℗ 2019 Hyperion Records Limited
| Released | January 26, 2024 |
| Originated | March 1, 2019 |
| Duration | 1h 01m 37s |
| Record Label | Hyperion |
| Genre | Classical |
Bach: Cantatas Nos. 106 "Actus tragicus" & 182
Amici Voices
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus"
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1.1
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I. Sonatina
Johann Sebastian Bach; Martin Luther; Amici Voices |
2:43 | |||
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1.2
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IIa. Chorus. Gottes Zeit ist die allerbeste Zeit
Johann Sebastian Bach; Martin Luther; Amici Voices |
2:02 | |||
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1.3
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IIb. Arioso. Ach Herr, lehre uns bedenken
Johann Sebastian Bach; Martin Luther; Amici Voices |
2:00 | |||
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1.4
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IIc. Aria. Bestelle dein Haus
Johann Sebastian Bach; Martin Luther; Michael Craddock |
1:07 | |||
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1.5
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IId. Chorus and Arioso. Es ist der alte Bund
Johann Sebastian Bach; Martin Luther; Bethany Partridge |
3:24 | |||
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1.6
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IIIa. Aria. In deine Hände befehl ich meinen Geist
Johann Sebastian Bach; Martin Luther; Helen Charlston |
2:17 | |||
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1.7
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IIIb. Arioso and Chorus. Heute wirst du mit mir im Paradies sein
Johann Sebastian Bach; Martin Luther; Amici Voices |
3:40 | |||
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1.8
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IV. Chorus. Glorie, Lob, Ehr und Herrlichkeit
Johann Sebastian Bach; Adam Reusner; Amici Voices |
3:00 | |||
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O Gott, du frommer Gott, Chorale Partita, BWV 767
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1.9
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Partita VIII
Johann Sebastian Bach; Terence Charlston |
2:35 | |||
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Komm, Jesu, kommt, BWV 229
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1.10
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I-II. Chorale. Komm, Jesu, komm, mein Leib ist müde
Johann Sebastian Bach; Paul Thymich; Anonymous; Amici Voices |
2:55 | |||
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1.11
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III. Chorale. Komm, komm, ich will mich dir ergeben
Johann Sebastian Bach; Paul Thymich; Anonymous; Amici Voices |
4:54 | |||
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1.12
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IV. Aria. Drum schließ ich mich in deine Hände
Johann Sebastian Bach; Paul Thymich; Anonymous; Amici Voices |
1:29 | |||
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Himmelskönig, sei willkommen, BWV 182
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1.13
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I. Sonata
Johann Sebastian Bach; Salomo Franck; Agata Daraskaite |
1:46 | |||
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1.14
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II. Chorus. Himmelskönig, sei willkommen
Johann Sebastian Bach; Salomo Franck; Amici Voices |
3:24 | |||
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1.15
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III. Recit. Siehe, ich komme
Johann Sebastian Bach; Salomo Franck; Henry Hawkesworth |
0:38 | |||
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1.16
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IV. Aria. Starkes Lieben
Johann Sebastian Bach; Salomo Franck; Amici Voices |
2:36 | |||
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1.17
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V. Aria. Leget euch dem Heiland unter
Johann Sebastian Bach; Salomo Franck; Amici Voices |
9:56 | |||
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1.18
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VI. Aria. Jesu, lass durch Wohl und Weh
Johann Sebastian Bach; Salomo Franck; Hiroshi Amako |
3:26 | |||
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1.19
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VII. Chorale. Jesu, deine Passion
Johann Sebastian Bach; Paul Stockmann; Amici Voices |
3:32 | |||
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1.20
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VIII. Chorus. So lasset uns gehen in Salem der Freuden
Johann Sebastian Bach; Salomo Franck; Amici Voices |
4:13 | |||
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Digital Booklet
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"The combined vocal and instrumental contributions of Amici Voices get right inside the music. Their success is all about sustainably good judgement in knowing what really matters in communicating the essence of these exquisitely crafted cantatas. The highlight [of BWV182] is Helen Charlston’s mesmerising delivery of ‘Leget euch’ … lovingly accompanied by the flautist Ashley Solomon … in sum, this is as thoughtfully executed a Bach programme as you could possibly imagine. Most of all, it rings with truth and warms the heart."
- Gramophone
Bach may only have been in his early twenties when he wrote it, but Cantata No 106 (the ‘Actus tragicus’) is a profound contemplation of things final; the motet Komm, Jesu, komm occupies similar eschatalogical territory. This is an inspired programme of some of the most moving vocal music ever written.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.75 -13.02 to -0.22 | -24.42 -27.69 to -20.04 | -21.61 -25.30 to -16.90 | 13 9 to 15 | |
| 1 | I. Sonatina | -5.14 | -23.24 | -21.3 | 11 |
| 2 | IIa. Chorus. Gottes Zeit ist die allerbeste Zeit | -1.87 | -21.95 | -19.1 | 13 |
| 3 | IIb. Arioso. Ach Herr, lehre uns bedenken | -6.57 | -24.96 | -22.2 | 12 |
| 4 | IIc. Aria. Bestelle dein Haus | -3.78 | -26.16 | -22.8 | 15 |
| 5 | IId. Chorus and Arioso. Es ist der alte Bund | -0.41 | -22.68 | -19.7 | 14 |
| 6 | IIIa. Aria. In deine Hände befehl ich meinen Geist | -5.80 | -27.42 | -24.7 | 13 |
| 7 | IIIb. Arioso and Chorus. Heute wirst du mit mir im Paradies sein | -5.99 | -24.57 | -22.0 | 11 |
| 8 | IV. Chorus. Glorie, Lob, Ehr und Herrlichkeit | -1.53 | -22.22 | -19.0 | 14 |
| 9 | Partita VIII | -13.02 | -27.69 | -25.3 | 9 |
| 10 | I-II. Chorale. Komm, Jesu, komm, mein Leib ist müde | -2.69 | -23.94 | -21.0 | 14 |
| 11 | III. Chorale. Komm, komm, ich will mich dir ergeben | -2.25 | -23.44 | -20.6 | 14 |
| 12 | IV. Aria. Drum schließ ich mich in deine Hände | -0.22 | -21.57 | -18.2 | 13 |
| 13 | I. Sonata | -6.71 | -25.61 | -22.7 | 12 |
| 14 | II. Chorus. Himmelskönig, sei willkommen | -3.36 | -22.78 | -20.0 | 13 |
| 15 | III. Recit. Siehe, ich komme | -9.80 | -27.32 | -24.9 | 10 |
| 16 | IV. Aria. Starkes Lieben | -9.10 | -27.51 | -24.9 | 13 |
| 17 | V. Aria. Leget euch dem Heiland unter | -6.63 | -27.17 | -24.6 | 14 |
| 18 | VI. Aria. Jesu, lass durch Wohl und Weh | -6.03 | -26.36 | -23.2 | 14 |
| 19 | VII. Chorale. Jesu, deine Passion | -3.43 | -21.72 | -19.1 | 12 |
| 20 | VIII. Chorus. So lasset uns gehen in Salem der Freuden | -0.68 | -20.04 | -16.9 | 13 |