℗ 2018 Challenge Classics
Released November 6, 2018
Duration 1h 06m 22s
Record Label Challenge Classics
Catalogue No. CC 72795
Genre Classical
 

Totdat De Wachter Heeft Gezongen - Songs from the Gruuthuse Manuscript (Ca. 1400) And Instrumental Connections

Aventure

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1.1
Wach auff mein hort der lewcht dort her
Anonymous; Aventure
5:43
1.2
Min hertz in hohen fröuden
Anonymous; Aventure
2:14
1.3
Dijn troost allein
Anonymous; Aventure
3:34
1.4
Möcht ich dein wegeren
Anonymous; Aventure
1:21
1.5
Dijn troost allein II
Anonymous; Aventure
3:24
1.6
Ich bin pey ir sy wais nit darumb
Anonymous; Aventure
1:42
1.7
So wie bi lieve in rusten leit
Anonymous; Aventure
2:36
1.8
Des klaffers neyden
Anonymous; Aventure
3:36
1.9
So wie bi lieve in rusten leit II
Anonymous; Aventure
3:01
1.10
Allmächtig got herr Jhesu Christ
Mönch von Salzburg; Aventure
6:30
1.11
Der winter will hin weichen
Anonymous; Aventure
1:32
1.12
Scinc her den wijn
Anonymous; Aventure
2:42
1.13
Scinc her den wijn II
Anonymous; Aventure
2:27
1.14
Ein vrouleen edel von nature
Anonymous; Aventure
2:07
1.15
Binnen in mir hertzen cas
Anonymous; Aventure
4:07
1.16
Frow myn willen nym vergüt
Anonymous; Aventure
1:23
1.17
Egidius waer bestu bleven
Anonymous; Aventure
2:22
1.18
Was ich begynne
Anonymous; Aventure
3:01
1.19
O, cranc onseker broosch engien
Anonymous; Aventure
4:39
1.20
Wiplich figur/ Bekenne myn klag
Conrad Paumann; Aventure
1:39
1.21
Wel up elc sin die vruecht begaert
Anonymous; Aventure
6:42
The poems and songs of the Gruuthuse Manuscript originated in Bruges around 1400, and the collection is named after the later owner, Lodewijk van Gruuthuse. The songs form the most well-known part of the collection: love songs, bawdy songs and drinking songs. The Gruuthuse Manuscript contains the largest collection of Dutch language songs from the medieval period, and it is the largest collection of songs with music notation. The form of the songs also attests to the fact that these songs were intended for connoisseurs. The poet uses formes fixes, the canonized forms of French songs of the late medieval times: ballades, rondeaus and virelais, and the wide variety of the forms used is remarkable. Instrumentalists have been around all over Europe during the 15th century, but musical manuscripts unambiguously showing a repertoire for instrumental ensembles from that period are scarce. The instrumental repertoire on this album contains arrangements and polyphonic ensemble pieces from about 1450-70. The arrangements are either instrumental versions based on pre-existing polyphonic models or arranged monophonic tenors.
96 kHz / 24-bit PCM – Challenge Classics Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.72
-3.16 to -0.04
-19.61
-25.99 to -16.53
-16.36
-22.30 to -13.20
11
10 to 15
1
Wach auff mein hort der lewcht dort her
-2.03-18.77-15.310
2
Min hertz in hohen fröuden
-0.94-17.97-15.110
3
Dijn troost allein
-2.36-23.34-19.913
4
Möcht ich dein wegeren
-1.39-16.53-13.210
5
Dijn troost allein II
-1.98-18.00-15.110
6
Ich bin pey ir sy wais nit darumb
-0.64-17.13-13.910
7
So wie bi lieve in rusten leit
-2.16-22.35-19.112
8
Des klaffers neyden
-0.81-17.00-14.110
9
So wie bi lieve in rusten leit II
-2.34-17.44-14.510
10
Allmächtig got herr Jhesu Christ
-1.30-19.26-15.510
11
Der winter will hin weichen
-0.04-16.93-13.810
12
Scinc her den wijn
-2.13-22.78-19.513
13
Scinc her den wijn II
-1.26-18.13-15.110
14
Ein vrouleen edel von nature
-3.16-18.58-15.610
15
Binnen in mir hertzen cas
-2.79-25.37-21.914
16
Frow myn willen nym vergüt
-1.70-17.78-14.610
17
Egidius waer bestu bleven
-2.69-25.99-22.315
18
Was ich begynne
-0.81-16.60-13.410
19
O, cranc onseker broosch engien
-2.65-25.32-21.515
20
Wiplich figur/ Bekenne myn klag
-2.04-17.70-14.710
21
Wel up elc sin die vruecht begaert
-0.96-18.95-15.510

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