℗ 2018 ACT Music and Vision
Released | August 31, 2018 |
Duration | 53m 46s |
Record Label | ACT Music and Vision |
Catalogue No. | ACT9858-2 |
Genre | Jazz (Contemporary) |
Living Being II - Night Walker
Living Being Extended
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Bang Bang
Living Being Extended |
3:26 | |||
1.2
|
Enzo
Living Being Extended |
4:29 | |||
1.3
|
Le clown sauveur de la fête foraine
Living Being Extended |
2:43 | |||
King Arthur, Z. 628, "The British Worthy", Act III
|
|||||
1.4
|
What power art thou, who from below, hast made me rise (arr. for jazz ensemble)
Living Being Extended |
5:55 | |||
1.5
|
Opening
Living Being Extended |
3:52 | |||
1.6
|
Kashmir
Living Being Extended |
5:41 | |||
1.7
|
Stairway To Heaven
Living Being Extended |
3:26 | |||
1.8
|
Night Walker
Living Being Extended |
6:55 | |||
1.9
|
K2000
Living Being Extended |
1:42 | |||
1.10
|
Falling
Living Being Extended |
4:40 | |||
1.11
|
Unknown Chemistry
Living Being Extended |
6:15 | |||
1.12
|
Smoke and Mirrors
Living Being Extended |
4:42 | |||
Digital Booklet
|
Vincent Peirani is a jazz musician who is equally at home in world music, or classical music, chanson or pop. Yet what the listener will hear from his new album is that he has transformed the accordion into the baddest of rock 'n' roll axes. On Night Walker the Frenchman shines. His quintet with extensive experience of playing together produces fiery Led Zeppelin covers and has a sound that not only crosses genres but is also completely unique.
At the beginning of 2015 the “once-in-a-century talent” (Fono Forum) released his first work with a new quintet “Living Being”, the same title being used for both the band and their album. The members are Emile Parisien, saxophone, Tony Paeleman, keyboards, Julien Herné, electric bass & guitar, Yoann Serra, drums.
Recorded in just four days in March 2017 in Brussels, Night Walker shows the quintet channelling its energies even more powerfully and consistently. The mix by sound engineer Boris Darley took several months of experimentation to get it right. As Peirani says,”it was like being in a musical laboratory.” Whether seen from a jazz or a pop perspective, the combination of instruments is unique.
88.2 kHz / 24-bit PCM – ACT Music and Vision Studio Masters
Tracks 1-12 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-12 – contains material which utilizes a limited amount of the available bandwidth
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.04 -3.59 to -0.70 | -15.91 -19.54 to -13.24 | -13.46 -16.90 to -10.80 | 9 7 to 11 | |
1 | Bang Bang | -0.70 | -17.12 | -14.2 | 9 |
2 | Enzo | -0.70 | -16.22 | -14.1 | 9 |
3 | Le clown sauveur de la fête foraine | -0.70 | -16.54 | -14.2 | 9 |
4 | What power art thou, who from below, hast made me rise (arr. for jazz ensemble) | -0.70 | -14.55 | -11.3 | 8 |
5 | Opening | -3.59 | -19.54 | -16.9 | 10 |
6 | Kashmir | -0.70 | -13.24 | -10.8 | 7 |
7 | Stairway To Heaven | -1.94 | -18.31 | -15.6 | 9 |
8 | Night Walker | -0.70 | -14.36 | -12.0 | 7 |
9 | K2000 | -0.70 | -14.23 | -12.0 | 8 |
10 | Falling | -0.70 | -18.25 | -16.6 | 11 |
11 | Unknown Chemistry | -0.70 | -13.98 | -10.9 | 7 |
12 | Smoke and Mirrors | -0.70 | -14.61 | -12.9 | 9 |