℗ ℗ 1973 JAPO / ECM Records
 

For All It Is

Barre Phillips

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats

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1
Just 8
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin
7:00
2
Whoop
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin
3:50
3
Few Too
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin
7:03
4
La Palette
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin
4:28
5
Y En A
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin
6:09
6
Dribble
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin
7:13
7
Y. M.
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin
4:47
Total Playing Time    40:30
This unusual meeting of minds pits bassists Barre Phillips (who also penned the proceedings), Palle Danielsson, Barry Guy, and J. F. Jenny-Clarke with percussionist Stu Martin in a tactile playoff.

For All It Is, for all it is, is above all an exercise in linguistics. Its cognates are familiar, even if the grammars are not. For the completist it will be an intriguing blip on the radar of all four bassists’ careers.
96 kHz / 24-bit PCM – ECM Records Studio Masters

Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source

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