℗ 2023 Gramola Records
Released January 12, 2024
Duration 1h 14m 18s
Record Label Gramola Records
Catalogue No. Gramola99303
Genre Classical (Piano)
 

Spätlese

Andreas Eggertsberger

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1.1
Fantasia in C Minor, K. 475
Wolfgang Amadeus Mozart; Andreas Eggertsberger
11:12
Piano Sonata No. 14 in C Minor, K. 457  
1.2
I. Molto allegro
Wolfgang Amadeus Mozart; Andreas Eggertsberger
8:19
1.3
II. Adagio
Wolfgang Amadeus Mozart; Andreas Eggertsberger
7:47
1.4
III. Allegro assai
Wolfgang Amadeus Mozart; Andreas Eggertsberger
4:36
3 Intermezzi, Op. 117  
1.5
No. 1, Andante moderato
Johannes Brahms; Andreas Eggertsberger
4:40
1.6
No. 2, Andante non troppo e con molto espressione
Johannes Brahms; Andreas Eggertsberger
3:55
1.7
No. 3, Andante con moto
Johannes Brahms; Andreas Eggertsberger
4:59
Piano Sonata No. 3 in B Minor, Op. 58, B. 155  
1.8
I. Allegro maestoso
Frédéric Chopin; Andreas Eggertsberger
12:38
1.9
II. Scherzo. Molto vivace
Frédéric Chopin; Andreas Eggertsberger
2:40
1.10
III. Largo
Frédéric Chopin; Andreas Eggertsberger
8:02
1.11
IV. Finale. Presto non tanto
Frédéric Chopin; Andreas Eggertsberger
5:30
The pianist Andreas Eggertsberger, who studied in Austria and the USA with Karl Heinz Kämmerling and Oleg Maisenberg, among others, deals with the late works of three composers on his new album “Spätlese” (Late Harvest): Wolfgang Amadeus Mozart, Johannes Brahms and Frédéric Chopin. Whether a work is considered a late work has less to do with the composer’s age and more to do with where the breaking points and further developments are in a composer’s oeuvre. Some of the three selected masters were still young when they entered their late phase: Mozart was in his late twenties when he composed his Fantasia K. 475 and Sonata in C minor K. 457, Chopin was thirty-four when he composed his third and final Sonata in B minor, and Brahms was fifty-nine when he composed his Three Intermezzi op. 117. Many a future is anticipated. Mozart, for example, builds a bridge to Beethoven with his Fantasy and Sonata in C minor. Chopin, on the other hand, takes a look at late Romanticism and beyond with his increasingly bold harmonies, and Brahms foreshadows musical developments that would only become influential in the 20th century.
96 kHz / 24-bit PCM – Gramola Records Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-6.51
-9.68 to -2.81
-28.71
-33.52 to -22.22
-25.59
-30.60 to -19.50
14
12 to 15
1
Fantasia in C Minor, K. 475
-5.65-29.50-25.915
2
I. Molto allegro
-6.70-26.93-23.913
3
II. Adagio
-9.27-31.81-28.615
4
III. Allegro assai
-3.82-26.87-23.413
5
No. 1, Andante moderato
-9.68-33.42-30.314
6
No. 2, Andante non troppo e con molto espressione
-5.50-29.72-26.513
7
No. 3, Andante con moto
-9.25-29.44-26.513
8
I. Allegro maestoso
-3.16-25.41-22.514
9
II. Scherzo. Molto vivace
-6.18-26.98-23.812
10
III. Largo
-9.60-33.52-30.615
11
IV. Finale. Presto non tanto
-2.81-22.22-19.513

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