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℗ 2012 Hyperion Records Limited
Released | February 16, 2024 |
Originated | May 25, 2012 |
Duration | 1h 09m 09s |
Record Label | Hyperion |
Genre | Classical |
Mozart: Missa solemnis, K. 337; Solemn Vespers, K. 321 etc.
St Paul's Cathedral Choir
Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
Missa solemnis in C Major, K. 337
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1.1
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I. Kyrie
Wolfgang Amadeus Mozart; Anonymous; St Paul's Mozart Orchestra |
3:14 | |||
1.2
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II. Gloria
Wolfgang Amadeus Mozart; Anonymous; Lina Markeby |
3:44 | |||
1.3
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Epistle (Church) Sonata in C Major, K. 336
Wolfgang Amadeus Mozart; Andrew Carwood |
4:14 | |||
1.4
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III. Credo
Wolfgang Amadeus Mozart; Anonymous; Andrew Carwood |
5:16 | |||
1.5
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IV. Sanctus
Wolfgang Amadeus Mozart; Anonymous; Andrew Carwood |
1:58 | |||
1.6
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V. Benedictus
Wolfgang Amadeus Mozart; Anonymous; Andrew Carwood |
3:00 | |||
1.7
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VI. Agnus Dei
Wolfgang Amadeus Mozart; Anonymous; Andrew Carwood |
5:47 | |||
Regina caeli in C Major, K. 108
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1.8
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I. Regina caeli laetare
Wolfgang Amadeus Mozart; Anonymous; St Paul's Cathedral Choir |
3:03 | |||
1.9
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II. Quia quem meruisti
Wolfgang Amadeus Mozart; Anonymous; Andrew Carwood |
4:02 | |||
1.10
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III. Ora pro nobis
Wolfgang Amadeus Mozart; Anonymous; Andrew Carwood |
4:43 | |||
1.11
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IV. Alleluia
Wolfgang Amadeus Mozart; Anonymous; Andrew Carwood |
3:07 | |||
Vesperae solennes de Dominica, K. 321
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1.12
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I. Dixit Dominus
Wolfgang Amadeus Mozart; Anonymous; St Paul's Mozart Orchestra |
3:51 | |||
1.13
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II. Confitebor tibi
Wolfgang Amadeus Mozart; Anonymous; St Paul's Cathedral Choir |
5:21 | |||
1.14
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III. Beatus vir
Wolfgang Amadeus Mozart; Anonymous; St Paul's Cathedral Choir |
4:24 | |||
1.15
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IV. Laudate pueri
Wolfgang Amadeus Mozart; Anonymous; St Paul's Mozart Orchestra |
3:44 | |||
1.16
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V. Laudate Dominum
Wolfgang Amadeus Mozart; Anonymous; St Paul's Mozart Orchestra |
4:43 | |||
1.17
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VI. Magnificat
Wolfgang Amadeus Mozart; Anonymous; St Paul's Cathedral Choir |
4:58 | |||
Digital Booklet
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"Most of the music here is performed by the good soloists and enthusiastic chorus with gusto, so the chief impression is of lusty praise, though there are some delightfully fairly florid solo passages where Mozart's adoration of the female voice is more evident than his devotion to God."
- BBC Music Magazine
After almost a decade, Hyperion is delighted to welcome back the world-famous St Paul’s Cathedral Choir under its new director of music, Hyperion artist and also director of The Cardinall’s Musick, Andrew Carwood. Joined by the St Paul’s Mozart Orchestra and a quartet of renowned soloists, Carwood leads sparkling performances of a selection of Mozart’s sacred music. Although they were commissioned to be sung at church services in Salzburg, all these compositions are suffused with Mozart’s typically unerring sense of dramatic pacing and a sensuous, operatic treatment of solo lines, as well as crisp and energetic choral writing.
44.1 kHz / 24-bit PCM – Hyperion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.46 -12.41 to -1.24 | -25.71 -34.90 to -21.47 | -21.93 -32.00 to -17.80 | 14 12 to 16 | |
1 | I. Kyrie | -1.24 | -27.05 | -22.3 | 14 |
2 | II. Gloria | -2.80 | -23.20 | -19.3 | 12 |
3 | Epistle (Church) Sonata in C Major, K. 336 | -12.41 | -34.90 | -32.0 | 14 |
4 | III. Credo | -2.82 | -24.94 | -20.9 | 14 |
5 | IV. Sanctus | -3.80 | -25.01 | -20.9 | 14 |
6 | V. Benedictus | -4.14 | -24.28 | -20.5 | 13 |
7 | VI. Agnus Dei | -1.63 | -27.72 | -23.4 | 14 |
8 | I. Regina caeli laetare | -2.85 | -22.34 | -18.6 | 13 |
9 | II. Quia quem meruisti | -4.49 | -28.18 | -24.9 | 13 |
10 | III. Ora pro nobis | -3.29 | -28.56 | -25.1 | 16 |
11 | IV. Alleluia | -2.99 | -23.87 | -20.0 | 13 |
12 | I. Dixit Dominus | -1.41 | -21.47 | -17.8 | 13 |
13 | II. Confitebor tibi | -1.53 | -24.66 | -20.8 | 14 |
14 | III. Beatus vir | -3.39 | -23.72 | -20.0 | 13 |
15 | IV. Laudate pueri | -3.12 | -25.52 | -22.2 | 15 |
16 | V. Laudate Dominum | -3.90 | -27.90 | -24.4 | 15 |
17 | VI. Magnificat | -3.08 | -23.81 | -19.7 | 13 |