℗ 2024 Toccata Classics, London
| Released | March 15, 2024 |
| Duration | 1h 08m 02s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC 0623 |
| Genre | Classical (20th century) |
Hermann: Complete Surviving Music, Vol. 3
Various Artists
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Allegro for Piano
Pál Hermann; Nicholas Horvath |
3:07 | |||
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1.2
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Toccata for Piano
Pál Hermann; Nicholas Horvath |
3:53 | |||
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4 Épigrammes for Piano
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1.3
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No. 1, Allegro
Pál Hermann; Nicholas Horvath |
0:55 | |||
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1.4
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No. 2, Andante in modo arabo
Pál Hermann; Nicholas Horvath |
1:21 | |||
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1.5
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No. 3, Allegro assai
Pál Hermann; Nicholas Horvath |
1:00 | |||
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1.6
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No. 4, Allegro ma non troppo
Pál Hermann; Nicholas Horvath |
1:41 | |||
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Pièces pour piano à 4 mains
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1.7
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No. 1, Andante
Pál Hermann; Nicholas Horvath; Dimitri Malignan |
1:06 | |||
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1.8
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No. 2, Tempo giusto, ben ritmico
Pál Hermann; Nicholas Horvath; Dimitri Malignan |
0:51 | |||
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1.9
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No. 3, Andantino
Pál Hermann; Nicholas Horvath; Dimitri Malignan |
1:21 | |||
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1.10
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No. 4, Allegro risoluto
Pál Hermann; Nicholas Horvath; Dimitri Malignan |
0:56 | |||
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1.11
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No. 5, Moderato assai
Pál Hermann; Nicholas Horvath; Dimitri Malignan |
1:03 | |||
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1.12
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No. 6, Tempo di Jazz
Pál Hermann; Nicholas Horvath; Dimitri Malignan |
1:09 | |||
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1.13
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No. 7, Allegro non troppo
Pál Hermann; Nicholas Horvath; Dimitri Malignan |
0:41 | |||
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1.14
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7 Kippen hebben wij
Pál Hermann; Anonymous; Elizaveta Agrafenina; Sára Gutvill; Irina Scheelbeek-Bedicova; Paul van Gastel; Pierre Mak |
1:49 | |||
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Suite für Blockflöten
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1.15
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I. Andante
Pál Hermann; Reine-Marie Verhagen; Inês d’Avena; Dante Jongerius |
1:56 | |||
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1.16
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II. Andantino
Pál Hermann; Reine-Marie Verhagen; Inês d’Avena; Dante Jongerius |
1:10 | |||
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1.17
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III. Allegro
Pál Hermann; Reine-Marie Verhagen; Inês d’Avena; Dante Jongerius |
2:19 | |||
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1.18
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Sarabande for Lute
Pál Hermann; Punto Bawono |
2:12 | |||
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Divertissement for Harpsichord
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1.19
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I. Toccata
Pál Hermann; Olena Zhukova |
4:50 | |||
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1.20
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II. Interludio
Pál Hermann; Olena Zhukova |
2:33 | |||
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1.21
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III. Gigue
Pál Hermann; Olena Zhukova |
4:23 | |||
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1.22
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Inventio for Organ
Pál Hermann; Olena Matselyukh |
1:33 | |||
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1.23
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Allegretto for Horn & Piano
Pál Hermann; Jean-Pierre Dassonville; Dimitri Malignan |
0:58 | |||
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1.24
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La ceinture
Pál Hermann; Paul Valéry; Dimitri Malignan; Matthieu Walendzik |
2:17 | |||
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1.25
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La dormeuse
Pál Hermann; Paul Valéry; Dimitri Malignan; Matthieu Walendzik |
2:58 | |||
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1.26
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Ophélie
Pál Hermann; Arthur Rimbaud; Dimitri Malignan; Matthieu Walendzik |
7:40 | |||
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1.27
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Somebody's Wrong (Arr. for Violin & Cello by Pál Hermann)
Henry Marshall; Richard Whiting; Raymond Egan; Pál Hermann; Sadie Fields; Mikko Pablo |
4:06 | |||
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6 Moments musicaux, Op. 94, D. 780
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1.28
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No. 3, Allegro moderato (Arr. for Cello & Piano by Pál Hermann)
Franz Schubert; Pál Hermann; Dimitri Malignan; Mikko Pablo |
2:10 | |||
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1.29
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Grande valse brillante, Op. 18, B. 62 (Arr. for Cello & Piano by Pál Hermann)
Frédéric Chopin; Pál Hermann; Dimitri Malignan; Mikko Pablo |
6:04 | |||
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Digital Booklet
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Pál Hermann, born in Budapest in 1902, was not only one of the leading cellists of his generation; he was also an important composer, one of the major figures in Hungarian music in the generation after his teachers Bartók and Kodály. But since only two of his works were published before his early death – in 1944, at the hands of the Nazis – and many more of them were lost, he has not had the esteem that he deserves. The works on this second volume of his surviving compositions – mostly chamber works for strings, several in their first recordings – have the wiry humour, sprung and spiky rhythms and Hungarian melos that mark him out as a worthy successor to Bartók – and hints at how much was lost with his murder.
