℗ 2018 Gramola Records
Released | September 7, 2018 |
Duration | 50m 41s |
Record Label | Gramola Records |
Catalogue No. | Gramola99170 |
Genre | Classical (Modern Era) |
Russian Dances
Osterreichischen Salonisten, Tango de Salón, Peter Gillmayr
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Jazz Suite No. 2
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1.1
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VI. Waltz No. 2 (Arr. for Chamber Ensemble)
Anonymous; Dmitri Shostakovich; Osterreichischen Salonisten |
3:38 | |||
1.2
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Valenki
Alexey Semenovich Kozlov; Osterreichischen Salonisten |
2:54 | |||
1.3
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Dark Eyes
Anonymous; Traditional; Osterreichischen Salonisten |
4:11 | |||
1.4
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Tired Sun
Efim Jourist; Tango de Salón |
5:25 | |||
1.5
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Privet
Anatoly Grigor'yevich Novikov; Osterreichischen Salonisten |
3:19 | |||
The Nutcracker, Op. 71, TH 14
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1.6
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No. 14c, Dance of the Sugar-Plum Fairy (Arr. for Chamber Ensemble)
Anonymous; Pyotr Ilyich Tchaikovsky; Osterreichischen Salonisten |
2:04 | |||
1.7
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Portrait
Efim Jourist; Tango de Salón |
3:23 | |||
Romeo and Juliet, Op. 64 (Excerpts Arr. for Chamber Ensemble)
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1.8
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No. 13, Dance of the Knights
Anonymous; Sergei Prokofiev; Osterreichischen Salonisten |
3:23 | |||
1.9
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No. 1, Introduction
Anonymous; Sergei Prokofiev; Osterreichischen Salonisten |
2:22 | |||
1.10
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No. 10, The Young Juliet
Anonymous; Sergei Prokofiev; Osterreichischen Salonisten |
2:11 | |||
1.11
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No. 48, Aubade
Anonymous; Sergei Prokofiev; Osterreichischen Salonisten |
2:48 | |||
1.12
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No. 30, The People Continue to Make Merry
Anonymous; Sergei Prokofiev; Osterreichischen Salonisten |
2:36 | |||
1.13
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The Russian Officer's Tango
Efim Jourist; Tango de Salón |
3:49 | |||
1.14
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If You Love Me
Efim Jourist; Tango de Salón |
4:03 | |||
1.15
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Moscow Nights
Traditional; Osterreichischen Salonisten |
4:35 |
The Austrian Salonists with violinist Peter Gillmayr are widely popular with both audiences and critics alike for their extraordinary, cross-genre programs. This new recording by the title “Russian Dances” features works by composers like Alexej Kozlov and Anatoli Novikov, traditional Russian melodies like “Dark Eyes” or “Moscow Nights” and evergreens like the “Waltz No. 2” from the Suite for Varieté-Orchestra by Dmitri Shostakovitch. Further dances are taken from popular ballets like “The Nutcracker” by Pjotr Iljitsch Tchaikovsky (“Dance of the Sugar Plum Fairy”) or from “Romeo and Juliet” by Sergej Prokofiev. It my surprise some listeners that there also exist tangos from Russian descent, but the virtuoso Russian bajan player Efim Jourist composed numerous works that pay homage to this dateless Argentine dance.
96 kHz / 24-bit PCM – Gramola Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.43 -3.38 to -0.20 | -19.71 -23.71 to -16.75 | -16.84 -20.50 to -14.30 | 12 11 to 16 | |
1 | VI. Waltz No. 2 (Arr. for Chamber Ensemble) | -0.20 | -16.95 | -14.3 | 11 |
2 | Valenki | -0.20 | -17.53 | -14.4 | 11 |
3 | Dark Eyes | -0.20 | -18.37 | -15.1 | 11 |
4 | Tired Sun | -0.20 | -20.98 | -18.0 | 14 |
5 | Privet | -0.20 | -16.75 | -14.7 | 11 |
6 | No. 14c, Dance of the Sugar-Plum Fairy (Arr. for Chamber Ensemble) | -0.20 | -19.48 | -16.5 | 11 |
7 | Portrait | -0.20 | -21.27 | -18.6 | 14 |
8 | No. 13, Dance of the Knights | -0.40 | -17.52 | -14.9 | 12 |
9 | No. 1, Introduction | -0.20 | -18.51 | -15.2 | 11 |
10 | No. 10, The Young Juliet | -0.20 | -19.90 | -17.1 | 13 |
11 | No. 48, Aubade | -3.38 | -23.71 | -20.4 | 11 |
12 | No. 30, The People Continue to Make Merry | -0.20 | -18.48 | -15.8 | 12 |
13 | The Russian Officer's Tango | -0.20 | -21.73 | -19.1 | 16 |
14 | If You Love Me | -0.20 | -23.26 | -20.5 | 16 |
15 | Moscow Nights | -0.20 | -21.16 | -18.0 | 12 |