℗ 2023 IBS Artist
Released October 20, 2023
Duration 1h 13m 00s
Record Label IBS Classical
Catalogue No. IBS132023
Genre Classical (Romantic Era)
 

Brahms: Orchestral & Vocals Works

Coro de la Comunidad de Madrid, Orquesta de la Comunidad de Madrid, Marzena Diakun

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
1.1
Schicksalslied, Op. 54
Johannes Brahms; Friedrich Hölderlin; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun
15:55
4 Gesänge, Op. 17  
1.2
No. 1, Es tönt ein voller Harfenklang
Johannes Brahms; Friedrich Ruperti; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun; Laura Hernández; Anaís Romero; José Antonio Sánchez
3:21
1.3
No. 2, Lied von Shakespeare
Johannes Brahms; August Wilhelm Schlegel; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun; Laura Hernández; Anaís Romero; José Antonio Sánchez
1:36
1.4
No. 3, Der Gärtner
Johannes Brahms; Joseph von Eichendorff; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun; Laura Hernández; Anaís Romero; José Antonio Sánchez
3:19
1.5
No. 4, Gesang aus Fingal
Johannes Brahms; Johann Gottfried Herder; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun; Laura Hernández; Anaís Romero; José Antonio Sánchez
5:26
Liebeslieder Waltzes, Op. 52 (Version for Voices & Orchestra)  
1.6
No. 1, Rede, Mädchen, allzu liebes
Johannes Brahms; Georg Friedrich Daumer; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun
1:10
1.7
No. 2, Am Gesteine rauscht die Flut
Johannes Brahms; Georg Friedrich Daumer; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun
0:49
1.8
No. 4, Wie des Abends schöne Röte
Johannes Brahms; Georg Friedrich Daumer; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun
0:44
1.9
No. 6, Ein kleiner, hübscher Vogel nahm
Johannes Brahms; Georg Friedrich Daumer; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun
2:39
1.10
No. 5, Die grüne Hopfenranke
Johannes Brahms; Georg Friedrich Daumer; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun
1:39
1.11
No. 11, Nein, est ist nicht auszukommen
Johannes Brahms; Georg Friedrich Daumer; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun
1:07
1.12
Alto Rhapsody, Op. 53
Johannes Brahms; Johann Wolfgang von Goethe; Agnieszka Rehlis; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun
11:16
1.13
Nänie, Op. 82
Johannes Brahms; Friedrich Schiller; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun
12:32
1.14
Gesang der Parzen, Op. 89
Johannes Brahms; Georg Friedrich Daumer; Johann Wolfgang von Goethe; Coro de la Comunidad de Madrid; Orquesta de la Comunidad de Madrid; Marzena Diakun
11:27
Digital Booklet
The Brahms vocal compositions (for their quality and abundance – over 400 of them) made Brahms a “worthy heir to Beethoven” in Germany, throughout Europe, and finally in France, where Ravel was the first and one of the few to admire “the beauty in his melodic ideas, their quality of expression and above all the brilliance of his orchestral language”. Schoenberg also later praised the innovation of his musical language in his Style and Idea. The excellence of Brahms’ work was summed up by Joseph Joachim, the celebrated Hungarian violinist, composer and conductor who worked with Brahms, and who described his music as “pure as a diamond, soft as the snow”. Schumann also praised the serenity and optimism of the tone with which Brahms ended his most sombre and tormented pieces: “Over choppy waves finally a rainbow shimmers, as the nightingale’s song accompanies the capricious flight of the butterfly”. This album compiles some of the most important vocal & orchestral works that best define the German composer.
96 kHz / 24-bit PCM – IBS Classical Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.02
-6.99 to -1.06
-25.09
-27.96 to -21.28
-21.40
-24.50 to -17.20
14
11 to 16
1
Schicksalslied, Op. 54
-1.06-24.85-19.915
2
No. 1, Es tönt ein voller Harfenklang
-6.99-25.50-22.511
3
No. 2, Lied von Shakespeare
-5.97-27.96-24.514
4
No. 3, Der Gärtner
-1.90-24.34-21.114
5
No. 4, Gesang aus Fingal
-1.49-27.74-24.016
6
No. 1, Rede, Mädchen, allzu liebes
-5.20-26.67-23.612
7
No. 2, Am Gesteine rauscht die Flut
-3.38-22.57-19.011
8
No. 4, Wie des Abends schöne Röte
-5.75-27.35-23.914
9
No. 6, Ein kleiner, hübscher Vogel nahm
-5.29-26.93-23.413
10
No. 5, Die grüne Hopfenranke
-1.06-25.25-21.815
11
No. 11, Nein, est ist nicht auszukommen
-1.06-21.28-17.214
12
Alto Rhapsody, Op. 53
-1.06-25.65-21.714
13
Nänie, Op. 82
-1.06-22.38-18.513
14
Gesang der Parzen, Op. 89
-1.06-22.82-18.513

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions