℗ 2018 Naxos
| Released | October 12, 2018 |
| Duration | 1h 10m 58s |
| Record Label | Naxos |
| Catalogue No. | 8.559856 |
| Genre | Classical (Chamber) |
Wanderer
Inga Kashakashvili, Lizi Ramishvili, Naomi Louisa O'Connell, Anton Rist, Angelina Gadeliya, Tamar Mikeladze
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Toccata
George Oakley; Inga Kashakashvili |
3:47 | |||
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Sonata for Cello & Piano
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1.2
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I. Quasi rubato andante
George Oakley; Lizi Ramishvili; Inga Kashakashvili |
7:07 | |||
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1.3
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II. Prayer. Adagio molto e cantabile
George Oakley; Lizi Ramishvili; Inga Kashakashvili |
7:22 | |||
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1.4
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III. Allegro ma non troppo
George Oakley; Lizi Ramishvili; Inga Kashakashvili |
5:48 | |||
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4 Songs Based on Shakespeare's Sonnets
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1.5
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Sonnet 101
George Oakley; Naomi Louisa O'Connell; Inga Kashakashvili |
3:57 | |||
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1.6
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Sonnet 111
George Oakley; Naomi Louisa O'Connell; Inga Kashakashvili |
5:31 | |||
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1.7
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Sonnet 116
George Oakley; Naomi Louisa O'Connell; Inga Kashakashvili |
5:16 | |||
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1.8
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Sonnet 56
George Oakley; Naomi Louisa O'Connell; Inga Kashakashvili |
6:33 | |||
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1.9
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Remembrance
George Oakley; Anton Rist; Angelina Gadeliya |
9:42 | |||
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1.10
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Sonata-Fantasia
George Oakley; Tamar Mikeladze |
15:55 | |||
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Digital Booklet
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https://naxosdirect.com/items/george-oakley-wanderer-466987
George Oakley is a Georgian-born American composer and a prize-winning concert pianist. The solo piano pieces on this recording, Toccata and Sonata-Fantasia, are technically demanding works which exhibit a range of styles from jazz to classical and Georgian folk music. Oakley’s Sonata for Cello and Piano takes us from an initial state of struggle and doubt to a cheerful and victorious conclusion.
For his Four Songs on Shakespeare Sonnets, Oakley “drew inspiration… from the musical language of Shakespeare’s era, so that each song would somehow become a bridge connecting the Renaissance with modernity.”
His mentor and friend Richard Danielpour has written that “George Oakley’s music is always highly expressive, inevitable without ever being predictable, and speaks to the heart as well as the mind.”
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.75 -0.86 to -0.50 | -18.97 -21.43 to -15.91 | -15.30 -17.40 to -13.00 | 11 8 to 13 | |
| 1 | Toccata | -0.75 | -17.05 | -14.1 | 10 |
| 2 | I. Quasi rubato andante | -0.83 | -18.26 | -14.3 | 10 |
| 3 | II. Prayer. Adagio molto e cantabile | -0.82 | -20.74 | -16.9 | 12 |
| 4 | III. Allegro ma non troppo | -0.50 | -15.91 | -13.0 | 8 |
| 5 | Sonnet 101 | -0.75 | -19.15 | -15.9 | 11 |
| 6 | Sonnet 111 | -0.63 | -18.61 | -14.7 | 11 |
| 7 | Sonnet 116 | -0.86 | -21.43 | -17.4 | 13 |
| 8 | Sonnet 56 | -0.85 | -20.74 | -15.9 | 11 |
| 9 | Remembrance | -0.77 | -17.65 | -14.3 | 10 |
| 10 | Sonata-Fantasia | -0.76 | -20.14 | -16.5 | 12 |