
℗ 2018 BIS Records
Released | September 28, 2018 |
Duration | 1h 02m 01s |
Catalogue No. | BIS-2246 |
Genre | Classical (Violin) |
Dvořák & Suk: Works for Violin & Orchestra
Eldbjørg Hemsing, Antwerp Symphony Orchestra, Alan Buribayev
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Concerto in A Minor, Op. 53, B. 108
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1.1
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I. Allegro ma non troppo
Antonín Dvořák; Eldbjørg Hemsing; Antwerp Symphony Orchestra; Alan Buribayev |
11:36 | |||
1.2
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II. Adagio ma non troppo
Antonín Dvořák; Eldbjørg Hemsing; Antwerp Symphony Orchestra; Alan Buribayev |
10:28 | |||
1.3
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III. Finale. Allegro giocoso, ma non troppo
Antonín Dvořák; Eldbjørg Hemsing; Antwerp Symphony Orchestra; Alan Buribayev |
10:08 | |||
1.4
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Fantasy in G Minor, Op. 24
Josef Suk; Eldbjørg Hemsing; Antwerp Symphony Orchestra; Alan Buribayev |
23:19 | |||
6 Piano Pieces, Op. 7
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1.5
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No. 1, Liebeslied (Arr. S. Koncz for Violin & Orchestra)
Josef Suk; Stephan Koncz; Eldbjørg Hemsing; Antwerp Symphony Orchestra; Alan Buribayev |
6:30 | |||
Digital Booklet
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Eldbjørg Hemsing’s very successful debut album of Shostakovich & Borgström violin concertos - having entered German Top 20 Classical Music Charts in May this year - is followed in autumn 2018 by a recording of Dvořák’s Violin Concerto and Suk’s Fantasy and Love Song with the Antwerp Symphony Orchestra and Alan Buribayev.
Eldbjørg Hemsing says about her second solo album release:
“A special and close relationship with Antonín Dvořák’s Violin Concerto in A minor goes all the way back to my childhood. I grew up with two siblings, and my younger brother Andris used to play the concerto constantly at the highest volume until my mum decided to hide the recording. However, my curiosity about Dvořák grew, eventually also leading to my discovery of Josef Suk’s compositions. Despite the difference in expression and style between the two composers, the eloquence of the Czech idiom that they share fascinated me. Dvořák’s Violin Concerto is a masterpiece, both playful and yet very serious. Josef Suk’s Fantasy is on the other hand like a mosaic adventure, where each of the stories come together forming the piece. And, finally, Love Song is somehow a true reflection of the romantic idea of love.”
96 kHz / 24-bit PCM – BIS Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.09 -2.27 to -0.07 | -26.77 -29.81 to -24.81 | -22.46 -26.00 to -20.50 | 16 14 to 17 | |
1 | I. Allegro ma non troppo | -1.88 | -26.95 | -23.1 | 15 |
2 | II. Adagio ma non troppo | -2.27 | -29.81 | -26.0 | 16 |
3 | III. Finale. Allegro giocoso, ma non troppo | -0.48 | -24.81 | -21.1 | 16 |
4 | Fantasy in G Minor, Op. 24 | -0.07 | -26.40 | -21.6 | 17 |
5 | No. 1, Liebeslied (Arr. S. Koncz for Violin & Orchestra) | -0.76 | -25.86 | -20.5 | 14 |