℗ 2018 Cedille
Released October 19, 2018
Duration 1h 18m 38s
Record Label Cedille
Catalogue No. CDR90000-182
Genre Classical (Chamber)
 

Blues Dialogues: Music by Black Composers

Rachel Barton Pine, Matthew Hagle

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
Blues (Deliver My Soul)
David N. Baker; Rachel Barton Pine; Matthew Hagle
4:11
Blue/s Forms for Solo Violin  
1.2
I. Plain Blue/s
Coleridge-Taylor Perkinson; Rachel Barton Pine
1:21
1.3
II. Just Blue/s
Coleridge-Taylor Perkinson; Rachel Barton Pine
2:59
1.4
III. Jettin' Blue/s
Coleridge-Taylor Perkinson; Rachel Barton Pine
2:30
1.5
Louisiana Blues Strut (A Cakewalk)
Coleridge-Taylor Perkinson; Rachel Barton Pine
2:32
Suite for Violin & Piano  
1.6
I. African Dancer
William Grant Still; Rachel Barton Pine; Matthew Hagle
4:31
1.7
II. Mother and Child
William Grant Still; Rachel Barton Pine; Matthew Hagle
6:08
1.8
III. Gamin
William Grant Still; Rachel Barton Pine; Matthew Hagle
2:06
A Set of Dance Tunes for Solo Violin  
1.9
No. 1, Walk Around "Brudder Bones"
Noel DaCosta; Rachel Barton Pine
3:54
1.10
No. 2, Neumedia
Noel DaCosta; Rachel Barton Pine
2:56
1.11
No. 3, Little Diamond - Bird on the Wing Jigs
Noel DaCosta; Rachel Barton Pine
1:58
1.12
No. 4, New Orleans Clog
Noel DaCosta; Rachel Barton Pine
0:58
1.13
No. 5, "New Orleans" Clog Blues
Noel DaCosta; Rachel Barton Pine
3:17
Levee Dance  
1.14
Op. 26 No. 2
Clarence Cameron White; Rachel Barton Pine; Matthew Hagle
3:51
1.15
In a Sentimental Mood (Arr. W. Logan for Violin & Piano)
Duke Ellington; Wendell Logan; Rachel Barton Pine; Matthew Hagle
3:25
Blues Dialogues  
1.16
I. Blues Feeling
Dolores White; Rachel Barton Pine
3:24
1.17
II. Expressive
Dolores White; Rachel Barton Pine
2:45
1.18
III. Fast and Funky
Dolores White; Rachel Barton Pine
1:13
1.19
IV. Moderately Fast
Dolores White; Rachel Barton Pine
2:49
1.20
Woogie Boogie
Errollyn Wallen; Rachel Barton Pine; Matthew Hagle
2:26
1.21
Incident on Larpenteur Avenue
Billy Childs; Rachel Barton Pine; Matthew Hagle
7:44
1.22
Filter
Daniel Bernard Roumain; Rachel Barton Pine
4:35
1.23
A Song Without Words
S. Charles Brown; Rachel Barton Pine; Matthew Hagle
3:10
Lenox Avenue  
1.24
The Blues (Arr. for Violin & Piano)
Anonymous; William Grant Still; Rachel Barton Pine; Matthew Hagle
3:55
"Barton Pine and partner Matthew Hagle are to be commended for such a thoughtful, gracious, and inspiring program, recorded in Cedille’s typical robust and clear sound." - Audiophile Audition Violinist Rachel Barton Pine, “an exciting, boundary-defying performer” (Washington Post) known for her “bravura technique and soulful musicianship” (New York Times), headlines a groundbreaking album of blues-influenced classical works for solo violin and violin and piano by 20th and 21st century composers of African descent. World-premiere recordings include Noel Da Costa’s A Set of Dance Tunes for Solo Violin, based on American fiddle tunes, and Billy Childs’s Incident on Larpenteur Avenue, a single-movement violin sonata/tone poem written as a response to a fatal shooting by police. Another premiere is Wendell Logan’s violin and piano arrangement of Duke Ellington’s 1935 composition, In a Sentimental Mood. The album’s title track, Dolores White’s improvisational "Blues Dialogues", draws on classical, jazz, and country music, as well as African-American vocalizations and a blues harmonic language. David N. Baker’s gospel-tinged Blues (Deliver My Soul) evokes the ecstatic energy of a Black church service. Coleridge-Taylor Perkinson’s Blue/s Forms and Louisiana Blues Strut befit a composer with a legacy of achievements in the classical, jazz, modern dance, and pop music worlds. Each movement of William Grant Still’s Suite for Violin and Piano evokes the work of a different African-American visual artist. Clarence Cameron White’s Levee Dance, a favorite of legendary violinist Jascha Heifetz, surrounds a traditional African-American spiritual with a playful, syncopated dance. Errollyn Wallen’s Woogie Boogie is a humorous and inventive reimaging of the boogie-woogie blues dance. Daniel Bernard Roumain’s Filter, with a new opening cadenza written specially for Rachel Barton Pine, conjures the sounds of electronic dance music and psychedelic guitar. Concluding the program, Charles S. Brown’s A Song Without Words was inspired by bottleneck guitar player and gospel blues master Blind Willie Johnson.
96 kHz / 24-bit PCM – Cedille Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.55
-11.58 to -0.30
-24.28
-30.98 to -20.17
-20.43
-27.00 to -17.00
13
11 to 16
1
Blues (Deliver My Soul)
-0.39-20.17-17.013
2
I. Plain Blue/s
-2.06-22.62-19.113
3
II. Just Blue/s
-8.28-30.64-26.513
4
III. Jettin' Blue/s
-3.21-21.10-17.512
5
Louisiana Blues Strut (A Cakewalk)
-2.08-21.25-17.712
6
I. African Dancer
-0.30-20.47-17.313
7
II. Mother and Child
-1.28-23.78-20.214
8
III. Gamin
-1.89-21.77-18.413
9
No. 1, Walk Around "Brudder Bones"
-1.19-23.52-19.713
10
No. 2, Neumedia
-4.45-27.16-23.213
11
No. 3, Little Diamond - Bird on the Wing Jigs
-2.26-24.32-20.614
12
No. 4, New Orleans Clog
-0.39-25.09-21.615
13
No. 5, "New Orleans" Clog Blues
-1.74-24.98-21.014
14
Op. 26 No. 2
-0.65-22.99-19.613
15
In a Sentimental Mood (Arr. W. Logan for Violin & Piano)
-0.47-25.72-21.015
16
I. Blues Feeling
-0.50-23.74-18.814
17
II. Expressive
-5.16-28.31-23.014
18
III. Fast and Funky
-2.50-23.34-19.012
19
IV. Moderately Fast
-2.10-21.84-17.712
20
Woogie Boogie
-0.44-23.90-20.015
21
Incident on Larpenteur Avenue
-0.36-22.96-18.715
22
Filter
-1.53-22.13-18.613
23
A Song Without Words
-11.58-30.98-27.011
24
The Blues (Arr. for Violin & Piano)
-6.42-29.98-27.016

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