℗ 2018 Mirare
| Released | October 19, 2018 |
| Duration | 1h 48m 54s |
| Record Label | Mirare |
| Catalogue No. | MIR392D |
| Genre | Classical (Keyboard (Specific Genres)) |
Debussy: Jeunes Années
Sébastien Droy, Jonas Vitaud, Clément Mao-Takacs, Karine Desayes, Secession Orchestra, Roustem Saïtkoulov
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Suite Bergamasque, L. 75
|
|||||
|
1.1
|
I. Prélude
Claude Debussy; Jonas Vitaud |
4:42 | |||
|
1.2
|
II. Menuet
Claude Debussy; Jonas Vitaud |
4:28 | |||
|
1.3
|
III. Clair de lune
Claude Debussy; Jonas Vitaud |
4:46 | |||
|
1.4
|
IV. Passepied
Claude Debussy; Jonas Vitaud |
4:02 | |||
|
1.5
|
Mazurka, L. 67
Claude Debussy; Jonas Vitaud |
3:26 | |||
|
Images oubliées, L. 87
|
|||||
|
1.6
|
I. Lent (mélancolique et doux)
Claude Debussy; Jonas Vitaud |
3:57 | |||
|
1.7
|
II. Souvenir du Louvre
Claude Debussy; Jonas Vitaud |
4:59 | |||
|
1.8
|
III. Quelques aspects de Nous n'irons plus au bois parce qu'il fait un temps insupportable
Claude Debussy; Jonas Vitaud |
4:08 | |||
|
Deux Arabesque, L. 66
|
|||||
|
1.9
|
II. Allegretto scherzando
Claude Debussy; Jonas Vitaud |
3:59 | |||
|
Fantaisie for Piano and Orchestra, L. 73
|
|||||
|
1.10
|
I. Andante ma non troppo
Claude Debussy; Jonas Vitaud; Secession Orchestra; Clément Mao-Takacs |
8:40 | |||
|
1.11
|
II. Lento e molto espressivo
Claude Debussy; Jonas Vitaud; Secession Orchestra; Clément Mao-Takacs |
8:28 | |||
|
1.12
|
III. Allegro molto
Claude Debussy; Jonas Vitaud; Clément Mao-Takacs; Secession Orchestra |
7:51 | |||
|
Petite suite, L. 65
|
|||||
|
2.1
|
I. En bateau
Claude Debussy; Jonas Vitaud; Roustem Saïtkoulov |
3:16 | |||
|
2.2
|
II. Cortège
Claude Debussy; Jonas Vitaud; Roustem Saïtkoulov |
3:20 | |||
|
2.3
|
III. Menuet
Claude Debussy; Jonas Vitaud; Roustem Saïtkoulov |
2:58 | |||
|
2.4
|
IV. Ballet
Claude Debussy; Jonas Vitaud; Roustem Saïtkoulov |
3:13 | |||
|
Ariettes oubliées, L. 60
|
|||||
|
2.5
|
I. C'est l'extase langoureuse
Claude Debussy; Jonas Vitaud; Sébastien Droy |
2:34 | |||
|
2.6
|
II. Il pleure dans mon coeur
Claude Debussy; Jonas Vitaud; Sébastien Droy |
2:26 | |||
|
2.7
|
III. L'ombre des arbres
Claude Debussy; Jonas Vitaud; Sébastien Droy |
2:11 | |||
|
2.8
|
IV. Paysages belges. Chevaux de bois
Claude Debussy; Jonas Vitaud; Sébastien Droy |
2:56 | |||
|
2.9
|
V. Aquarelles I. Green
Claude Debussy; Jonas Vitaud; Sébastien Droy |
2:03 | |||
|
2.10
|
VI. Aquarelles II. Spleen
Claude Debussy; Jonas Vitaud; Sébastien Droy |
2:18 | |||
|
3 Chansons de Bilitis, L. 90
|
|||||
|
2.11
|
La Flûte de Pan
Claude Debussy; Jonas Vitaud; Karine Desayes |
2:29 | |||
|
2.12
|
La Chevelure
Claude Debussy; Jonas Vitaud; Karine Desayes |
3:19 | |||
|
2.13
|
Le Tombeau des naïades
Claude Debussy; Jonas Vitaud; Karine Desayes |
2:37 | |||
|
2.14
|
Prélude à l'après-midi d'un Faune (Arr. for piano Solo)
Claude Debussy; Jonas Vitaud |
9:48 | |||
|
Digital Booklet
|
|||||
In the 1880s and 1890s, Romanticism blazed its last. Just as Brahms was writing his final works, wreathed in a twilit halo, the young Debussy began composing. Hence his early works were born in the nostalgic mists of a century that was drawing to a close; but the gigantic sketchbook that we are invited to leaf through here is also animated by the life force that was to lead Debussy's music to explore resolutely new musical territories, and to advance, in total freedom, towards sounds that had never been heard before.
