℗ 2023 Ambiente Audio
| Released | January 19, 2024 |
| Duration | 2h 29m 26s |
| Record Label | AMBIENTE Audio |
| Catalogue No. | ACD2044 |
| Genre | Classical (Organ) |
Albright: The King of Instruments & Other Organ Works
Angela Amodio
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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The King of Instruments
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1.1
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No. 1, Introduction
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
1:30 | |||
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1.2
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No. 2, The Manuals
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
1:53 | |||
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1.3
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No. 3, The Pedals
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
1:15 | |||
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1.4
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No. 4, The Flues
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
1:54 | |||
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1.5
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No. 5, The Mixtures
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
1:40 | |||
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1.6
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No. 6, The Flutes
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
0:40 | |||
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1.7
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No. 7, The Principals
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
2:17 | |||
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1.8
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No. 8, The Sesquialtera
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
1:42 | |||
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1.9
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No. 9, The Reeds
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
1:33 | |||
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1.10
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No. 10, The Clarion and the Faggott
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
1:12 | |||
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1.11
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No. 11, The Gamba
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley; Bernhard Winkler |
1:25 | |||
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1.12
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No. 12, The Celeste
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
2:42 | |||
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1.13
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No. 13, The Organist
William Albright; Eugene Haun; Angela Amodio; Tim Scott Whiteley |
2:48 | |||
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1.14
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Pneuma
William Albright; Angela Amodio |
11:16 | |||
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1.15
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In memoriam
William Albright; Angela Amodio |
6:24 | |||
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Flights of Fancy
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1.16
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I. Curtain Raiser
William Albright; Angela Amodio |
1:37 | |||
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1.17
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II. Valse triste
William Albright; Angela Amodio |
3:38 | |||
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1.18
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III. Tango fantastico
William Albright; Angela Amodio |
5:39 | |||
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1.19
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IV. Pas de deux
William Albright; Angela Amodio |
4:33 | |||
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1.20
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V. Ragtime Lullabye
William Albright; Angela Amodio |
5:43 | |||
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1.21
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VI. Shimmy
William Albright; Angela Amodio |
2:11 | |||
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1.22
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VII. Hymn
William Albright; Angela Amodio |
2:53 | |||
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1.23
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VIII. Alla marcia "The A.G.O. Fight Song"
William Albright; Angela Amodio |
6:26 | |||
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Organbook 3, Vol. 1
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1.24
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No. 1, Fanfare. Echo
William Albright; Angela Amodio |
2:56 | |||
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1.25
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No. 5, Recitative - Chorale
William Albright; Angela Amodio |
2:42 | |||
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1.26
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No. 6, Mountains
William Albright; Angela Amodio |
2:56 | |||
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Symphony for Organ
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1.27
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I. Lento, maestoso, lento - Molto ritmico
William Albright; Angela Amodio |
12:08 | |||
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1.28
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II. Cantilena
William Albright; Angela Amodio |
4:59 | |||
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1.29
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III. Tarantella macabra
William Albright; Angela Amodio; Bernhard Winkler |
5:41 | |||
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1.30
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IV. Ritual
William Albright; Angela Amodio; Bernhard Winkler |
7:44 | |||
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1.31
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Sweet Sixteenths
William Albright; Angela Amodio |
4:39 | |||
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1.32
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Chasm
William Albright; Angela Amodio; Bernhard Winkler; Roman Summereder |
12:09 | |||
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Missa brevis
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1.33
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Agnus Dei
William Albright; Anonymous; Angela Amodio; Karoline Pilcz |
5:07 | |||
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Chorale-Partita in an Old Style on "Wer nur den lieben Gott lässt walten"
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1.34
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Chorale
William Albright; Angela Amodio |
1:00 | |||
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1.35
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Var. 4
William Albright; Angela Amodio |
3:04 | |||
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1.36
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Var. 5
William Albright; Angela Amodio |
1:35 | |||
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1.37
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Nun komm, der Heiden Heiland
William Albright; Angela Amodio |
3:02 | |||
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Organbook 3, Vol. 2
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1.38
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No. 11, Nocturne
William Albright; Angela Amodio |
2:49 | |||
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1.39
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No. 12, Finale. The Offering
William Albright; Angela Amodio |
4:04 | |||
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Digital Booklet
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"My music is generous, eclectic and maximal. I prefer chaotic variety to boring unity. I like lively rhythm and ecstatic beauty". This is how William Albright (1944-1998), one of the most idiosyncratic artistic personalities of the recent American music scene, sums up his musical aesthetic. Born in Gary, Indiana, in 1944, he received his early training at Juilliard and the Eastman School of Music. He studied composition with Olivier Messiaen and others at the Paris Conservatory. As a piano and organ virtuoso, he toured America and Europe and became known to a wide audience: not only with the classical repertoire, but also as an enthusiastic interpreter of ragtime. His extensive oeuvre encompasses virtually all genres from orchestral to solo literature, with the organ playing a central role.
