℗ 2018 Naxos
Released | October 12, 2018 |
Duration | 56m 56s |
Record Label | Naxos |
Catalogue No. | 8.573973 |
Genre | Classical (Musicals) |
Tea for Two
Clémentine Decouture, Philippe Brocard, Frivol'Ensemble, Chloé Ducray
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
No, No, Nanette, Act II
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1.1
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Tea for Two (arr. M. Michard for 2 voices and chamber ensemble)
Vincent Youmans; Matthieu Michard; Clémentine Decouture; Philippe Brocard; Frivol'Ensemble |
5:31 | |||
1.2
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My Lady's Bower (Arr. C. Ducray for Voice & Harp)
Hope Temple; Chloé Ducray; Clémentine Decouture; Chloé Ducray |
3:24 | |||
Mirette
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1.3
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Ah! Nay, Do Not Fly Me! (Arr. Y. Stoffel for 2 Voices & Chamber Ensemble)
André Messager; Yann Stoffel; Clémentine Decouture; Philippe Brocard; Frivol'Ensemble |
1:41 | |||
Monsieur Beaucaire
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1.4
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Gold and Blue and White (Arr. Y. Stoffel for Voice & Chamber Ensemble)
André Messager; Yann Stoffel; Philippe Brocard; Frivol'Ensemble |
3:23 | |||
1.5
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Lightly, Lightly (Arr. S. Gassot for 2 Voices & Chamber Ensemble)
André Messager; Stéphane Gassot; Clémentine Decouture; Philippe Brocard; Frivol'Ensemble |
2:30 | |||
S.A.R. (Son Altesse Royale), Act III
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1.6
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Chanson des heures (arr. C. Ducray for voice and harp)
Ivan Caryll; Chloé Ducray; Clémentine Decouture; Chloé Ducray |
2:26 | |||
Le chevalier d'Éon
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1.7
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Pourquoi malgré neige et froidure (Arr. S. Mène for Voice & Chamber Ensemble)
Rodolphe Berger; Stéphane Mène; Philippe Brocard; Frivol'Ensemble |
2:31 | |||
Les contes de Perrault
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1.8
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Rêverie de Cendrillon (Arr. M. Michard for Voice & Chamber Ensemble)
Félix A. Fourdrain; Matthieu Michard; Clémentine Decouture; Frivol'Ensemble |
3:13 | |||
1.9
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Roses of Picardy (Roses de Picardie) (arr. M. Michard and C. Ducray for voice and harp)
Haydn Wood; Matthieu Michard; Chloé Ducray; Philippe Brocard; Chloé Ducray |
4:20 | |||
Messalinette
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1.10
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Fantaisie-sélection (Arr. M. Michard for 2 Voices & Chamber Ensemble)
Rodolphe Berger; Matthieu Michard; Clémentine Decouture; Philippe Brocard; Frivol'Ensemble |
7:37 | |||
Une Revue
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1.11
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La Dernière Valse (arr. P. Perrin for voice and chamber ensemble)
Reynaldo Hahn; Philippe Perrin; Clémentine Decouture; Frivol'Ensemble |
4:14 | |||
Moineau
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1.12
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L'escarpolette (Arr. D. Jorda-Manaut for Voice & Chamber Ensemble)
Louis Beydts; David Jorda-Manaut; Philippe Brocard; Frivol'Ensemble |
3:10 | |||
Maggie, Act I
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1.13
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Maggie, the Movie Queen (arr. M. Michard for voice and chamber ensemble)
Marcel Lattès; Matthieu Michard; Clémentine Decouture; Frivol'Ensemble |
2:12 | |||
Miss Information, Act III
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1.14
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Some Sort of Somebody (arr. M. Michard for 2 voices and chamber ensemble)
Jerome Kern; Matthieu Michard; Clémentine Decouture; Philippe Brocard; Frivol'Ensemble |
2:53 | |||
1.15
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Je chante la nuit (Arr. M. Michard for Voice & Chamber Ensemble)
Maurice Yvain; Matthieu Michard; Clémentine Decouture; Frivol'Ensemble |
4:34 | |||
1.16
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Everybody Rag with Me (On r'met ça!) (arr. M. Michard for 2 voices and chamber ensemble)
Grace LeBoy; Matthieu Michard; Clémentine Decouture; Philippe Brocard; Frivol'Ensemble |
3:17 | |||
Digital Booklet
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London and Paris in the late 19th and early 20th centuries shared an artistic vitality that set them apart from the rest of the world. With Parisian society regularly gripped by periods of Anglomania, a constant process of cultural exchange resulted in operetta hits, wartime classics and popular songs both bawdy and elegant.
