℗ 2018 Seattle Symphony Media
| Released | September 14, 2018 |
| Duration | 1h 28m 48s |
| Record Label | Seattle Symphony Media |
| Catalogue No. | SSM1020 |
| Genre | Classical (Sacred) |
Berlioz: Requiem, Op. 5, H. 75 & La mort d'Orphée, H. 25 (Live)
Kenneth Tarver, Seattle Symphony, Ludovic Morlot
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Grande messe des morts, Op. 5, H. 75 "Requiem"
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1.1
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I. Requiem et kyrie. Introït (Live)
Hector Berlioz; Seattle Symphony Chorale; Seattle Pro Musica; Seattle Symphony; Ludovic Morlot |
9:23 | |||
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1.2
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II. Dies iræ. Prose - Tuba mirum (Live)
Hector Berlioz; Seattle Symphony Chorale; Seattle Pro Musica; Seattle Symphony; Ludovic Morlot |
11:09 | |||
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1.3
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III. Quid sum miser (Live)
Hector Berlioz; Seattle Symphony Chorale; Seattle Pro Musica; Seattle Symphony; Ludovic Morlot |
2:59 | |||
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1.4
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IV. Rex tremendæ (Live)
Hector Berlioz; Seattle Symphony Chorale; Seattle Pro Musica; Seattle Symphony; Ludovic Morlot |
5:36 | |||
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1.5
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V. Quærens me (Live)
Hector Berlioz; Seattle Symphony Chorale; Seattle Pro Musica; Seattle Symphony; Ludovic Morlot |
4:23 | |||
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1.6
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VI. Lacrimosa (Live)
Hector Berlioz; Seattle Symphony Chorale; Seattle Pro Musica; Seattle Symphony; Ludovic Morlot |
9:59 | |||
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1.7
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VII. Offertoire. Chœur des âmes du purgatoire (Live)
Hector Berlioz; Seattle Symphony Chorale; Seattle Pro Musica; Seattle Symphony; Ludovic Morlot |
8:28 | |||
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1.8
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VIII. Hostias (Live)
Hector Berlioz; Seattle Symphony Chorale; Seattle Pro Musica; Seattle Symphony; Ludovic Morlot |
3:29 | |||
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1.9
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IX. Sanctus (Live)
Hector Berlioz; Kenneth Tarver; Seattle Symphony Chorale; Seattle Pro Musica; Seattle Symphony; Ludovic Morlot |
9:45 | |||
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1.10
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X. Agnus Dei (Live)
Hector Berlioz; Seattle Symphony Chorale; Seattle Pro Musica; Seattle Symphony; Ludovic Morlot |
10:42 | |||
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1.11
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La mort d'Orphée, H. 25
Hector Berlioz; Kenneth Tarver; Seattle Symphony Chorale; Seattle Symphony; Ludovic Morlot |
12:55 | |||
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Digital Booklet
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Ludovic Morlot has a deep personal connection to the music of Hector Berlioz.
Morlot grew up in Lyon, France, not far from La Côte-Saint-André, the French composer’s native village. Over the years, Morlot developed an appreciation for the composer’s revolutionary approach to music, eventually studying with the late Sir Colin Davis, known for his thrilling and expert interpretations of Berlioz’s music. “From my very early days as a musician, Berlioz was an important voice for me,” recalls Morlot.
Now, Morlot pays tribute to his countryman with a live concert recording of Berlioz’s powerful and deeply spiritual Grande messe des morts, or Requiem. Scored for a staggering array of forces, the Symphony’s performances at Benaroya Hall in November 2017 included an expanded orchestra with 109 members and a chorus of more than 190 members, featuring the combined voices of the Seattle Symphony Chorale, Seattle Pro Musica and Vocalpoint! Seattle.
96 kHz / 24-bit PCM – Seattle Symphony Media Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.77 -12.83 to -0.80 | -24.84 -35.56 to -18.49 | -20.82 -33.70 to -14.80 | 12 10 to 14 | |
| 1 | I. Requiem et kyrie. Introït (Live) | -2.19 | -24.65 | -20.6 | 13 |
| 2 | II. Dies iræ. Prose - Tuba mirum (Live) | -0.81 | -18.96 | -14.8 | 10 |
| 3 | III. Quid sum miser (Live) | -12.83 | -35.56 | -33.7 | 14 |
| 4 | IV. Rex tremendæ (Live) | -0.83 | -20.36 | -15.9 | 12 |
| 5 | V. Quærens me (Live) | -4.67 | -27.62 | -23.8 | 12 |
| 6 | VI. Lacrimosa (Live) | -0.80 | -18.49 | -14.8 | 10 |
| 7 | VII. Offertoire. Chœur des âmes du purgatoire (Live) | -5.91 | -27.18 | -23.5 | 13 |
| 8 | VIII. Hostias (Live) | -8.49 | -30.33 | -26.3 | 13 |
| 9 | IX. Sanctus (Live) | -1.86 | -22.22 | -18.2 | 12 |
| 10 | X. Agnus Dei (Live) | -2.34 | -26.38 | -21.7 | 14 |
| 11 | La mort d'Orphée, H. 25 | -0.80 | -21.49 | -15.7 | 12 |