. Adagio
Morten Ræhs; Lina León; Allan Rasmussen |
4:29 | |||
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1.10
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Dig min søde skat at møde
Johann Sebastian Bach; Jakob Bloch Jespersen; Phemius Consort |
4:24 | |||
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Suite No. 2 in D Major
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1.11
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IV. Sarabande
Charles Dieupart; Phemius Consort |
1:56 | |||
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1.12
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Som lilliens hjerte kan holdes i grøde (Arr. J.S. Bach)
Johann Sebastian Bach; Johann Anastasius Freylinghausen; Jakob Bloch Jespersen; Allan Rasmussen |
2:54 | |||
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Flute Sonata No. 9 in B-Flat Major
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1.13
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III. Spiritoso
Morten Ræhs; Lina León; Allan Rasmussen |
2:09 | |||
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1.14
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Du est, opstandne seyers helt
Johann Sebastian Bach; Beate Mordal; Phemius Consort |
2:38 | |||
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Harpsichord Suite No. 2 in D Major
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1.15
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VII. Gigue
Charles Dieupart; Allan Rasmussen |
1:28 | |||
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1.16
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Kom regn af det høye
Johann Anastasius Freylinghausen; Jakob Bloch Jespersen; Phemius Consort |
3:39 | |||
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1.17
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Stille er min siel til Gud (Arr. J.B. Jespersen & A. Rasmussen)
Allan Rasmussen; Anonymous; Jakob Bloch Jespersen; Beate Mordal; Dohyo Sol |
2:39 | |||
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1.18
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Sonata No. 19, Libro 3 (Arr. J.F. Fibiger)
Anonymous; Johann Friedrich Fibiger; Fredrik Bock; Dohyo Sol |
3:26 | |||
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1.19
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I Herrens udvalde, som hellighed øve (Arr. F.C. Breitendich)
Johann Anastasius Freylinghausen; Frederik Christian Breitendich; Beate Mordal; Phemius Consort |
3:03 | |||
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1.20
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Jesu, al min fryd og ære
Johann Anastasius Freylinghausen; Jakob Bloch Jespersen; Dohyo Sol; Fredrik Bock |
5:50 | |||
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Flute Sonata No. 1 in D Major
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1.21
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III. Andante
Johann Adolph Scheibe; Lina León; Allan Rasmussen |
3:23 | |||
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1.22
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Når mit øje, træt af møje, SS 62 (Arr. J.B. Jespersen & A. Rasmussen)
Allan Rasmussen; Johann Christoph Bach; Jakob Bloch Jespersen; Beate Mordal; Allan Rasmussen |
3:25 | |||
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Flute Sonata No. 2 in B Minor
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1.23
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III. Affettuoso
Johann Adolph Scheibe; Lina León; Allan Rasmussen |
3:21 | |||
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1.24
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Allevegne hvor jeg vanker (Arr. F.C. Breitendich)
Anonymous; Frederik Christian Breitendich; Jakob Bloch Jespersen; Phemius Consort |
4:13 | |||
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Digital Booklet
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The music and poetry of Pietism offers a beauty that hardly any form of Lutheran religiosity can rival. It is rarely found more radiantly beautiful than in the great collection of hymns Troens rare Klenodie (The Rare Treasure of Faith) by the most important Danish representative of the Pietist movement, Hans Adolph Brorson (1694-1764). The melodies of the sacred Pietist songs are, in their strongly affective nature, in perfect accordance with the fervent and sensual mode of expression found in the texts. Selected from J.A. Freylinghausen’s Geistreiches Gesangbuch and among J.S. Bach’s contributions to Schemelli’s Musicalisches Gesangbuch those melodies are to be heard here, along with related galant music for flute, harpsichord and guitar from the court of the Pietist Danish King Christian VI.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Dacapo Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.08 -19.53 to 0.00 | -27.12 -35.96 to -22.19 | -23.93 -32.90 to -18.90 | 13 11 to 16 | |
| 1 | I. Ouverture | -6.14 | -22.19 | -19.8 | 11 |
| 2 | Op! thi dagen nu frembryder | -3.89 | -23.63 | -21.0 | 14 |
| 3 | VI. Passepied | -7.12 | -28.24 | -25.7 | 14 |
| 4 | Dig, dig min Herre vil jeg prise | -3.01 | -24.05 | -20.6 | 14 |
| 5 | I. Andante | -5.18 | -25.73 | -22.6 | 11 |
| 6 | Guds riges evangelium (Arr. J.S. Bach) | -2.35 | -24.06 | -20.9 | 13 |
| 7 | II. Allemande | -19.53 | -35.96 | -32.9 | 11 |
| 8 | Vor Jesus kan ei noget herberg finde (Arr. J.B. Jespersen & A. Rasmussen) | -3.35 | -25.40 | -22.0 | 13 |
| 9 | I. Adagio | -3.24 | -27.56 | -24.6 | 14 |
| 10 | Dig min søde skat at møde | -4.41 | -24.01 | -21.4 | 13 |
| 11 | IV. Sarabande | -10.77 | -32.99 | -30.3 | 16 |
| 12 | Som lilliens hjerte kan holdes i grøde (Arr. J.S. Bach) | 0.00 | -22.37 | -18.9 | 16 |
| 13 | III. Spiritoso | -9.19 | -28.54 | -25.5 | 12 |
| 14 | Du est, opstandne seyers helt | -2.52 | -23.30 | -19.9 | 12 |
| 15 | VII. Gigue | -16.39 | -33.68 | -30.2 | 12 |
| 16 | Kom regn af det høye | -1.55 | -24.26 | -21.0 | 15 |
| 17 | Stille er min siel til Gud (Arr. J.B. Jespersen & A. Rasmussen) | -6.69 | -30.78 | -26.8 | 15 |
| 18 | Sonata No. 19, Libro 3 (Arr. J.F. Fibiger) | -14.72 | -34.85 | -31.9 | 13 |
| 19 | I Herrens udvalde, som hellighed øve (Arr. F.C. Breitendich) | -0.19 | -22.43 | -19.1 | 13 |
| 20 | Jesu, al min fryd og ære | -1.74 | -28.53 | -24.4 | 15 |
| 21 | III. Andante | -8.59 | -27.50 | -24.2 | 11 |
| 22 | Når mit øje, træt af møje, SS 62 (Arr. J.B. Jespersen & A. Rasmussen) | -4.19 | -25.11 | -22.4 | 11 |
| 23 | III. Affettuoso | -7.92 | -29.35 | -25.4 | 12 |
| 24 | Allevegne hvor jeg vanker (Arr. F.C. Breitendich) | -3.29 | -26.34 | -22.9 | 15 |