℗ 2018 ECM Records
Released | October 12, 2018 |
Duration | 2h 22m 14s |
Record Label | ECM New Series |
Genre | Classical |
J.S. Bach: Six Suites for Viola Solo
Kim Kashkashian
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Cello Suite No. 2 in D Minor, BWV 1008 - Transcr. for Viola
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1.1
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1. Prélude
Johann Sebastian Bach; Kim Kashkashian |
4:09 | |||
1.2
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2. Allemande
Johann Sebastian Bach; Kim Kashkashian |
4:15 | |||
1.3
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3. Courante
Johann Sebastian Bach; Kim Kashkashian |
2:12 | |||
1.4
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4. Sarabande
Johann Sebastian Bach; Kim Kashkashian |
4:24 | |||
1.5
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5. Menuet I-II
Johann Sebastian Bach; Kim Kashkashian |
3:41 | |||
1.6
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6. Gigue
Johann Sebastian Bach; Kim Kashkashian |
2:57 | |||
Cello Suite No. 1 in G Major, BWV 1007 - Transcr. for Viola
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1.7
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1. Prélude
Johann Sebastian Bach; Kim Kashkashian |
2:18 | |||
1.8
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2. Allemande
Johann Sebastian Bach; Kim Kashkashian |
4:38 | |||
1.9
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3. Courante
Johann Sebastian Bach; Kim Kashkashian |
2:56 | |||
1.10
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4. Sarabande
Johann Sebastian Bach; Kim Kashkashian |
2:34 | |||
1.11
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5. Menuet I-II
Johann Sebastian Bach; Kim Kashkashian |
3:38 | |||
1.12
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6. Gigue
Johann Sebastian Bach; Kim Kashkashian |
1:59 | |||
Cello Suite No. 5 in C Minor, BWV 1011 - Transcr. for Viola
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1.13
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1. Prélude
Johann Sebastian Bach; Kim Kashkashian |
6:28 | |||
1.14
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2. Allemande
Johann Sebastian Bach; Kim Kashkashian |
4:51 | |||
1.15
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3. Courante
Johann Sebastian Bach; Kim Kashkashian |
2:33 | |||
1.16
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4. Sarabande
Johann Sebastian Bach; Kim Kashkashian |
3:02 | |||
1.17
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5. Gavotte I-II
Johann Sebastian Bach; Kim Kashkashian |
5:50 | |||
1.18
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6. Gigue
Johann Sebastian Bach; Kim Kashkashian |
2:32 | |||
Cello Suite No. 4 in E-Flat Major, BWV 1010 - Transcr. for Viola
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1.19
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1. Prélude
Johann Sebastian Bach; Kim Kashkashian |
4:48 | |||
1.20
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2. Allemande
Johann Sebastian Bach; Kim Kashkashian |
4:10 | |||
1.21
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3. Courante
Johann Sebastian Bach; Kim Kashkashian |
3:51 | |||
1.22
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4. Sarabande
Johann Sebastian Bach; Kim Kashkashian |
3:34 | |||
1.23
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5. Bourrée I-II
Johann Sebastian Bach; Kim Kashkashian |
5:28 | |||
1.24
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6. Gigue
Johann Sebastian Bach; Kim Kashkashian |
2:45 | |||
Cello Suite No. 3 in C Major, BWV 1009 - Transcr. for Viola
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1.25
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1. Prélude
Johann Sebastian Bach; Kim Kashkashian |
3:30 | |||
1.26
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2. Allemande
Johann Sebastian Bach; Kim Kashkashian |
4:00 | |||
1.27
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3. Courante
Johann Sebastian Bach; Kim Kashkashian |
3:32 | |||
1.28
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4. Sarabande
Johann Sebastian Bach; Kim Kashkashian |
3:30 | |||
1.29
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5. Bourrée I-II
Johann Sebastian Bach; Kim Kashkashian |
4:00 | |||
1.30
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6. Gigue
Johann Sebastian Bach; Kim Kashkashian |
3:33 | |||
Cello Suite No. 6 in D Major, BWV 1012 - Transcr. for Viola
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1.31
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1. Prélude
Johann Sebastian Bach; Kim Kashkashian |
5:01 | |||
1.32
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2. Allemande
Johann Sebastian Bach; Kim Kashkashian |
7:28 | |||
1.33
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3. Courante
Johann Sebastian Bach; Kim Kashkashian |
4:02 | |||
1.34
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4. Sarabande
Johann Sebastian Bach; Kim Kashkashian |
4:17 | |||
1.35
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5. Gavotte I-II
Johann Sebastian Bach; Kim Kashkashian |
5:02 | |||
1.36
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6. Gigue
Johann Sebastian Bach; Kim Kashkashian |
4:46 | |||
Digital Booklet
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The poetry and radiance of Bach’s cello suites (BWV 1007-1012) are transfigured in these remarkable interpretations by Kim Kashkashian on viola, offering “a different kind of sombreness, a different kind of dazzlement” as annotator Paul Griffiths observes. One of the most compelling performers of classical and new music, Kashkashian has been hailed by The San Francisco Chronicle as "an artist who combines a probing, restless musical intellect with enormous beauty of tone." An ECM artist since 1985, she approaches Bach’s music with the same commitment as revealed in her other solo recordings, the legendary Hindemith sonatas album and the widely acclaimed (and Grammy-winning) account of Kurtág and Ligeti.
