℗ 1973 JAPO / ECM Records
Released | September 1, 1973 |
Duration | 40m 30s |
Record Label | ECM Records |
Genre | Jazz (Bass Quartet) |
1.1
|
Just 8
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin |
7:00 | |||
1.2
|
Whoop
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin |
3:50 | |||
1.3
|
Few Too
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin |
7:03 | |||
1.4
|
La Palette
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin |
4:28 | |||
1.5
|
Y En A
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin |
6:09 | |||
1.6
|
Dribble
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin |
7:13 | |||
1.7
|
Y. M.
Barre Phillips; Palle Danielsson; Barry Guy; J.F. Jenny-Clark; Stu Martin |
4:47 |
This unusual meeting of minds pits bassists Barre Phillips (who also penned the proceedings), Palle Danielsson, Barry Guy, and J. F. Jenny-Clarke with percussionist Stu Martin in a tactile playoff.
For All It Is, for all it is, is above all an exercise in linguistics. Its cognates are familiar, even if the grammars are not. For the completist it will be an intriguing blip on the radar of all four bassists’ careers.
96 kHz / 24-bit PCM – ECM Records Studio Masters
Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.31 -6.16 to -0.62 | -22.87 -26.87 to -18.48 | -20.33 -24.00 to -16.30 | 13 12 to 15 | |
1 | Just 8 | -0.82 | -19.37 | -17.5 | 12 |
2 | Whoop | -1.61 | -23.23 | -21.0 | 13 |
3 | Few Too | -3.95 | -24.59 | -22.1 | 13 |
4 | La Palette | -2.28 | -24.71 | -20.6 | 14 |
5 | Y En A | -6.16 | -26.87 | -24.0 | 13 |
6 | Dribble | -0.62 | -22.84 | -20.8 | 15 |
7 | Y. M. | -0.70 | -18.48 | -16.3 | 12 |