℗ 2024 Solo Musica
| Released | February 2, 2024 |
| Duration | 1h 04m 25s |
| Record Label | Solo Musica |
| Catalogue No. | SM427 |
| Genre | Classical (Art songs) |
Nocturne
Aurélie Noll, María Cristina Kiehr, Yolena Orea-Sánchez
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Nocturne
Reynaldo Hahn; Jean Lahor; Aurélie Noll; María Cristina Kiehr |
2:39 | |||
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1.2
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Paysage
Reynaldo Hahn; André Theuriet; Aurélie Noll; María Cristina Kiehr |
2:29 | |||
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1.3
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À Chloris
Reynaldo Hahn; Théophile de Viau; Aurélie Noll; María Cristina Kiehr |
3:06 | |||
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1.4
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Si mes vers avaient des ailes
Reynaldo Hahn; Victor Hugo; Aurélie Noll; María Cristina Kiehr |
2:07 | |||
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7 Chansons grises
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1.5
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No. 5, L'heure exquise
Reynaldo Hahn; Paul Verlaine; Aurélie Noll; María Cristina Kiehr |
2:55 | |||
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6 Pieces, Op. 51, TH 143
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1.6
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No. 6, Valse sentimentale (Arr. for Cello & Harp by Anonymous)
Pyotr Ilyich Tchaikovsky; Anonymous; Aurélie Noll; Yolena Orea-Sánchez |
2:15 | |||
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6 Pieces, Op. 19, TH 133
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1.7
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No. 4, Nocturne (Arr. for Cello & Harp by Anonymous)
Pyotr Ilyich Tchaikovsky; Anonymous; Aurélie Noll; Yolena Orea-Sánchez |
3:51 | |||
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3 Romanzen, Op. 94
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1.8
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No. 1, Nicht schnell (Arr. for Cello & Harp by Anonymous)
Robert Schumann; Anonymous; Aurélie Noll; Yolena Orea-Sánchez |
3:24 | |||
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Fantasiestücke, Op. 73
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1.9
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No. 1, Zart und mit Ausdruck (Arr. for Cello & Harp by Anonymous)
Robert Schumann; Anonymous; Aurélie Noll; Yolena Orea-Sánchez |
3:37 | |||
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1.10
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Il mare morto
Silvan Loher; Vilhelm Krag; Paul Verlaine; Giuseppe Ungaretti; Aurélie Noll; Yolena Orea-Sánchez; María Cristina Kiehr |
8:33 | |||
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1.11
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Psyché
Manuel de Falla; George Jean-Aubry; Aurélie Noll; Yolena Orea-Sánchez; María Cristina Kiehr; Yi-Fang Huang; Olivier Carillier; Marina Wiedmer |
5:22 | |||
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7 Canciones populares españolas
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1.12
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No. 3, Asturiana
Manuel de Falla; Traditional; Aurélie Noll; Yolena Orea-Sánchez; María Cristina Kiehr |
2:34 | |||
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1.13
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No. 5, Nana
Manuel de Falla; Traditional; Aurélie Noll; Yolena Orea-Sánchez; María Cristina Kiehr |
2:40 | |||
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1.14
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O canto do cisne negro, W122
Heitor Villa-Lobos; Aurélie Noll; Yolena Orea-Sánchez |
2:54 | |||
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1.15
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Romance, Op. 36, R. 195 (Arr. for Cello & Harp by Anonymous)
Camille Saint-Saëns; Anonymous; Aurélie Noll; Yolena Orea-Sánchez |
3:04 | |||
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The Carnival of the Animals, R. 125