Capturing the spirit of a period ranging from the fashionable d’Oyly Carte to 1920s American Jazz, the Frivol’Ensemble takes us back in time to rediscover the delights of this golden age of musical theatricality. Made up of soloists from the acclaimed Orchestre des Frivolites Parisiennes, the Frivol’Ensemble specializes in French vocal and instrumental repertoire from the 19th and 20th centuries, seeking out unknown composers and lesser known repertoire and creating a vibrantly theatrical experience by highlighting the strong personalities of its performers. Sharing their passion for this repertoire and the pleasure they have in playing it are the primary characteristics of this ensemble’s identity.
88.2 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.68 -10.38 to -0.30 | -29.66 -33.84 to -25.86 | -26.08 -30.30 to -22.00 | 15 13 to 19 | |
1 | Tea for Two (arr. M. Michard for 2 voices and chamber ensemble) | -5.77 | -28.88 | -25.7 | 15 |
2 | My Lady's Bower (Arr. C. Ducray for Voice & Harp) | -6.54 | -31.33 | -28.1 | 15 |
3 | Ah! Nay, Do Not Fly Me! (Arr. Y. Stoffel for 2 Voices & Chamber Ensemble) | -3.49 | -26.94 | -23.2 | 14 |
4 | Gold and Blue and White (Arr. Y. Stoffel for Voice & Chamber Ensemble) | -3.85 | -28.65 | -25.0 | 14 |
5 | Lightly, Lightly (Arr. S. Gassot for 2 Voices & Chamber Ensemble) | -4.49 | -30.36 | -27.1 | 16 |
6 | Chanson des heures (arr. C. Ducray for voice and harp) | -3.39 | -30.65 | -26.5 | 15 |
7 | Pourquoi malgré neige et froidure (Arr. S. Mène for Voice & Chamber Ensemble) | -1.14 | -29.67 | -24.6 | 17 |
8 | Rêverie de Cendrillon (Arr. M. Michard for Voice & Chamber Ensemble) | -8.11 | -31.53 | -27.8 | 13 |
9 | Roses of Picardy (Roses de Picardie) (arr. M. Michard and C. Ducray for voice and harp) | -7.55 | -30.41 | -27.3 | 14 |
10 | Fantaisie-sélection (Arr. M. Michard for 2 Voices & Chamber Ensemble) | -0.30 | -28.92 | -25.3 | 19 |
11 | La Dernière Valse (arr. P. Perrin for voice and chamber ensemble) | -2.46 | -27.39 | -23.7 | 15 |
12 | L'escarpolette (Arr. D. Jorda-Manaut for Voice & Chamber Ensemble) | -10.38 | -33.84 | -30.3 | 14 |
13 | Maggie, the Movie Queen (arr. M. Michard for voice and chamber ensemble) | -3.75 | -29.74 | -26.5 | 14 |
14 | Some Sort of Somebody (arr. M. Michard for 2 voices and chamber ensemble) | -4.45 | -28.41 | -25.2 | 15 |
15 | Je chante la nuit (Arr. M. Michard for Voice & Chamber Ensemble) | -8.00 | -31.96 | -29.0 | 14 |
16 | Everybody Rag with Me (On r'met ça!) (arr. M. Michard for 2 voices and chamber ensemble) | -1.24 | -25.86 | -22.0 | 15 |