℗ 2018 Naxos
| Released | September 14, 2018 |
| Duration | 1h 09m 28s |
| Record Label | Naxos |
| Catalogue No. | 8.573794 |
| Genre | Classical (Piano) |
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Consolations, S. 171a
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1.1
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No. 1, Andante con moto
Franz Liszt; Goran Filipec |
1:37 | |||
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1.2
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No. 2, Un poco più mosso
Franz Liszt; Goran Filipec |
3:30 | |||
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1.3
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No. 3, Lento, quasi recitativo
Franz Liszt; Goran Filipec |
5:03 | |||
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1.4
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No. 4, Quasi adagio, cantabile con divozione
Franz Liszt; Goran Filipec |
2:39 | |||
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1.5
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No. 5, Andantino
Franz Liszt; Goran Filipec |
2:50 | |||
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1.6
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No. 6, Allegretto
Franz Liszt; Goran Filipec |
3:35 | |||
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Madrigal
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1.7
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Album Leaf, S. 171b (Première consolation)
Franz Liszt; Goran Filipec |
0:30 | |||
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Années de pèlerinage II, S. 161 "Italie"
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1.8
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No. 1, Sposalizio
Franz Liszt; Goran Filipec |
7:21 | |||
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1.9
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No. 7, Après une lecture du Dante. Fantasia quasi sonata, S. 158b
Franz Liszt; Goran Filipec |
16:02 | |||
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1.10
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Ballade No. 2 in B Minor (1st version), S170a
Franz Liszt; Goran Filipec |
12:46 | |||
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1.11
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Der Tanz in der Dorfschenke, S514/R181, "Mephisto Waltz No. 1" (1862 revised version)
Franz Liszt; Goran Filipec |
13:35 | |||
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Digital Booklet
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All of the pieces in this programme have a literary or artistic connection as the background to their creation. Heard here in their first version, the Consolations owe their title to a poem by Alphonse de Lamartine and include a melody that later became the first Hungarian Rhapsody. The meditative Sposalizio was inspired by a painting by Raphael, and the Ballade by Gottfried Burger’s haunting ‘Lenore.’ Victor Hugo’s Apres une lecture de Dante is used powerfully by Liszt to express damnation and hope, and the first Mephisto Waltz derived from Lenau’s ‘Faust’ depicts a dance both sinister and amorous.
Born in Rijeka in 1981, Goran Filipec studied at the Ino Mirkovich Academy in Croatia, at the Tchaikovsky Conservatory in Moscow, the Royal Conservatory in The Hague, and the Conservatoire national superieur de musique et de danse de Paris. During his early career, he was a top prizewinner of several international piano competitions. He performs across Europe, the US, South America and Japan as a recitalist and as a soloist with leading orchestras.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.62 -16.30 to -0.02 | -27.69 -35.31 to -21.63 | -24.08 -31.50 to -17.70 | 13 10 to 15 | |
| 1 | No. 1, Andante con moto | -15.42 | -33.61 | -30.6 | 11 |
| 2 | No. 2, Un poco più mosso | -6.89 | -29.06 | -25.8 | 12 |
| 3 | No. 3, Lento, quasi recitativo | -2.62 | -26.83 | -23.7 | 15 |
| 4 | No. 4, Quasi adagio, cantabile con divozione | -5.84 | -29.08 | -25.7 | 13 |
| 5 | No. 5, Andantino | -3.16 | -27.38 | -23.9 | 13 |
| 6 | No. 6, Allegretto | -8.62 | -29.05 | -26.0 | 12 |
| 7 | Album Leaf, S. 171b (Première consolation) | -16.30 | -35.31 | -31.5 | 10 |
| 8 | No. 1, Sposalizio | -2.38 | -25.75 | -21.3 | 13 |
| 9 | No. 7, Après une lecture du Dante. Fantasia quasi sonata, S. 158b | -0.02 | -21.63 | -17.7 | 13 |
| 10 | Ballade No. 2 in B Minor (1st version), S170a | -0.52 | -23.08 | -19.3 | 13 |
| 11 | Der Tanz in der Dorfschenke, S514/R181, "Mephisto Waltz No. 1" (1862 revised version) | -0.02 | -23.84 | -19.4 | 14 |