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1.16
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XIII. The Swan (Arr. for Cello & Harp by Anonymous)
Camille Saint-Saëns; Anonymous; Aurélie Noll; Yolena Orea-Sánchez |
2:39 | |||
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4 Songs, Op. 39
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1.17
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No. 1, Aurore
Gabriel Fauré; Armand Silvestre; Aurélie Noll; María Cristina Kiehr |
2:18 | |||
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3 Mélodies, Op. 7
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1.18
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No. 1, Après un rêve
Gabriel Fauré; Romain Bussine; Aurélie Noll; María Cristina Kiehr |
2:49 | |||
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2 Songs, Op. 1
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1.19
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No. 2, Mai
Gabriel Fauré; Victor Hugo; Aurélie Noll; María Cristina Kiehr |
2:22 | |||
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3 Songs, Op. 23
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1.20
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No. 3, Le secret
Gabriel Fauré; Armand Silvestre; Aurélie Noll; María Cristina Kiehr |
2:47 | |||
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Digital Booklet
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This recording is the result of a succession of different moments of musical happiness and the encounter between the solo harpist of the Basel Symphony Orchestra, Aurelie Noll, and two exceptional musicians. María Cristina Kiehr and Yolena Orea-Sanchez (violoncello) have put their talent and artistic sensitivity at the service of this wonderful repertoire. The special sound of the harp creates a kind of new relief here and lends this unusual album its special charm. The program includes works by Reynaldo Hahn, Tchaikovsky, Manuel de Falla and Gabriel Faure. One highlight is certainly the new composition for soprano, cello and harp by Swiss composer Silvan Loher, whose delicate and impressionistic musical style fits wonderfully into this project. Soprano María Cristina Kiehr, born in Tandil, Argentina, is a specialist in "early music". The South American cellist Yolena Orea-Sanchez is a permanent member of the Basel Symphony Orchestra, as is the harpist Noll. She can be heard regularly at numerous European music festivals with the Trio Anthilia (violin, cello and piano), which she co-founded.
96 kHz / 24-bit PCM – Solo Musica Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.63 -9.25 to -0.09 | -22.61 -29.09 to -19.03 | -19.07 -25.60 to -15.40 | 12 11 to 15 | |
| 1 | Nocturne | -4.78 | -25.15 | -21.7 | 11 |
| 2 | Paysage | -0.09 | -21.48 | -17.9 | 12 |
| 3 | À Chloris | -0.92 | -21.08 | -17.9 | 12 |
| 4 | Si mes vers avaient des ailes | -0.09 | -20.31 | -16.2 | 12 |
| 5 | No. 5, L'heure exquise | -2.30 | -24.23 | -20.5 | 13 |
| 6 | No. 6, Valse sentimentale (Arr. for Cello & Harp by Anonymous) | -0.10 | -20.95 | -17.9 | 12 |
| 7 | No. 4, Nocturne (Arr. for Cello & Harp by Anonymous) | -0.09 | -21.96 | -18.4 | 13 |
| 8 | No. 1, Nicht schnell (Arr. for Cello & Harp by Anonymous) | -1.56 | -21.87 | -19.0 | 12 |
| 9 | No. 1, Zart und mit Ausdruck (Arr. for Cello & Harp by Anonymous) | -0.10 | -21.61 | -18.7 | 13 |
| 10 | Il mare morto | -0.09 | -22.55 | -18.2 | 14 |
| 11 | Psyché | -0.10 | -23.85 | -19.6 | 15 |
| 12 | No. 3, Asturiana | -7.52 | -28.02 | -24.7 | 11 |
| 13 | No. 5, Nana | -9.25 | -29.09 | -25.6 | 11 |
| 14 | O canto do cisne negro, W122 | -2.36 | -22.47 | -18.9 | 12 |
| 15 | Romance, Op. 36, R. 195 (Arr. for Cello & Harp by Anonymous) | -0.10 | -22.78 | -19.4 | 13 |
| 16 | XIII. The Swan (Arr. for Cello & Harp by Anonymous) | -2.34 | -23.67 | -20.3 | 12 |
| 17 | No. 1, Aurore | -0.58 | -19.03 | -15.4 | 11 |
| 18 | No. 1, Après un rêve | -0.09 | -20.34 | -16.7 | 12 |
| 19 | No. 2, Mai | -0.10 | -19.82 | -16.8 | 12 |
| 20 | No. 3, Le secret | -0.10 | -22.03 | -17.6 | 13 |