℗ 2018 Cedille
Released | September 14, 2018 |
Duration | 59m 02s |
Record Label | Cedille |
Catalogue No. | CDR90000-180 |
Genre | Classical (Art Song) |
Songs from Chicago
Thomas Hampson, Kuang-Hao Huang
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Songs at Parting
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1.1
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Lingering Last Drops
Thomas Hampson; Kuang-Hao Huang |
1:34 | |||
6 Songs
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1.2
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No. 2, World Take Good Notice
Thomas Hampson; Kuang-Hao Huang |
0:54 | |||
Songs at Parting
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1.3
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No. 2, The Last Invocation
Thomas Hampson; Kuang-Hao Huang |
2:02 | |||
1.4
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No. 7, Whispers of Heavenly Death
Thomas Hampson; Kuang-Hao Huang |
3:42 | |||
1.5
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No. 5, One Thought Ever at the Fore
Thomas Hampson; Kuang-Hao Huang |
2:00 | |||
1.6
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No. 3, Darest Thou Now, O Soul
Thomas Hampson; Kuang-Hao Huang |
3:59 | |||
1.7
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No. 1, Grand Is the Seen
Thomas Hampson; Kuang-Hao Huang |
2:30 | |||
1.8
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Songs to the Dark Virgin
Thomas Hampson; Kuang-Hao Huang |
1:55 | |||
1.9
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My Dream
Thomas Hampson; Kuang-Hao Huang |
2:02 | |||
4 Negro Songs
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1.10
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No. 1, Shake Your Brown Feet, Honey
Thomas Hampson; Kuang-Hao Huang |
2:03 | |||
1.11
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No. 2, The Cryin' Blues
Thomas Hampson; Kuang-Hao Huang |
2:19 | |||
1.12
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No. 3, Jazz-Boys
Thomas Hampson; Kuang-Hao Huang |
1:11 | |||
3 Dream Portraits
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1.13
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No. 1, Minstrel Man
Thomas Hampson; Kuang-Hao Huang |
1:38 | |||
1.14
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No. 2, Dream Variation
Thomas Hampson; Kuang-Hao Huang |
1:41 | |||
1.15
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No. 3, I, Too
Thomas Hampson; Kuang-Hao Huang |
1:39 | |||
1.16
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The Negro Speaks of Rivers
Thomas Hampson; Kuang-Hao Huang |
3:51 | |||
2 Songs, Op. 33
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1.17
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No. 1, Elegy
Thomas Hampson; Kuang-Hao Huang |
2:42 | |||
Gitanjali
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1.18
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Credo
Thomas Hampson; Kuang-Hao Huang |
0:59 | |||
1.19
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No. 1, When I Bring to You Colour'd Toys
Thomas Hampson; Kuang-Hao Huang |
2:21 | |||
1.20
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No. 2, On the Day When Death Will Knock at Thy Door
Thomas Hampson; Kuang-Hao Huang |
3:00 | |||
1.21
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No. 3, The Sleep That Flits on Baby's Eyes
Thomas Hampson; Kuang-Hao Huang |
2:25 | |||
1.22
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No. 4, I Am Like a Remnant of a Cloud of Autumn
Thomas Hampson; Kuang-Hao Huang |
4:25 | |||
1.23
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No. 5, On the Seashore of Endless Worlds
Thomas Hampson; Kuang-Hao Huang |
5:28 | |||
1.24
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No. 6, Light, My Light
Thomas Hampson; Kuang-Hao Huang |
2:18 | |||
1.25
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Epilogue
Thomas Hampson; Kuang-Hao Huang |
0:24 | |||
Digital Booklet
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Thomas Hampson, America’s leading baritone and a champion of the art of classic song — poetry set to music — makes his Cedille Records debut with a program of songs by five composers of the early 20th century associated with the city of Chicago: Ernst Bacon, Florence Price, John Alden Carpenter, Margaret Bonds, and Louis Campbell-Tipton. All of them, Hampson says, “have distinguished themselves in history as great voices of the artistic American narrative.”
Hailed as “an outstanding recitalist” by Grove Music Online, the much-honored international opera star, recording artist, and “ambassador of song” performs compositions based on poems by Walt Whitman, Langston Hughes, and Rabindranath Tagore, the Bengali poet who became the first non-European to receive the Nobel Prize for Literature.
The New York Philharmonic’s first Artist-in-Residence, Hampson also has been honored with a Concertgebouw Prize, Library of Congress Living Legends Award, and the Hugo-Wolf-Medal for outstanding achievements in the art of song interpretation, among many other awards.
96 kHz / 24-bit PCM – Cedille Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.07 -7.02 to -0.02 | -20.14 -27.44 to -15.46 | -16.50 -23.40 to -12.00 | 11 9 to 14 | |
1 | Lingering Last Drops | -0.15 | -20.71 | -17.4 | 11 |
2 | No. 2, World Take Good Notice | -0.52 | -17.69 | -13.8 | 11 |
3 | No. 2, The Last Invocation | -0.42 | -21.01 | -17.4 | 12 |
4 | No. 7, Whispers of Heavenly Death | 0.00 | -21.55 | -18.2 | 12 |
5 | No. 5, One Thought Ever at the Fore | -0.54 | -17.90 | -14.7 | 11 |
6 | No. 3, Darest Thou Now, O Soul | -0.52 | -20.21 | -16.2 | 12 |
7 | No. 1, Grand Is the Seen | -0.52 | -18.46 | -14.8 | 10 |
8 | Songs to the Dark Virgin | -0.52 | -17.27 | -13.5 | 10 |
9 | My Dream | -0.52 | -20.10 | -16.3 | 11 |
10 | No. 1, Shake Your Brown Feet, Honey | -0.52 | -20.35 | -17.1 | 13 |
11 | No. 2, The Cryin' Blues | -0.52 | -18.54 | -15.0 | 11 |
12 | No. 3, Jazz-Boys | -0.52 | -15.46 | -12.0 | 9 |
13 | No. 1, Minstrel Man | -0.52 | -17.43 | -14.0 | 10 |
14 | No. 2, Dream Variation | -0.52 | -20.00 | -16.7 | 12 |
15 | No. 3, I, Too | -0.52 | -16.86 | -13.4 | 10 |
16 | The Negro Speaks of Rivers | -0.31 | -18.93 | -15.5 | 11 |
17 | No. 1, Elegy | -0.52 | -20.56 | -16.5 | 12 |
18 | Credo | -6.01 | -26.76 | -23.1 | 14 |
19 | No. 1, When I Bring to You Colour'd Toys | -0.52 | -21.30 | -18.3 | 13 |
20 | No. 2, On the Day When Death Will Knock at Thy Door | -0.52 | -20.35 | -16.1 | 11 |
21 | No. 3, The Sleep That Flits on Baby's Eyes | -3.37 | -23.85 | -20.0 | 12 |
22 | No. 4, I Am Like a Remnant of a Cloud of Autumn | -0.02 | -22.35 | -17.8 | 13 |
23 | No. 5, On the Seashore of Endless Worlds | -0.52 | -20.39 | -16.6 | 12 |
24 | No. 6, Light, My Light | -0.02 | -18.07 | -14.7 | 11 |
25 | Epilogue | -7.02 | -27.44 | -23.4 | 12 |