℗ 2018 Mirare
| Released | September 21, 2018 |
| Duration | 55m 31s |
| Catalogue No. | MIR366D |
| Genre | Classical (Mass, Requiem Etc.) |
Sacrum convivium
Vox Clamantis, Jaan-Eik Tulve
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Ubi caritas et amor
Maurice Duruflé; Vox Clamantis; Jaan-Eik Tulve |
2:01 | |||
|
1.2
|
Tota pulchra es
Maurice Duruflé; Vox Clamantis; Jaan-Eik Tulve |
2:53 | |||
|
1.3
|
Tu es Petrus
Maurice Duruflé; Vox Clamantis; Jaan-Eik Tulve |
2:08 | |||
|
1.4
|
Tantum ergo
Maurice Duruflé; Vox Clamantis; Jaan-Eik Tulve |
6:20 | |||
|
1.5
|
Le Lai de Nostre Dame
Guillaume de Machaut; Vox Clamantis; Jaan-Eik Tulve |
11:32 | |||
|
4 Motets pour un temps de pénitence, FP 97
|
|||||
|
1.6
|
I. Timor et tremor
Francis Poulenc; Vox Clamantis; Jaan-Eik Tulve |
2:39 | |||
|
Répons grégorien
|
|||||
|
1.7
|
Vinea mea electa
Anonymous; Vox Clamantis; Jaan-Eik Tulve |
3:45 | |||
|
4 Motets pour un temps de pénitence, FP 97
|
|||||
|
1.8
|
II. Vinea mea electa
Francis Poulenc; Vox Clamantis; Jaan-Eik Tulve |
3:40 | |||
|
Répons grégorien
|
|||||
|
1.9
|
Tenebræ factæ sunt
Anonymous; Vox Clamantis; Jaan-Eik Tulve |
3:44 | |||
|
4 Motets pour un temps de pénitence, FP 97
|
|||||
|
1.10
|
III. Tenebræ factæ sunt
Francis Poulenc; Vox Clamantis; Jaan-Eik Tulve |
4:05 | |||
|
Répons grégorien
|
|||||
|
1.11
|
Tristis est anima mea
Anonymous; Vox Clamantis; Jaan-Eik Tulve |
3:35 | |||
|
4 Motets pour un temps de pénitence, FP 97
|
|||||
|
1.12
|
IV. Tristis est anima mea
Francis Poulenc; Vox Clamantis; Jaan-Eik Tulve |
4:06 | |||
|
1.13
|
O sacrum convivium
Olivier Messiaen; Vox Clamantis; Jaan-Eik Tulve |
5:03 | |||
|
Digital Booklet
|
|||||
The album Sacrum convivium presents a vision of French music over two millennia: from Gregorian chant through Guillaume de Machaut's extraordinary Lai de Nostre Dame to the twentieth century of Maurice Duruflé, Francis Poulenc and Olivier Messiaen, all three of them influenced in some way by the spirituality and sensibility of Gregorian chant, which Messiaen himself described as "the greatest treasure we possess in western music."
44.1 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.77 -6.48 to -0.20 | -24.21 -27.05 to -20.72 | -20.21 -22.90 to -16.70 | 13 11 to 15 | |
| 1 | Ubi caritas et amor | -4.13 | -25.64 | -22.1 | 13 |
| 2 | Tota pulchra es | -0.62 | -24.80 | -20.3 | 13 |
| 3 | Tu es Petrus | -0.20 | -23.41 | -19.2 | 11 |
| 4 | Tantum ergo | -2.85 | -22.23 | -18.9 | 12 |
| 5 | Le Lai de Nostre Dame | -1.34 | -27.05 | -22.9 | 15 |
| 6 | I. Timor et tremor | -0.39 | -20.72 | -16.7 | 12 |
| 7 | Vinea mea electa | -4.11 | -25.68 | -22.0 | 12 |
| 8 | II. Vinea mea electa | -0.20 | -22.18 | -18.1 | 13 |
| 9 | Tenebræ factæ sunt | -2.15 | -25.71 | -22.2 | 11 |
| 10 | III. Tenebræ factæ sunt | -0.20 | -22.56 | -18.1 | 13 |
| 11 | Tristis est anima mea | -6.48 | -24.83 | -21.1 | 11 |
| 12 | IV. Tristis est anima mea | -0.20 | -23.81 | -19.7 | 13 |
| 13 | O sacrum convivium | -0.20 | -26.10 | -21.4 | 15 |