℗ 1971 Gulf Coast Records™ a division of 43 North Broadway
| Released | August 16, 1971 |
| Duration | 34m 40s |
| Record Label | Gulf Coast Records |
| Catalogue No. | 43NB0498GU |
| Genre | R&B (Soul) |
Stand by Me (Whatcha See is Whatcha Get)
Pretty Purdie And The Playboys
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Stand by Me
Pretty Purdie And The Playboys |
4:58 | |||
|
1.2
|
Modern Jive
Pretty Purdie And The Playboys |
3:20 | |||
|
1.3
|
Spanish Harlem
Pretty Purdie And The Playboys |
3:31 | |||
|
1.4
|
Artificialness (feat. Gil Scott-Heron)
Pretty Purdie And The Playboys; Gil Scott-Heron |
3:03 | |||
|
1.5
|
Never Can Say Goodbye
Pretty Purdie And The Playboys |
3:05 | |||
|
1.6
|
Whatcha See is Whatcha Get
Pretty Purdie And The Playboys |
5:18 | |||
|
1.7
|
It's Too Late
Pretty Purdie And The Playboys |
4:34 | |||
|
1.8
|
Funky Mozart (feat. Norman Matlock)
Pretty Purdie And The Playboys; Norman Matlock |
3:02 | |||
|
1.9
|
You've Got a Friend
Pretty Purdie And The Playboys |
3:49 |
Legendary jazz and funk drummer, Bernard Purdie - known for signature beat, the "Purdie Shuffle" - heads this soul/jazz group for their first and only record. Originally released in 1971, this was Purdie's 3rd release as band-leader, and features some of the legendary talents of the day, including Chuck Rainey on Electric Bass, Billy Mitchell on Tenor Sax, and Snooky Young on Trumpet, among others.
This is a unique and stand-out record for completionists, cataloguing a rising moment in Purdie's career. This is also an important transitional period from earlier jazz styles to the soul and RnB influenced sound of the 70s, bringing together legends of the be-bop era in horn players like Mitchell and Young with the young lions of funk and soul in the rhythm section.
96 kHz / 24-bit PCM – Gulf Coast Records Studio Masters
Tracks 1-9 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-9 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.21 -3.19 to -1.45 | -17.00 -17.65 to -16.40 | -13.83 -14.50 to -12.90 | 10 10 to 11 | |
| 1 | Stand by Me | -1.99 | -16.70 | -13.6 | 10 |
| 2 | Modern Jive | -2.67 | -17.35 | -14.0 | 10 |
| 3 | Spanish Harlem | -1.54 | -16.44 | -12.9 | 10 |
| 4 | Artificialness (feat. Gil Scott-Heron) | -3.19 | -17.31 | -14.5 | 10 |
| 5 | Never Can Say Goodbye | -1.45 | -16.95 | -14.1 | 10 |
| 6 | Whatcha See is Whatcha Get | -2.39 | -17.35 | -14.0 | 11 |
| 7 | It's Too Late | -1.83 | -16.40 | -13.3 | 10 |
| 8 | Funky Mozart (feat. Norman Matlock) | -2.31 | -16.81 | -13.6 | 10 |
| 9 | You've Got a Friend | -2.52 | -17.65 | -14.5 | 11 |