℗ 2018 The Sixteen Productions Ltd
| Released | October 26, 2018 |
| Duration | 1h 19m 06s |
| Record Label | CORO |
| Catalogue No. | COR16168 |
| Genre | Classical (Orchestral) |
Haydn Symphonies Nos. 49 & 87
Harry Christophers, Handel and Haydn Society, Aisslinn Nosky, Max Mandel
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 49 in F Minor, Hob. I/49 "La Passione"
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1.1
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I. Adagio
Franz Joseph Haydn; Harry Christophers; Handel and Haydn Society |
9:47 | |||
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1.2
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II. Allegro di molto
Franz Joseph Haydn; Harry Christophers; Handel and Haydn Society |
6:33 | |||
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1.3
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III. Menuet & Trio
Franz Joseph Haydn; Handel and Haydn Society; Harry Christophers |
4:05 | |||
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1.4
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IV. Finale - Presto
Franz Joseph Haydn; Handel and Haydn Society; Harry Christophers |
3:07 | |||
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Sinfonia Concertante in E Flat Major for Violin and Viola, K. 364
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1.5
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I. Allegro maestoso
Wolfgang Amadeus Mozart; Aisslinn Nosky; Harry Christophers; Handel and Haydn Society; Max Mandel |
12:52 | |||
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1.6
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II. Andante
Wolfgang Amadeus Mozart; Aisslinn Nosky; Harry Christophers; Handel and Haydn Society; Max Mandel |
9:05 | |||
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1.7
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III. Presto
Wolfgang Amadeus Mozart; Aisslinn Nosky; Harry Christophers; Handel and Haydn Society; Max Mandel |
5:56 | |||
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Symphony No. 87 in A Major, Hob. I/87
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1.8
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I. Vivace
Franz Joseph Haydn; Harry Christophers; Handel and Haydn Society |
10:44 | |||
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1.9
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II. Adagio
Franz Joseph Haydn; Harry Christophers; Handel and Haydn Society |
6:34 | |||
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1.10
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III. Menuet & Trio
Franz Joseph Haydn; Harry Christophers; Handel and Haydn Society |
3:58 | |||
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1.11
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IV. Finale - Vivace
Franz Joseph Haydn; Harry Christophers; Handel and Haydn Society |
6:25 | |||
The Handel and Haydn Society presents one of Haydn’s early Sturm und Drang (storm and stress) symphonies- No. 49 in F minor, more commonly known as ‘La Passione’ because of its dark, brooding penitential adagio. Symphony No. 87, the last of six masterly ‘Paris’ Symphonies, displays Haydn’s astonishing craftsmanship and, along with symphonies 82-86, were the first symphonies since the Sturm und Drang days.
The Paris Symphonies blended an approachable and popular style with an inventiveness and broad emotional range that revealed new possibilities in what was still a relatively youthful genre. Completing the programme is Mozart’s elegiac and richly beautiful Sinfonia Concertante performed by H+H’s inspirational concertmaster, Aisslinn Nosky and viola player Max Mendel.
96 kHz / 24-bit PCM – CORO Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.69 -3.45 to -0.39 | -23.45 -27.24 to -20.99 | -19.85 -23.90 to -16.60 | 13 12 to 15 | |
| 1 | I. Adagio | -0.90 | -24.27 | -20.4 | 13 |
| 2 | II. Allegro di molto | -0.63 | -22.06 | -18.6 | 13 |
| 3 | III. Menuet & Trio | -3.45 | -23.34 | -20.1 | 12 |
| 4 | IV. Finale - Presto | -2.17 | -22.14 | -18.9 | 12 |
| 5 | I. Allegro maestoso | -1.24 | -23.74 | -20.5 | 14 |
| 6 | II. Andante | -2.15 | -26.40 | -23.1 | 15 |
| 7 | III. Presto | -1.39 | -24.02 | -20.9 | 14 |
| 8 | I. Vivace | -0.39 | -21.13 | -16.6 | 12 |
| 9 | II. Adagio | -3.21 | -27.24 | -23.9 | 15 |
| 10 | III. Menuet & Trio | -2.37 | -22.67 | -18.7 | 13 |
| 11 | IV. Finale - Vivace | -0.67 | -20.99 | -16.6 | 12 |