℗ 2018 NMC Recordings
| Released | October 19, 2018 |
| Duration | 59m 53s |
| Record Label | NMC Recordings |
| Catalogue No. | NMCD246 |
| Genre | Classical (Contemporary Era) |
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1.1
|
Elsewhereness
Joe Cutler; Royal Birmingham Conservatoire Symphony Orchestra; Mirga Gražinyté Tyla |
8:40 | |||
|
1.2
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McNulty
Joe Cutler; Fidelio Trio |
10:29 | |||
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1.3
|
For Frederic Lagnau
Joe Cutler; Workers Union Ensemble |
7:00 | |||
|
Akhmatova Fragments
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1.4
|
I. —
Joe Cutler; Sarah Leonard; Project Instrumental; Daniele Rosina |
2:34 | |||
|
1.5
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II. —
Joe Cutler; Sarah Leonard; Project Instrumental; Daniele Rosina |
1:30 | |||
|
1.6
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III. —
Joe Cutler; Sarah Leonard; Project Instrumental; Daniele Rosina |
1:32 | |||
|
1.7
|
IV. —
Joe Cutler; Sarah Leonard; Project Instrumental; Daniele Rosina |
1:23 | |||
|
1.8
|
V. —
Joe Cutler; Sarah Leonard; Project Instrumental; Daniele Rosina |
7:27 | |||
|
1.9
|
Sikorski B
Joe Cutler; Noszferatu |
7:11 | |||
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1.10
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Karembeu's Guide to the Complete Defensive Midfielder
Joe Cutler; Iain Ballamy; Emulsion Sinfonietta |
12:07 | |||
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Digital Booklet
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96 kHz / 24-bit PCM – NMC Recordings Studio Masters
Tracks 1-10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.08 -7.76 to -0.20 | -21.66 -26.60 to -16.76 | -17.66 -22.40 to -13.20 | 12 9 to 16 | |
| 1 | Elsewhereness | -0.20 | -22.21 | -18.8 | 16 |
| 2 | McNulty | -0.20 | -21.75 | -18.3 | 15 |
| 3 | For Frederic Lagnau | -1.31 | -22.10 | -18.2 | 13 |
| 4 | I. — | -2.14 | -21.01 | -16.6 | 12 |
| 5 | II. — | -0.48 | -17.53 | -13.2 | 9 |
| 6 | III. — | -5.14 | -22.86 | -18.4 | 9 |
| 7 | IV. — | -1.40 | -20.61 | -17.8 | 11 |
| 8 | V. — | -7.76 | -26.60 | -22.4 | 11 |
| 9 | Sikorski B | -1.94 | -25.14 | -19.7 | 13 |
| 10 | Karembeu's Guide to the Complete Defensive Midfielder | -0.20 | -16.76 | -13.2 | 10 |