96 kHz / 24-bit PCM – ECM New Series Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.85 -8.88 to -0.89 | -24.93 -29.39 to -22.73 | -21.50 -25.50 to -19.40 | 14 12 to 15 | |
1 | 1. Prélude | -3.42 | -23.93 | -20.2 | 13 |
2 | 2. Allemande | -4.75 | -25.41 | -21.9 | 14 |
3 | 3. Courante | -5.96 | -24.91 | -21.5 | 13 |
4 | 4. Sarabande | -4.75 | -26.31 | -22.4 | 13 |
5 | 5. Menuet I-II | -1.07 | -24.13 | -20.7 | 15 |
6 | 6. Gigue | -2.34 | -23.61 | -20.1 | 14 |
7 | 1. Prélude | -3.21 | -24.38 | -21.0 | 13 |
8 | 2. Allemande | -6.24 | -25.73 | -22.3 | 13 |
9 | 3. Courante | -4.76 | -24.71 | -21.3 | 13 |
10 | 4. Sarabande | -5.14 | -26.55 | -22.7 | 13 |
11 | 5. Menuet I-II | -6.29 | -25.59 | -22.2 | 12 |
12 | 6. Gigue | -3.25 | -23.44 | -20.0 | 13 |
13 | 1. Prélude | -2.89 | -23.94 | -20.7 | 14 |
14 | 2. Allemande | -3.77 | -24.73 | -21.4 | 13 |
15 | 3. Courante | -3.58 | -23.65 | -20.4 | 13 |
16 | 4. Sarabande | -8.88 | -29.39 | -25.5 | 12 |
17 | 5. Gavotte I-II | -1.05 | -23.14 | -19.9 | 15 |
18 | 6. Gigue | -5.11 | -25.84 | -22.4 | 14 |
19 | 1. Prélude | -2.77 | -23.33 | -20.1 | 13 |
20 | 2. Allemande | -2.73 | -24.19 | -21.0 | 14 |
21 | 3. Courante | -3.38 | -24.09 | -20.9 | 13 |
22 | 4. Sarabande | -3.49 | -26.96 | -23.6 | 13 |
23 | 5. Bourrée I-II | -1.03 | -24.70 | -21.5 | 14 |
24 | 6. Gigue | -4.43 | -25.48 | -22.1 | 13 |
25 | 1. Prélude | -2.96 | -25.14 | -21.7 | 14 |
26 | 2. Allemande | -3.23 | -24.08 | -21.0 | 14 |
27 | 3. Courante | -2.61 | -23.76 | -20.6 | 14 |
28 | 4. Sarabande | -5.90 | -25.76 | -22.0 | 13 |
29 | 5. Bourrée I-II | -5.64 | -25.54 | -22.1 | 13 |
30 | 6. Gigue | -0.89 | -22.73 | -19.4 | 14 |
31 | 1. Prélude | -2.10 | -24.14 | -20.7 | 13 |
32 | 2. Allemande | -5.28 | -27.41 | -23.7 | 14 |
33 | 3. Courante | -4.27 | -25.56 | -22.4 | 14 |
34 | 4. Sarabande | -3.29 | -26.40 | -22.7 | 15 |
35 | 5. Gavotte I-II | -4.42 | -24.61 | -21.1 | 14 |
36 | 6. Gigue | -3.77 | -24.27 | -20.9 | 14 |