96 kHz / 24-bit PCM – AMBIENTE Audio Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.47 -18.66 to -0.45 | -27.53 -36.99 to -20.48 | -24.41 -33.60 to -16.40 | 12 7 to 18 | |
| 1 | No. 1, Introduction | -2.92 | -20.87 | -16.4 | 10 |
| 2 | No. 2, The Manuals | -11.81 | -36.99 | -33.6 | 17 |
| 3 | No. 3, The Pedals | -7.45 | -27.83 | -25.2 | 12 |
| 4 | No. 4, The Flues | -8.62 | -27.19 | -24.5 | 11 |
| 5 | No. 5, The Mixtures | -7.82 | -31.81 | -27.3 | 13 |
| 6 | No. 6, The Flutes | -6.44 | -30.52 | -26.6 | 15 |
| 7 | No. 7, The Principals | -10.62 | -27.58 | -25.0 | 9 |
| 8 | No. 8, The Sesquialtera | -13.69 | -35.63 | -31.5 | 14 |
| 9 | No. 9, The Reeds | -2.47 | -21.04 | -17.2 | 10 |
| 10 | No. 10, The Clarion and the Faggott | -10.04 | -33.63 | -29.9 | 17 |
| 11 | No. 11, The Gamba | -6.33 | -27.52 | -23.8 | 12 |
| 12 | No. 12, The Celeste | -14.61 | -32.37 | -30.7 | 9 |
| 13 | No. 13, The Organist | -1.06 | -20.48 | -16.5 | 11 |
| 14 | Pneuma | -2.37 | -25.81 | -22.1 | 14 |
| 15 | In memoriam | -9.44 | -27.75 | -25.2 | 10 |
| 16 | I. Curtain Raiser | -3.85 | -23.53 | -19.9 | 11 |
| 17 | II. Valse triste | -18.66 | -34.29 | -32.2 | 10 |
| 18 | III. Tango fantastico | -5.46 | -27.18 | -23.7 | 13 |
| 19 | IV. Pas de deux | -10.18 | -27.82 | -25.1 | 10 |
| 20 | V. Ragtime Lullabye | -3.67 | -28.72 | -25.0 | 16 |
| 21 | VI. Shimmy | -11.48 | -30.90 | -28.8 | 11 |
| 22 | VII. Hymn | -2.38 | -23.90 | -17.3 | 11 |
| 23 | VIII. Alla marcia "The A.G.O. Fight Song" | -1.65 | -24.37 | -20.9 | 15 |
| 24 | No. 1, Fanfare. Echo | -12.52 | -28.79 | -24.9 | 10 |
| 25 | No. 5, Recitative - Chorale | -12.71 | -30.68 | -28.2 | 11 |
| 26 | No. 6, Mountains | -2.05 | -21.90 | -17.5 | 12 |
| 27 | I. Lento, maestoso, lento - Molto ritmico | -3.11 | -26.26 | -23.0 | 14 |
| 28 | II. Cantilena | -11.84 | -29.88 | -28.6 | 11 |
| 29 | III. Tarantella macabra | -2.76 | -23.45 | -20.5 | 12 |
| 30 | IV. Ritual | -1.12 | -27.38 | -25.1 | 18 |
| 31 | Sweet Sixteenths | -11.35 | -29.18 | -27.0 | 11 |
| 32 | Chasm | -1.08 | -24.00 | -20.7 | 14 |
| 33 | Agnus Dei | -5.05 | -28.44 | -25.1 | 14 |
| 34 | Chorale | -12.04 | -26.54 | -24.1 | 10 |
| 35 | Var. 4 | -12.75 | -27.79 | -27.9 | 7 |
| 36 | Var. 5 | -7.31 | -24.24 | -21.8 | 10 |
| 37 | Nun komm, der Heiden Heiland | -8.35 | -26.05 | -23.0 | 11 |
| 38 | No. 11, Nocturne | -13.94 | -30.19 | -28.3 | 9 |
| 39 | No. 12, Finale. The Offering | -0.45 | -21.15 | -18.0 | 12 |