96 kHz / 24-bit PCM – Mirare Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.07 -9.93 to 0.00 | -25.68 -30.61 to -19.76 | -21.75 -27.10 to -15.80 | 13 11 to 15 | |
| 1.1 | I. Prélude | -0.33 | -24.67 | -21.1 | 15 |
| 1.2 | II. Menuet | -3.08 | -24.45 | -21.2 | 13 |
| 1.3 | III. Clair de lune | -5.16 | -30.10 | -26.1 | 15 |
| 1.4 | IV. Passepied | -4.30 | -26.14 | -23.3 | 13 |
| 1.5 | Mazurka, L. 67 | -3.39 | -26.44 | -22.7 | 13 |
| 1.6 | I. Lent (mélancolique et doux) | -3.21 | -27.67 | -23.3 | 15 |
| 1.7 | II. Souvenir du Louvre | -2.28 | -25.66 | -21.4 | 14 |
| 1.8 | III. Quelques aspects de Nous n'irons plus au bois parce qu'il fait un temps insupportable | -0.14 | -22.34 | -18.3 | 12 |
| 1.9 | II. Allegretto scherzando | -2.40 | -26.18 | -22.5 | 15 |
| 1.10 | I. Andante ma non troppo | -0.13 | -19.87 | -16.5 | 12 |
| 1.11 | II. Lento e molto espressivo | -2.85 | -25.44 | -22.1 | 14 |
| 1.12 | III. Allegro molto | -0.13 | -19.76 | -15.8 | 11 |
| 2.1 | I. En bateau | -5.41 | -28.51 | -25.4 | 13 |
| 2.2 | II. Cortège | -0.01 | -23.12 | -19.7 | 14 |
| 2.3 | III. Menuet | -5.96 | -26.76 | -23.5 | 13 |
| 2.4 | IV. Ballet | -0.45 | -22.81 | -19.4 | 13 |
| 2.5 | I. C'est l'extase langoureuse | -3.40 | -27.57 | -23.0 | 14 |
| 2.6 | II. Il pleure dans mon coeur | -3.37 | -26.89 | -22.9 | 12 |
| 2.7 | III. L'ombre des arbres | -6.18 | -29.95 | -25.3 | 13 |
| 2.8 | IV. Paysages belges. Chevaux de bois | -1.85 | -23.40 | -19.6 | 12 |
| 2.9 | V. Aquarelles I. Green | -6.81 | -29.41 | -25.7 | 13 |
| 2.10 | VI. Aquarelles II. Spleen | -1.70 | -25.88 | -19.6 | 13 |
| 2.11 | La Flûte de Pan | -9.93 | -30.61 | -27.1 | 12 |
| 2.12 | La Chevelure | 0.00 | -24.09 | -18.0 | 14 |
| 2.13 | Le Tombeau des naïades | 0.00 | -23.02 | -18.6 | 13 |
| 2.14 | Prélude à l'après-midi d'un Faune (Arr. for piano Solo) | -4.27 | -27.04 | -23.3 | 14 |