℗ 2023 MILANO DISCHI
| Released | January 5, 2024 |
| Duration | 1h 04m 50s |
| Record Label | Stradivarius |
| Catalogue No. | STR37211 |
| Genre | Classical (Guitar) |
J.S. Bach: 3 Cello Suite Nos. 1-3, BWV 1008, 1010 & 1007 (Transcr. for Guitar)
Roberto Zadra, Alessia Mattiazzi, Marco Emmanuele
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Suite No. 2 in D Minor, BWV 1008 (Transcr. for Guitar by Alessia Mattiazzi)
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1.1
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I. Prélude
Johann Sebastian Bach; Alessia Mattiazzi; Alessia Mattiazzi |
3:21 | |||
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1.2
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II. Allemande
Johann Sebastian Bach; Alessia Mattiazzi; Alessia Mattiazzi |
3:28 | |||
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1.3
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III. Courante
Johann Sebastian Bach; Alessia Mattiazzi; Alessia Mattiazzi |
2:20 | |||
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1.4
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IV. Sarabande
Johann Sebastian Bach; Alessia Mattiazzi; Alessia Mattiazzi |
5:23 | |||
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1.5
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V. Menuett I - VI. Menuett II
Johann Sebastian Bach; Alessia Mattiazzi; Alessia Mattiazzi |
2:55 | |||
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1.6
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VII. Gigue
Johann Sebastian Bach; Alessia Mattiazzi; Alessia Mattiazzi |
3:08 | |||
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Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Guitar by Roberto Zadra)
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1.7
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I. Prélude
Johann Sebastian Bach; Roberto Zadra; Roberto Zadra |
4:01 | |||
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1.8
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II. Allemande
Johann Sebastian Bach; Roberto Zadra; Roberto Zadra |
4:53 | |||
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1.9
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III. Courante
Johann Sebastian Bach; Roberto Zadra; Roberto Zadra |
3:24 | |||
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1.10
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IV. Sarabande
Johann Sebastian Bach; Roberto Zadra; Roberto Zadra |
4:09 | |||
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1.11
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V. Bourrée I - VI. Bourrée II
Johann Sebastian Bach; Roberto Zadra; Roberto Zadra |
5:34 | |||
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1.12
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VII. Gigue
Johann Sebastian Bach; Roberto Zadra; Roberto Zadra |
3:04 | |||
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Cello Suite No. 1 in G Major, BWV 1007 (Transcr. for Guitar by Marco Emmanuele)
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1.13
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I. Prélude
Johann Sebastian Bach; Marco Emmanuele; Marco Emmanuele |
2:44 | |||
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1.14
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II. Allemande
Johann Sebastian Bach; Marco Emmanuele; Marco Emmanuele |
4:04 | |||
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1.15
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III. Courante
Johann Sebastian Bach; Marco Emmanuele; Marco Emmanuele |
3:03 | |||
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1.16
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IV. Sarabande
Johann Sebastian Bach; Marco Emmanuele; Marco Emmanuele |
3:11 | |||
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1.17
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V. Menuett I - VI. Menuett II
Johann Sebastian Bach; Marco Emmanuele; Marco Emmanuele |
3:57 | |||
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1.18
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VII. Gigue
Johann Sebastian Bach; Marco Emmanuele; Marco Emmanuele |
2:11 | |||
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Digital Booklet
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The three Suites recorded on this album (BWV 1007, BWV 1008 and BWV 1010) were transcribed for guitar by the performers themselves, following a practice customary for Bach and absolutely familiar to him (the Fifth Suite for cello has come down to us in two versions, one for cello and one for lute: we are not sure which came first). One should therefore recognise the full aesthetic legitimacy of the guitar transcription of these compositions, a practice, moreover, that has now been established for decades. This procedure is ultimately legitimised by the primacy, in Bach’s language, of the harmonic and contrapuntal dimension over their sonic realisation, a primacy that led Ferruccio Busoni, for whom the concept of “transcription” occupies a position of absolute centrality in his aesthetic thought, to transcribe for piano not only numerous compositions for organ by Thomaskantor, but also the Chaconne from the Second Partita in D minor for solo violin. With specific regard to the guitar, one cannot fail to mention the name of Andrés Segovia, who transcribed for his instrument and recorded in 1946 the highly famous Chaconne.
96 kHz / 24-bit PCM – Stradivarius Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.62 -8.32 to -1.88 | -25.76 -29.12 to -22.70 | -23.37 -26.50 to -20.30 | 13 11 to 16 | |
| 1 | I. Prélude | -2.92 | -24.24 | -21.8 | 12 |
| 2 | II. Allemande | -3.89 | -24.85 | -22.7 | 12 |
| 3 | III. Courante | -3.66 | -22.70 | -20.3 | 11 |
| 4 | IV. Sarabande | -8.32 | -29.12 | -26.5 | 12 |
| 5 | V. Menuett I - VI. Menuett II | -5.32 | -27.53 | -25.3 | 13 |
| 6 | VII. Gigue | -3.32 | -24.32 | -21.7 | 13 |
| 7 | I. Prélude | -1.88 | -23.95 | -21.6 | 13 |
| 8 | II. Allemande | -4.08 | -26.74 | -24.6 | 15 |
| 9 | III. Courante | -4.12 | -24.85 | -22.5 | 14 |
| 10 | IV. Sarabande | -2.29 | -28.42 | -25.8 | 16 |
| 11 | V. Bourrée I - VI. Bourrée II | -4.26 | -25.30 | -22.9 | 14 |
| 12 | VII. Gigue | -5.55 | -26.00 | -23.5 | 13 |
| 13 | I. Prélude | -3.94 | -24.36 | -22.0 | 13 |
| 14 | II. Allemande | -7.01 | -26.37 | -24.1 | 13 |
| 15 | III. Courante | -3.65 | -25.14 | -22.8 | 14 |
| 16 | IV. Sarabande | -4.50 | -26.96 | -24.1 | 14 |
| 17 | V. Menuett I - VI. Menuett II | -6.25 | -26.57 | -24.3 | 14 |
| 18 | VII. Gigue | -8.21 | -26.36 | -24.1 | 12 |