44.1 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.31 -15.00 to -0.71 | -26.04 -35.93 to -18.40 | -22.40 -32.50 to -15.30 | 13 9 to 16 | |
| 1 | Allegro for Piano | -0.71 | -21.78 | -17.2 | 13 |
| 2 | Toccata for Piano | -0.71 | -22.29 | -19.3 | 16 |
| 3 | No. 1, Allegro | -4.19 | -26.46 | -22.4 | 15 |
| 4 | No. 2, Andante in modo arabo | -13.30 | -35.68 | -30.0 | 13 |
| 5 | No. 3, Allegro assai | -4.50 | -25.61 | -21.7 | 14 |
| 6 | No. 4, Allegro ma non troppo | -8.21 | -31.42 | -25.2 | 12 |
| 7 | No. 1, Andante | -12.59 | -35.93 | -32.5 | 14 |
| 8 | No. 2, Tempo giusto, ben ritmico | -0.79 | -24.51 | -21.6 | 16 |
| 9 | No. 3, Andantino | -12.95 | -33.33 | -30.2 | 12 |
| 10 | No. 4, Allegro risoluto | -2.28 | -21.65 | -18.5 | 13 |
| 11 | No. 5, Moderato assai | -8.80 | -28.74 | -25.1 | 12 |
| 12 | No. 6, Tempo di Jazz | -3.94 | -28.44 | -24.9 | 16 |
| 13 | No. 7, Allegro non troppo | -3.32 | -24.32 | -20.8 | 14 |
| 14 | 7 Kippen hebben wij | -0.73 | -24.00 | -19.5 | 13 |
| 15 | I. Andante | -4.57 | -20.24 | -17.1 | 9 |
| 16 | II. Andantino | -2.91 | -20.73 | -17.4 | 10 |
| 17 | III. Allegro | -4.49 | -22.61 | -19.2 | 11 |
| 18 | Sarabande for Lute | -9.81 | -31.22 | -28.4 | 12 |
| 19 | I. Toccata | -12.45 | -30.60 | -27.5 | 12 |
| 20 | II. Interludio | -15.00 | -33.98 | -30.6 | 13 |
| 21 | III. Gigue | -12.73 | -32.22 | -29.1 | 13 |
| 22 | Inventio for Organ | -2.71 | -18.40 | -15.9 | 9 |
| 23 | Allegretto for Horn & Piano | -0.81 | -18.40 | -15.3 | 10 |
| 24 | La ceinture | -0.71 | -24.66 | -20.1 | 14 |
| 25 | La dormeuse | -2.85 | -27.88 | -23.7 | 15 |
| 26 | Ophélie | -0.71 | -24.27 | -19.7 | 15 |
| 27 | Somebody's Wrong (Arr. for Violin & Cello by Pál Hermann) | -3.67 | -21.86 | -19.1 | 12 |
| 28 | No. 3, Allegro moderato (Arr. for Cello & Piano by Pál Hermann) | -2.99 | -23.82 | -20.5 | 13 |
| 29 | Grande valse brillante, Op. 18, B. 62 (Arr. for Cello & Piano by Pál Hermann) | -0.71 | -20.07 | -17.2 | 13 |