℗ 2023 Big Round Records
| Released | December 1, 2023 |
| Duration | 50m 20s |
| Record Label | Big Round Records |
| Catalogue No. | BR8978 |
| Genre | Classical (Contemporary Era) |
That I Did Always Love: An Ode to Emily Dickinson for Harp in a Soundscape
Anne Vanschothorst, Annie Einan
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
|
A Harp Note to Emily Dickinson
Anne Vanschothorst; Anne Vanschothorst |
10:04 | |||
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1.2
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Nobody Knows This Little Rose
Anne Vanschothorst; Emily Dickinson; Anne Vanschothorst; Annie Einan |
3:10 | |||
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1.3
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The Soul Selects Her Own Society
Anne Vanschothorst; Emily Dickinson; Anne Vanschothorst; Annie Einan |
4:43 | |||
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1.4
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Where Have All the Birds Gone?
Anne Vanschothorst; Anne Vanschothorst |
4:45 | |||
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1.5
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There's a Certain Slant of Light
Anne Vanschothorst; Emily Dickinson; Bert Barten; Anne Vanschothorst; Annie Einan |
4:39 | |||
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1.6
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The Murmur of a Bee
Anne Vanschothorst; Emily Dickinson; Anne Vanschothorst; Annie Einan |
3:21 | |||
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1.7
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Higher She Flies Without Feet!
Anne Vanschothorst; Anne Vanschothorst |
3:56 | |||
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1.8
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I Haven't Told My Garden Yet
Anne Vanschothorst; Emily Dickinson; Anne Vanschothorst; Annie Einan |
3:50 | |||
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1.9
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That I Did Always Love
Anne Vanschothorst; Emily Dickinson; Anne Vanschothorst; Annie Einan |
4:10 | |||
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1.10
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Trees of Mercy
Anne Vanschothorst; Bert Barten; Anne Vanschothorst |
4:33 | |||
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1.11
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If I Shouldn't Be Alive
Anne Vanschothorst; Emily Dickinson; Anne Vanschothorst; Annie Einan |
3:09 |
Composer and Harpist Anne Vanschothorst’s music has been described as innovative, minimal, lyrical, cinematic, and touching yet intense. The same rings true in That I Did Always Love, the artist’s musical ode to the great American poet Emily Dickinson. Featuring seven of the poet’s works set to music, Vanschothorst fosters an intimate listening space where two art forms reach a soothing synthesis, amplifying the elegance of Dickinson’s texts with the graceful nature of the harp, a perfect pairing.
96 kHz / 24-bit PCM – Big Round Records Studio Masters
Tracks 4, 7, 11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 4, 7, 11 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.80 -1.60 to -0.20 | -20.46 -22.60 to -17.41 | -16.78 -18.80 to -13.60 | 12 9 to 14 | |
| 1 | A Harp Note to Emily Dickinson | -0.20 | -18.97 | -15.5 | 11 |
| 2 | Nobody Knows This Little Rose | -0.57 | -21.10 | -17.7 | 13 |
| 3 | The Soul Selects Her Own Society | -0.70 | -21.22 | -17.1 | 13 |
| 4 | Where Have All the Birds Gone? | -0.93 | -22.05 | -18.8 | 12 |
| 5 | There's a Certain Slant of Light | -0.81 | -18.78 | -15.6 | 10 |
| 6 | The Murmur of a Bee | -1.24 | -19.92 | -16.3 | 12 |
| 7 | Higher She Flies Without Feet! | -1.60 | -19.11 | -16.7 | 11 |
| 8 | I Haven't Told My Garden Yet | -0.66 | -22.60 | -17.4 | 14 |
| 9 | That I Did Always Love | -0.79 | -21.48 | -17.1 | 13 |
| 10 | Trees of Mercy | -0.55 | -17.41 | -13.6 | 9 |
| 11 | If I Shouldn't Be Alive | -0.79 | -22.45 | -18.8 | 14 |