
℗ 2014 King's College, Cambridge
Released | March 9, 2015 |
Duration | 1h 12m 43s |
Catalogue No. | KGS0004D |
Genre | Classical (Other (Classical)) |
English Hymn Anthems
Stephen Cleobury, Alison Balsom, Choir of King's College, Cambridge
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Hear My Words, Ye People
Richard Reed Parry; Choir of King's College, Cambridge; Daniel D'Souza; Stephen Cleobury; Tom Pickard; Douglas Tang |
14:41 | |||
Bible Songs and Six Hymns, Op. 113
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1.2
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XIb. O For a Closer Walk With God
Charles Villiers Stanford; Choir of King's College, Cambridge; Parker Ramsay; Stephen Cleobury |
3:15 | |||
1.3
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Blessed City, Heavenly Salem
Edward C Bairstow; Choir of King's College, Cambridge; Parker Ramsay; Stephen Cleobury |
7:59 | |||
1.4
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Jesu, Grant Me This I Pray
Percy Whitlock; Choir of King's College, Cambridge; Stephen Cleobury |
4:46 | |||
Seven Chorale Preludes, Set 2
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1.5
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V. Eventide
Richard Reed Parry; Stephen Cleobury |
4:03 | |||
1.6
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O Sons and Daughters
Henry Walford Davies; Choir of King's College, Cambridge; Parker Ramsay; Stephen Cleobury |
2:22 | |||
1.7
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O What Their Joy and Their Glory Must Be
Aaron Harris; Choir of King's College, Cambridge; Stephen Cleobury; Douglas Tang |
7:55 | |||
Three Preludes (Founded on Welsh Hymn Tunes)
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1.8
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II. Rhosymedre
Ralph Vaughan Williams; Stephen Cleobury |
4:21 | |||
1.9
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Vexilla Regis
John Ireland; Choir of King's College, Cambridge; Stephen Cleobury; Ruairi Bowen; Parker Ramsay; Adam Banwell; Feargal Mostyn-Williams; Benedict Oakley; Tom Pickard |
10:24 | |||
Three Songs of Praise
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1.10
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I. Praise
George Dyson; Choir of King's College, Cambridge; Parker Ramsay; Stephen Cleobury |
2:09 | |||
1.11
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God Omnipotent Reigneth
Charles Wood; Choir of King's College, Cambridge; Douglas Tang; Stephen Cleobury |
3:01 | |||
1.12
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Lord, Thou Hast Been Our Refuge "Psalm 90"
Ralph Vaughan Williams; Choir of King's College, Cambridge; Alison Balsom; Stephen Cleobury; Douglas Tang |
7:47 | |||
Digital Booklet
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In this recording the King's College Choir offers a varied selection of hymn anthems from the period of their greatest popularity, the 1890s to the 1930s. Most of them owe their materials to Hymns Ancient and Modern (HA&M), the dominant hymnal of the time. The variety of approaches to the form is reflected in their differing generic titles – anthem, motet, hymn, song. Some of the hymn texts are biblical paraphrases; some are poems not originally conceived as hymns. A hymn-anthem may incorporate existing hymn tunes, dating from the 6th to the 19th century, or launch a new tune, which may later be adopted for congregational use, as Parry's was. Some use scriptural prose as well as a hymn. The musical treatment also varies widely: there may be a recognisably strophic form, like a theme and variations; or the tune may be a source of motives for development or fugal treatment.
96 kHz / 24-bit PCM – Kings College Cambridge Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.15 -19.58 to -0.18 | -26.37 -34.71 to -22.74 | -22.97 -34.50 to -19.10 | 13 8 to 16 | |
1 | Hear My Words, Ye People | -1.99 | -25.73 | -22.2 | 15 |
2 | XIb. O For a Closer Walk With God | -3.80 | -27.87 | -23.6 | 13 |
3 | Blessed City, Heavenly Salem | -0.54 | -25.22 | -20.9 | 16 |
4 | Jesu, Grant Me This I Pray | -3.29 | -28.05 | -24.1 | 14 |
5 | V. Eventide | -19.58 | -34.71 | -34.5 | 8 |
6 | O Sons and Daughters | -0.69 | -23.85 | -19.2 | 12 |
7 | O What Their Joy and Their Glory Must Be | -1.31 | -23.73 | -20.1 | 13 |
8 | II. Rhosymedre | -14.10 | -32.59 | -31.1 | 9 |
9 | Vexilla Regis | -0.65 | -23.84 | -19.8 | 13 |
10 | I. Praise | -0.18 | -22.74 | -19.6 | 13 |
11 | God Omnipotent Reigneth | -3.06 | -24.09 | -21.4 | 12 |
12 | Lord, Thou Hast Been Our Refuge "Psalm 90" | -0.61 | -23.99 | -19.1 | 14 |